Misogonus
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Author | : Peter K. Andersson |
Publisher | : Princeton University Press |
Total Pages | : 224 |
Release | : 2023-09-19 |
Genre | : Biography & Autobiography |
ISBN | : 0691250162 |
The first biography of Henry VIII’s court fool William Somer, a legendary entertainer and one of the most intriguing figures of the Tudor age In some portraits of Henry VIII there appears another, striking figure—a gaunt and morose-looking man with a shaved head and, in one case, a monkey on his shoulder. This is William or "Will" Somer, the king’s fool, a celebrated wit who reportedly could raise Henry’s spirits and spent many hours with him, often alone. Was Somer an “artificial fool,” a cunning comic who could speak freely in front of the king, or a “natural fool,” someone with intellectual disabilities, like many other members of the profession? And what role did he play in the tumultuous and violent Tudor era? Fool is the first biography of Somer—and perhaps the first of a Renaissance fool. After his death, Somer disappeared behind his legend, and historians struggled to separate myth from reality. Unearthing as many facts as possible, Peter K. Andersson pieces together the fullest picture yet of an enigmatic and unusual man with a very strange job. Somer’s story provides new insights into how fools lived and what exactly they did for a living, how monarchs and courtiers related to commoners and people with disabilities, and whether aspects of the Renaissance fool live on in the modern comedian. But most of all, we learn how a commoner without property or education managed to become the court’s chief mascot and a continuous presence at the center of Tudor power from the 1530s to the reign of Elizabeth I. Looking beyond stereotypes of the man in motley, Fool reveals a little-known world, surprising and disturbing, when comedy was something crueler and more unpleasant than we like to think.
Author | : Ezra Horbury |
Publisher | : Boydell & Brewer |
Total Pages | : 299 |
Release | : 2019 |
Genre | : Drama |
ISBN | : 1843845423 |
Examination of the motif of the prodigal son as treated in early modern drama, from Shakespeare to Beaumont and Fletcher.
Author | : Donald Clive Stuart |
Publisher | : |
Total Pages | : 706 |
Release | : 1928 |
Genre | : Drama |
ISBN | : |
Author | : Richard Warwick Bond |
Publisher | : |
Total Pages | : 458 |
Release | : 1911 |
Genre | : Comparative literature |
ISBN | : |
Author | : John Stephen Farmer |
Publisher | : |
Total Pages | : 498 |
Release | : 1906 |
Genre | : |
ISBN | : |
Author | : Martin Wiggins |
Publisher | : Oxford University Press, USA |
Total Pages | : 537 |
Release | : 2012-09-13 |
Genre | : Drama |
ISBN | : 0199265720 |
Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.
Author | : Sir Adolphus William Ward |
Publisher | : |
Total Pages | : 526 |
Release | : 1910 |
Genre | : English literature |
ISBN | : |
Author | : Carl J. Stratman |
Publisher | : Univ of California Press |
Total Pages | : 436 |
Release | : 2023-11-10 |
Genre | : Literary Criticism |
ISBN | : 0520345576 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
Author | : Ross W. Duffin |
Publisher | : Oxford University Press |
Total Pages | : 761 |
Release | : 2018-01-09 |
Genre | : Music |
ISBN | : 0190856610 |
English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost--until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W. Duffin has used the existing English repertory of songs, both popular and composed, to reconstruct hundreds of songs from more than a hundred plays and other stage entertainments. Thanks to Duffin's incredible breakthrough, these plays have been rendered performable with period music for the first time in five hundred years. Some Other Note not only brings these songs back from the dead, but tells a thrilling tale of the investigations that unraveled these centuries-old mysteries.
Author | : Katherine Steele Brokaw |
Publisher | : Cornell University Press |
Total Pages | : 293 |
Release | : 2016-07-18 |
Genre | : Drama |
ISBN | : 1501705911 |
In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England’s long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people’s reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for. The theater represented the music of the church’s present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe’s Doctor Faustus, Shakespeare’s The Tempest and The Winter’s Tale) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager.