Modern and Contemporary World Drama
Author | : Esther Kim Lee |
Publisher | : |
Total Pages | : 0 |
Release | : 2022 |
Genre | : Drama |
ISBN | : 1350121940 |
V. 1. Beginnings -- v. 2. Theories -- v. 3. Movements -- v. 4. Twenty-first century.
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Author | : Esther Kim Lee |
Publisher | : |
Total Pages | : 0 |
Release | : 2022 |
Genre | : Drama |
ISBN | : 1350121940 |
V. 1. Beginnings -- v. 2. Theories -- v. 3. Movements -- v. 4. Twenty-first century.
Author | : Richard Gilman |
Publisher | : Yale University Press |
Total Pages | : 324 |
Release | : 2000-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780300079029 |
This critical exploration of modern drama begins with Büchner and Ibsen and then discusses the major playwrights who have shaped modern theater. A new introduction by the author assesses developments of recent years.
Author | : David Krasner |
Publisher | : John Wiley & Sons |
Total Pages | : 420 |
Release | : 2011-08-31 |
Genre | : Literary Criticism |
ISBN | : 1444343742 |
Covering the period 1879 to 1959, and taking in everything from Ibsen to Beckett, this book is volume one of a two-part comprehensive examination of the plays, dramatists, and movements that comprise modern world drama. Contains detailed analysis of plays and playwrights, connecting themes and offering original interpretations Includes coverage of non-English works and traditions to create a global view of modern drama Considers the influence of modernism in art, music, literature, architecture, society, and politics on the formation of modern dramatic literature Takes an interpretative and analytical approach to modern dramatic texts rather than focusing on production history Includes coverage of the ways in which staging practices, design concepts, and acting styles informed the construction of the dramas
Author | : Alan Louis Ackerman |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Performing Arts |
ISBN | : 9781442612815 |
Exploring the relationship between dramatic language and its theatrical aspects, Reading Modern Drama provides an accessible entry point for general readers and academics into the world of contemporary theatre scholarship. This collection promotes the use of diverse perspectives and critical methods to explore the common theme of language as well as the continued relevance of modern drama in our lives. Reading Modern Drama offers provocative close readings of both canonical and lesser-known plays, from Hedda Gabler to e.e. cummings' Him. Taken together, these essays enter into an ongoing, fruitful debate about the terms 'modern' and 'drama' and build a much-needed bridge between literary studies and performance studies.
Author | : Pascale Aebischer |
Publisher | : Cambridge University Press |
Total Pages | : 263 |
Release | : 2012-10-11 |
Genre | : Literary Criticism |
ISBN | : 0521193354 |
Recent performances of early modern plays are analysed in essays by practitioners and academics, featuring critical, pedagogical and practical approaches.
Author | : Xiaomei Chen |
Publisher | : Columbia University Press |
Total Pages | : 655 |
Release | : 2014-03-25 |
Genre | : Performing Arts |
ISBN | : 0231535546 |
This condensed anthology reproduces close to a dozen plays from Xiaomei Chen's well-received original collection, The Columbia Anthology of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the Republican era to postsocialist China, the book encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.
Author | : J. Thomas Rimer |
Publisher | : Columbia University Press |
Total Pages | : 738 |
Release | : 2014-04-29 |
Genre | : Drama |
ISBN | : 0231128304 |
This anthology is the first to survey the full range of modern Japanese drama and make available JapanÕs best and most representative twentieth- and early-twenty-first-century works in one volume. Divided into six chronological sections: ÒThe Age of Taisho DramaÓ; The Tsukiji Tsukiji Little Theater and Its AftermathÓ; ÒWartime and Postwar DramaÓ; ÒThe 1960s and Underground TheaterÓ; ÒThe 1980s and BeyondÓ; and ÒPopular Theater,Ó the collection opens with a comprehensive introduction to Meiji period drama and provides an informal yet complete history of twentieth-century Japanese theater for students, scholars, instructors, and dramatists. The collection features a mix of original and previously published translations of works, among them plays by such writers as Masamune Hakucho (The Couple Next Door), Enchi Fumiko (Restless Night in Late Spring), Abe Kobo (The Man Who Turned into a Stick), Morimoto Kaoru (A WomanÕs Life), Kara Juro (Two Women), Terayama Shuji (Poison Boy), Noda Hideki (Poems for Sale), and Mishima Yukio (The Sardine SellerÕs Net of Love). Leading translators include Donald Keene, J. Thomas Rimer, Mitsuyra Mori, M. Cody Poulton, John Gillespie, Mari Boyd, and Brian Powell. Each section features an introduction to the developments and character of the period, notes on the playsÕ productions, and photographs of their stage performances. The volume complements any course on modern Japanese literature and any study of modern drama in China, Korea, or other Asian or contemporary Western nation.
