Mocp Museum Of Contemporary Photography
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Author | : Shimon Attie |
Publisher | : Twin Palms Publishers |
Total Pages | : 0 |
Release | : 2004 |
Genre | : Photography |
ISBN | : 9781931885317 |
"For a number of years, Shimon Attie (born 1957) has created his own photographic palimpsests, projecting historical images onto public spaces and then photographing them, trying to bring out buried layers of memory. 'I am trying to give visual form to history and memory which is latent in the architecture and landscape of the present, latent but not visible ... More than my therapeutic training, I think my temperament made me interested in revealing layers of a buried or repressed past.' The projected image, Attie says, is a physical embodiment of the process of memory itself. 'Like memory, the projection appears to have substance and materiality, but in fact it does not--it is only photons, ' he says. 'It's an illusion.' The projections of historical photographs onto actual sites in the present have a ghostly, immaterial, ephemeral quality of fleeting memory." -- Alexander Stille
Author | : |
Publisher | : |
Total Pages | : 192 |
Release | : 2019 |
Genre | : Blacksburg (Va.) |
ISBN | : 9789490119812 |
American Origami? is the result of six years of photographic research by Andres Gonzalez. The project closely examines the epidemic of mass shootings in American schools, interweaving first-person interviews, forensic documents, press materials, and original photographs. The book takes its reader through a visual journey of shared grief and atonement to illuminate moments of beauty and pose moral questions embedded in acts of collective healing. Bound in a unique way, the varied elements repeat and fold into each other, creating a parallel world of past and present, and showing the silenced landscape together with the personal artefacts created by those left behind.
Author | : |
Publisher | : Princeton Architectural Press |
Total Pages | : 124 |
Release | : 2007-07-05 |
Genre | : Design |
ISBN | : 9781568987040 |
This title chronicles the life of Albert Hastings, an octogenarian living alone in a small flat in Wales. Bert's writing is paired with Deveney's photographs and together they tell a story of fulfilment, lonliness, hope and beauty.
Author | : Tim Marlow |
Publisher | : Royal Academy Books |
Total Pages | : 240 |
Release | : 2015-11-10 |
Genre | : Art |
ISBN | : 9781910350164 |
Despite being one of the most significant cultural figures to have emerged from China in recent decades, Ai Weiwei Hon RA is so controversial within his native country that until recently his name was removed from Chinese editions of art books. Eloquently fusing art and activism with a dark and rebellious wit, he has galvanised a generation of artists with his strong convictions and his willingness to risk personal liberties in pursuit of freedom of speech. Published to accompany his first major UK exhibition, this handsome book's texts include a new interview with Ai, an insightful exploration of his position within the Chinese and international contemporary art worlds, an incisive account of his architectural practice, and a chronology containing reflections from key figures who have worked with him. Sumptuous illustrations demonstrate the virtuosity of the traditional Chinese craftsmanship that Ai employs to produce his works and reveal the unflinching determination that lies behind his art. AUTHOR: Tim Marlow is Artistic Director of the Royal Academy of Arts. John Tancock received his PhD from the Courtauld Institute of Art in London and is currently active as a curator and specialist in contemporary Chinese art. Daniel Rosbottom is a Director of DRDH Architects, London, and Professor of Architecture and the Interior at the Technical University, Delft. Adrian Locke is Senior Curator at the Royal Academy of Arts. SELLING POINTS: * An in-depth exploration of the work of one of China's most significant artists * Illustrated with stunning examples of Ai Weiwei's work, demonstrating his dark and rebellious wit * Featuring a new and exclusive interview with Ai Weiwei himself 280 colour
Author | : Rachel Sussman |
Publisher | : University of Chicago Press |
Total Pages | : 305 |
Release | : 2014-06-03 |
Genre | : Nature |
ISBN | : 022605764X |
The Oldest Living Things in the World is an epic journey through time and space. Over the past decade, artist Rachel Sussman has researched, worked with biologists, and traveled the world to photograph continuously living organisms that are 2,000 years old and older. Spanning from Antarctica to Greenland, the Mojave Desert to the Australian Outback, the result is a stunning and unique visual collection of ancient organisms unlike anything that has been created in the arts or sciences before, insightfully and accessibly narrated by Sussman along the way. Her work is both timeless and timely, and spans disciplines, continents, and millennia. It is underscored by an innate environmentalism and driven by Sussman’s relentless curiosity. She begins at “year zero,” and looks back from there, photographing the past in the present. These ancient individuals live on every continent and range from Greenlandic lichens that grow only one centimeter a century, to unique desert shrubs in Africa and South America, a predatory fungus in Oregon, Caribbean brain coral, to an 80,000-year-old colony of aspen in Utah. Sussman journeyed to Antarctica to photograph 5,500-year-old moss; Australia for stromatolites, primeval organisms tied to the oxygenation of the planet and the beginnings of life on Earth; and to Tasmania to capture a 43,600-year-old self-propagating shrub that’s the last individual of its kind. Her portraits reveal the living history of our planet—and what we stand to lose in the future. These ancient survivors have weathered millennia in some of the world’s most extreme environments, yet climate change and human encroachment have put many of them in danger. Two of her subjects have already met with untimely deaths by human hands. Alongside the photographs, Sussman relays fascinating – and sometimes harrowing – tales of her global adventures tracking down her subjects and shares insights from the scientists who research them. The oldest living things in the world are a record and celebration of the past, a call to action in the present, and a barometer of our future.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Performing Arts |
ISBN | : 9788857232294 |
The cinema of Nigeria, often referred to as "Nollywood" is a term coined in the mid-1990s to describe Nigeria's vibrant, film industry consists of movies produced in the country but watched all over Africa and largely by Africans in the diaspora. The history and development of the Nigerian motion picture industry is sometimes generally classified in four main eras: the Colonial era, Golden Age, Video film era and the emerging New Nigerian cinema. The book presents a selection of photographic portraits by Iké Udé depicting some of the major Nigerian actors and actress, television presenters, directors and producers: from Genevieve Nnaji, Alexx Ekubo and Kunle Afolayan to Gideon Okeke, Chioma Ude and Osas Ighodaro. With his ongoing photographic self-portraits, Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/postnationalist, mainstream/ marginal, individual/everyman and fashion/art. As a Nigerian born, New York based artist, conversant with the world of fashion and celebrity, Udé gives conceptual aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art.
Author | : Dave Jordano |
Publisher | : powerHouse Books |
Total Pages | : 0 |
Release | : 2018-04-17 |
Genre | : Photography |
ISBN | : 9781576878705 |
In a continuation of Dave Jordano's critically-acclaimed Detroit: Unbroken Down (powerHouse Books, 2015), which documented the lives of residents, Detroit Nocturne is an artist's book not of people this time, but instead the places within which they live and work: structures, dwellings, and storefronts. Made at night, these photographs speak to the quiet resolve of Detroit's neighborhoods and its stewards: independent shop proprietors and home owners who have survived the long and difficult path of living in a post-industrial city stripped of economic prosperity and opportunity. In many rust-belt cities like Detroit, people's lives often hang in the balance as neighborhoods support and provide for each other through job creation, ad-hoc community involvement, moral and spiritual support, and a well-honed Do-It-Yourself attitude. With all the media attention about Detroit's rebirth and revival, it is important to note that many neighborhoods throughout the city have managed to survive against the odds for years, relying on local merchants and businesses that operate on a cash only basis who have stuck it out through decades of economic decline. Determination and a strong sense of self-preservation: Detroit's citizens manage to survive by maintaining a healthy sense of connection without the fear of giving up. All of these places of business and residences, whether large or small, are in many ways symbols representing the ongoing story that is Detroit, and a testament to the tenacity of those who are trying desperately to hold on to what is left of the social and economic fabric of the city. These photographs speak to that truth without casting an overly sentimental gaze. These nocturnal images offer a chance to view the locations in an unfamiliar light, and offer a moment of quiet and calm reflection.
Author | : David Hartt |
Publisher | : Columbia College (Chicago) |
Total Pages | : 0 |
Release | : 2013 |
Genre | : African American art |
ISBN | : 9781935195436 |
"David Hartt's Stray Light is a film installation and a group of photographs. It consists of a video/sound track loop, projected to cover one wall of an open room. The floor of the room is carpeted in an archival pattern specific to the location where the film was made. A third element fabricated from water-jet cut aluminum and acrylic stands sentinel-like across from the entrance to the room ... The subject of Stray Light is a building, specifically the Johnson Publishing Company Headquarters in Chicago, designed by John Moutoussamy, an African-American partner in the architectural firm Dubin, Dubin, Black." -- P. 61.
Author | : Tim Kinsella |
Publisher | : |
Total Pages | : |
Release | : 2014-10-16 |
Genre | : |
ISBN | : 9780965888738 |
Author | : Susan Bright |
Publisher | : Art / Books |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Photography |
ISBN | : 9781908970107 |
Published to coincide with an exhibition held at the Photographers' Gallery and Foundling Museum in London and touring to Chicago's Museum of Contemporary Photography, this beautiful and striking book examines contemporary interpretations of one of the most enduring subjects in the history of picture-making: the image of the mother. Focusing on the work of twelve international photographic artists, the publication challenges the stereotypical or sentimental views of motherhood handed down by traditional depictions, and explores how photography can be used to address changing conditions of power, gender, domesticity, the maternal body, and female identity. The work featured here is highly personal, often documentary in approach and with the individual subject at its centre, reflecting photography itself in the twenty-first century. The featured artists offer very different views of contemporary motherhood, from the devoted to the dysfunctional, representing the myriad ways that becoming - or even trying to become - a mother can radically alter a woman's sense of self and how others perceive her. The book's essays, illustrated with dozens of comparative images from antiquity to the present day, present the historical and contemporary context of the mother figure. Curator of the exhibitions and volume editor Susan Bright traces the history of photographs of motherhood from the nineteenth century to our 'postfeminist' age. Simon Watney weaves a fascinating narrative of the Madonna figure through the centuries. Nick Johnstone looks at the presentation of the mother from the perspective of the father, and considers how images of fatherhood compare, while Stephanie Chapman lays out the moving history of London's Foundling Museum through photographs and repositions the mother in a story of loss where she is strangely absent. Presenting contemporary thinking on motherhood through an exploration of its changing representation in photography, Home Truths provides a fresh and unique insight into one of the most universal and well documented of experiences.