Modern English Stories
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Author | : Malcolm Bradbury |
Publisher | : Penguin UK |
Total Pages | : 544 |
Release | : 1988-02-25 |
Genre | : Fiction |
ISBN | : 0141965150 |
This anthology is in many was a ‘best of the best’, containing gems from thirty-four of Britain's outstanding contemporary writers. It is a book to dip into, to read from cover to cover, to lend to friends and read again. It includes stories of love and crime, stories touched with comedy and the supernatural, stories set in London, Los Angeles, Bucharest and Tokyo. Above all, as you will discover, it satisfies Samuel Butler's anarchic pleasure principle: 'I should like to like Schumann's music better than I do; I daresay I could make myself like it better if I tried; but I do not like having to try to make myself like things; I like things that make me like them at once and no trying at all ...'
Author | : Edward Joseph O'Brien |
Publisher | : |
Total Pages | : 392 |
Release | : 1919 |
Genre | : Short stories, English |
ISBN | : |
Author | : V. S. Pritchett |
Publisher | : Modern Library |
Total Pages | : 258 |
Release | : 2007-12-18 |
Genre | : Fiction |
ISBN | : 0307430944 |
Introduction by JEREMY TREGLOWN “In his daily walks through London,” notes Jeremy Treglown in his Introduction to this collection, “Pritchett watched and listened to people as a naturalist observes wild creatures and birds. He knew that oddity is the norm, not the exception.” This finely attuned sense, coupled with an understanding that nothing in life is mundane, is what makes these stories so immensely enjoyable. Drawing on a vast treasure chest of writings, Treglown has selected sixteen of Pritchett’s gems, including “A Serious Question,” which makes its debut in book form here. Featuring some of the best work from a long career, this new compilation of Pritchett’s brilliantly compact stories illuminates his legendary skills.
Author | : Edward Joseph Harrington O'Brien |
Publisher | : |
Total Pages | : 392 |
Release | : 1919 |
Genre | : Short stories, English |
ISBN | : |
Author | : Stephen Alter |
Publisher | : Penguin UK |
Total Pages | : 372 |
Release | : 2001-10-11 |
Genre | : Fiction |
ISBN | : 9351183335 |
Twenty classic short stories from master writers across the country This superb collection contains some of the best Indian short stories written in the last fifty years, both in English and in the regional languages. Some of these stories – ‘We Have Arrived in Amritsar’ by Bhisham Sahni, ‘Companions’ by Raja Rao, ‘The Sky and the Cat’ by U.R. Anantha Murthy, ‘A Devoted Son’ by Anita Desai – have been widely anthologized and are well known. Others, like Premendra Mitra’s ‘The Discovery of Telenapota’, Gangadhar Gadgil’s ‘The Dog that Ran in Circles’, Mowni’s ‘A Loss of Identity’, O.V. Vijayan’s ‘The Wart’ and Devanuru Mahadeva’s ‘Amasa’, are less familiar to readers but are nevertheless classics of the art of the short story. This new and revised edition includes three additional classics: R.K. Narayan’s ‘Another Community’, Avinash Dolas’s ‘The Victim’ and Ismat Chughtai’s ‘The Wedding Shroud’. The Penguin Book of Modern Indian Short Stories is a marvellous and entertaining introduction to the rich diversity of pleasures that the Indian short story–a form that has produced masters in over a dozen languages–can offer.
Author | : W. Somerset Maugham |
Publisher | : |
Total Pages | : 0 |
Release | : 1999-12 |
Genre | : |
ISBN | : 9781860920448 |
Stories in the Travelman Short Stories series take the reader to places of mystery, fantasy, horror, romance, and corners of the universe yet unexplored. In turn, readers take them on the bus or subway, slip them into briefcases and lunchboxes, and send them from Jersey to Juneau.Each classic or original short story is printed on one sheet of paper and folded like a map. This makes it simple to read while commuting, convenient to carry when not, and easy to give or send to a friend. A paper envelope is provided for mailing or gift-giving, and both are packaged in a clear plastic envelope for display. The cost is not much more than a greeting card.
