Modern English Pictures ... Drawings and Paintings
Author | : Sotheby & Co. (London, England) |
Publisher | : |
Total Pages | : 12 |
Release | : 1946 |
Genre | : |
ISBN | : |
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Author | : Sotheby & Co. (London, England) |
Publisher | : |
Total Pages | : 12 |
Release | : 1946 |
Genre | : |
ISBN | : |
Author | : Helen Chislett |
Publisher | : |
Total Pages | : 272 |
Release | : 2021-09-28 |
Genre | : |
ISBN | : 9780865653931 |
Showcasing 18 landmark projects that celebrate the critically acclaimed interiors of leading English design studio Todhunter Earle Founded by Emily Todhunter and Kate Earle in 1998 and based in Chelsea, London, the design studio Todhunter Earle is renowned for creating beautiful, sensitively considered interiors around the world. With a hugely diverse mix of projects, ranging from traditional country estates and uber‑contemporary town houses to ski chalets and fashionable restaurants, one key element remains constant: their commitment to imbuing interiors with passion, dedication, and sensibility to place. Here, 18 projects showcase their extraordinarily varied catalogue of work, revealing the pivotal factors and challenges encountered on each design journey. The sumptuous book encapsulates Todhunter Earle's instinctive approach: relaxed, unpretentious, and discreet interiors that whisper rather than shout, each one embodying the right feel for the client. Including original photography plus specially commissioned concept illustrations by renowned watercolorist Marianne Topham, Modern English will inspire design enthusiasts and fellow professionals alike.
Author | : Camilla Caporicci |
Publisher | : Routledge |
Total Pages | : 251 |
Release | : 2019-11-04 |
Genre | : Literary Criticism |
ISBN | : 1000734838 |
Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "picturing" in early modern English literature. The essays in this volume offer a comprehensive and varied picture of the relationship between visual and verbal in the early modern period, while also contributing to the understanding of the literary context in which Shakespeare wrote. Using different methodological approaches and taking into account a great variety of texts, including Elizabethan sonnet sequences, metaphysical poetry, famous as well as anonymous plays, and court masques, the book opens new perspectives on the literary modes of "picturing" and on the relationship between this creative act and the tense artistic, religious and political background of early modern Europe. The first section explores different modes of looking at works of art and their relation with technological innovations and religious controversies, while the chapters in the second part highlight the multifaceted connections between European visual arts and English literary production. The third section explores the functions performed by portraits on the page and the stage, delving into the complex question of the relationship between visual and verbal representation. Finally, the chapters in the fourth section re-appraise early modern reflections on the relationship between word and image and on their respective power in light of early-seventeenth-century visual culture, with particular reference to the masque genre.
Author | : New English Art Club |
Publisher | : |
Total Pages | : 44 |
Release | : 1912 |
Genre | : Painting, English |
ISBN | : |
Author | : New English Art Club |
Publisher | : |
Total Pages | : 48 |
Release | : 1909 |
Genre | : Painting |
ISBN | : |
Author | : New English Art Club |
Publisher | : |
Total Pages | : 22 |
Release | : 1889 |
Genre | : Painting, British |
ISBN | : |