Mira de Amescua

Mira de Amescua
Author: Antonio Mira de Amescua
Publisher:
Total Pages: 460
Release: 1925
Genre: Spanish drama
ISBN:

Lope de Vega's Comedias de Tema Religioso

Lope de Vega's Comedias de Tema Religioso
Author: Elaine M. Canning
Publisher: Tamesis Books
Total Pages: 174
Release: 2004
Genre: Drama
ISBN: 9781855660304

Lope's use of self-reverential devices in Lo fingido verdadero and La buena guarda serves to highlight the illusory nature of life and the relationship between lo verdadero and lo divino which lie at the heart of the theocentric world view of seventeenth-century Spain. The conflicting imperatives of human and divine love and the issue of identity are features of all of the plays. Furthermore, it is illustrated that the interplay between illusion and reality and the relationship between playwright and audience are crucial to Lope's dramatic output."--Jacket.

MLN.

MLN.
Author:
Publisher:
Total Pages: 540
Release: 1905
Genre: Languages, Modern
ISBN:

A Companion to Golden Age Theatre

A Companion to Golden Age Theatre
Author: Jonathan Thacker
Publisher: Boydell & Brewer Ltd
Total Pages: 248
Release: 2007
Genre: Spanish drama
ISBN: 9781855661400

As well as dealing with the lives and major works of the most significant playwrights of the period, this text focuses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship.

Spanish Dramatists of the Golden Age

Spanish Dramatists of the Golden Age
Author: Mary Parker
Publisher: Bloomsbury Publishing USA
Total Pages: 297
Release: 1998-09-17
Genre: Literary Criticism
ISBN: 0313370516

The Golden Age of Spanish drama extends from the close of the 15th century to the death of Calderón in 1681. During that time, the humanists, as dramatists, followed Italy's artistic awakening direction, and imitated Classical drama. With originality and dreams of greatness, they subverted the nature of tragedy; modified the approach of Comedy and invented the New Play, the Comedia Nueva. In it the poet-dramatists introduced important modificaitons of realism, included imagined reality, Christian symbolism and theatricality, as artistic truth. They elaborate all kinds of syntheses. For this reason, the Spanish Golden Age theater can be viewed as part of a tradition that includes the Greco-Roman comedy and tragedy, Christian tragedy, and the authentic national literary and dramatic tendencies. The entries in this reference book explore the fascinating history of the Golden Age of Spanish drama. The volume begins with an introductory overview of the literary, cultural, and historical contexts that shaped dramatic writing of the period. The book then presents alphabetically arranged essays for nineteen significant Spanish dramatists of the Golden Age. Each essay is written by an expert contributor and includes biographical information, an analysis and evaluation of major works, a discussion of critical response to the plays, and an extensive bibliography of primary and secondary sources. The volume closes with a selected general bibliography of central critical studies of Golden Age Spanish drama.

Woman and Society in the Spanish Drama of the Golden Age

Woman and Society in the Spanish Drama of the Golden Age
Author: Melveena McKendrick
Publisher: Cambridge University Press
Total Pages: 366
Release: 1974-07-04
Genre: Literary Criticism
ISBN: 0521202949

An identification and analysis of Spanish Golden-Age drama's preoccupation with the woman who will not accept marriage as her natural role.

Theatre in Spain, 1490-1700

Theatre in Spain, 1490-1700
Author: Melveena McKendrick
Publisher: CUP Archive
Total Pages: 356
Release: 1989
Genre: Drama
ISBN: 9780521429016

This is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all its aspects - the commercial theatre, the court drama and the Corpus autos, the organisation of theatrical life, the playhouses themselves and their public, the literary and moral controversies, and the plays as literary texts. The book has been written for students of drama as well as Hispanists: Spanish theatre is set in its national and international context; Spanish titles and theatrical terms are translated. Considerable space has been devoted to the experimental drama of the sixteenth century before Lope de Vega. At the core of the book is a highly distinctive, successful national theatre which mirrored the energies, beliefs and anxieties of a great nation in crisis, yet at the same time granted full expression to the individual genius of its greatest exponents - Lope de Vega, Tirso de Molina and Calderon de la Barca.