Author | : Haiping Yan |
Publisher | : M.E. Sharpe |
Total Pages | : 378 |
Release | : 1998 |
Genre | : Performing Arts |
ISBN | : 9780765633828 |
Chinese spoken drama flourished in the 1980s when it generated a series of national controversies. In important respects, this was the golden age of drama in the People's Republic, as the stage became a most effective arena for exploring long suppressed cultural and political issues, constituting an indispensable dimension of the reform that has been altering the landscape of contemporary Chinese culture and society. The plays in this volume are among the most influential and controversial, having engendered intense cultural debate and political confrontations. They include the only complete English language translation of Bus Stop by Nobel Prize-winning author Gao Xingjian. The film script was chosen from among the most acclaimed contemporary Chinese films for its high significance in the history of Chinese film and its international influence in the cinematic world. For general readers with diverse cultural and artistic interests, this anthology introduces a new world of performing culture that enriches, delights, and challenges. For students and scholars of modern Chinese culture and society, it provides insights into China's profound social, political, and cultural transformation. For students and scholars in theatre and film studies who are increasingly interested in dramatic creations beyond the boundaries of the European tradition, it offers much needed materials for broadening cultural horizons. Yan Haiping, who holds advanced degrees in theater arts from Cornell University, was awarded the First Prize for Excellence in Drama 1980-81 by the Society of Chinese Dramatists and the Ministry of Culture of the PRC for her ten-act historical play Li Shimin, Prince of Qin. contents Plays: WM, by Wang Peigong, playscript revised for performance by Wang Gui, translated by Thomas Moran; Pan Jinlian:The History of a Fallen Woman, by Wei Minglun, translated by Dave Williams with Xiaoxia Williams; Shanshuping Chronicles, by Chen Zidu, Yang Jian, Zhu Xiaoping, translated by Rong Cai; The Bus Stop by Gao Xingjian, translated by Kimberly Besio. Film: ld Well, by Zheng Yi, directed by Wu Tianming, translated by Shiaoling Yu.
Author | : Kirsten Shepherd-Barr |
Publisher | : Oxford University Press |
Total Pages | : 153 |
Release | : 2016 |
Genre | : Performing Arts |
ISBN | : 0199658773 |
This book tells the story of modern drama through its seminal, groundbreaking plays and performances, and the artistic diversity that these represent. Exploring the new note of artistic hostility between dramatists and their audience, Shepherd-Barr draws on a range of theories and performances to reveal what makes modern drama 'modern'.
Author | : Erin B. Mee |
Publisher | : Oxford University Press |
Total Pages | : |
Release | : 2011-06-16 |
Genre | : Literary Collections |
ISBN | : 019161811X |
Antigone on the Contemporary World Stage is the first book to analyse what happens to Sophocles' play as it is adapted and (re)produced around the world, and the first to focus specifically on Antigone in performance. The essays, by an international gathering of noted scholars from a wide range of disciplines, highlight the numerous ways in which social, political, historical, and cultural contexts transform the material, how artists and audiences in diverse societies including Argentina, The Congo, Finland, Haiti, India, Japan, and the United States interact with it, and the variety of issues it has been used to address.