Author | : Patricia Craig |
Publisher | : |
Total Pages | : 552 |
Release | : 1994 |
Genre | : Fiction |
ISBN | : |
"The inadequate acknowledgement of women short story writers in standard anthologies is a cause for wonder or affront. How else, indeed, can you view it, given the riches overlooked?" So states editor Patricia Craig in her introduction to The Oxford Book of Modern Women's Stories, a rich, wide-ranging collection that, at last, redresses this historical imbalance by bringing together forty examples of the very best women's stories--from established authors such as Edith Wharton, Virginia Woolf, Eudora Welty, and Katherine Mansfield, to such modern masters as Margaret Atwood, Alice Munro, Bharati Mukherjee, and Amy Tan. Here readers will find humor, passion, eccentricity, forcefulness, elan, intellectual vigor, subversion--indeed every shading of tone and mood, from ironic detachment to full-blooded engagement. Each writer has her own, perfectly realized angle of vision, whether it's the zestfulness of Angela Carter, the breathtaking evocations of Willa Cather, the quirkiness of Grace Paley, or the pungency of Flannery O'Connor. Breaking with tradition, editor Patricia Craig offers few stories about traditional "women's" topics. Instead, the entries in this collection range from an unforgettable tale of racism in South Africa to explorations of adultery, immigration, the importance of cultural identity, and the rootlessness of American cities. Craig also includes some provocative offerings from outside the mainstream of twentieth century fiction--a ghost story by Edith Wharton, a delightful fairy tale, and several engaging historical pieces. Eloquent and captivating, The Oxford Book of Modern Women's Stories offers a dazzling assortment of classic stories and overlooked gems that will amuse, intrigue, and challenge every lover of fine fiction.
Author | : Anton Pavlovich Chekhov |
Publisher | : |
Total Pages | : 0 |
Release | : 2000 |
Genre | : |
ISBN | : 9780679606635 |
The story is devastatingly symbolic of the corruption and hopelessness in Russia toward the end of the autocracy."--BOOK JACKET.
Author | : Joseph S. M. Lau |
Publisher | : Columbia University Press |
Total Pages | : 634 |
Release | : 1981 |
Genre | : Drama |
ISBN | : 9780231042031 |
Brings together some of the best and most historically significant works of short fiction written in China in this century -including such important figures in the development of Chinese modernism as Lu Hsün, Mao Tun, Ting Ling, and Shen Ts' ung-wen. The companion volume to the highly acclaimed (Columbia, 1978), this new volume presents modernist short fiction from the thirty-year period leading up to the Communist revolution of 1949, after which Chinese literature entered a new phase of development. The stories range in setting from the late Ch'ing dynasty through the Sino-Japanese War and the early Communist years, and range in length from brief tales to substantial short novels. Though a large number of the writers represented are leftists, works of all political viewpoints have been included to provide the full literary panorama of one of the most fertile periods of Chinese creative activity.
Author | : Translated by Hugh Macdonald |
Publisher | : Troubador Publishing Ltd |
Total Pages | : 240 |
Release | : 2016-12-05 |
Genre | : Literary Criticism |
ISBN | : 178589840X |
Shakespeare in Modern English breaks the taboo about Shakespeare’s texts, which have long been regarded as sacred and untouchable while being widely and freely translated into foreign languages. It is designed to make Shakespeare more easily understood in the theatre without dumbing down or simplifying the content. Shakespeare’s ‘As You Like It’, ‘Coriolanus’ and ‘The Tempest’ are presented in Macdonald’s book in modern English. They show that these great plays lose nothing by being acted or read in the language we all use today. Shakespeare’s language is poetic, elaborately rich and memorable, but much of it is very difficult to comprehend in the theatre when we have no notes to explain allusions, obsolete vocabulary and whimsical humour. Foreign translations of Shakespeare are normally into their modern language. So why not ours too? The purpose in rendering Shakespeare into modern English is to enhance the enjoyment and understanding of audiences in the theatre. The translations are not designed for children or dummies, but for those who want to understand Shakespeare better, especially in the theatre. Shakespeare in Modern English will appeal to those who want to understand the rich and poetical language of Shakespeare in a more comprehensible way. It is also a useful tool for older students studying Shakespeare.