Minor Histories
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Author | : Mike Kelley |
Publisher | : MIT Press |
Total Pages | : 468 |
Release | : 2004-02-06 |
Genre | : Art |
ISBN | : 9780262611985 |
The second volume of writings by Los Angeles artist Mike Kelley, focusing on his own work. What John C. Welchman calls the "blazing network of focused conflations" from which Mike Kelley's styles are generated is on display in all its diversity in this second volume of the artist's writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley's own work, ranging from texts in "voices" that grew out of scripts for performance pieces to expository critical and autobiographical writings.Minor Histories organizes Kelley's writings into five sections. "Statements" consists of twenty pieces produced between 1984 and 2002 (most of which were written to accompany exhibitions), including "Ajax," which draws on Homer, Colgate- Palmolive, and Longinus to present its eponymous hero; "Some Aesthetic High Points," an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of "creative writings" that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visual styles that characterize Kelley's artwork. "Video Statements and Proposals" are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. "Image-Texts" offers writings that accompany or are part of artworks and installations. This section includes "A Stopgap Measure," Kelley's zestful millennial essay in social satire, and "Meet John Doe," a collage of appropriated texts. "Architecture" features an discussion of Kelley's Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work. Finally, "Ufology" considers the aesthetics and sexuality of space as manifested by UFO sightings and abduction scenarios.
Author | : Michelle Dunn Marsh |
Publisher | : |
Total Pages | : 176 |
Release | : 2021-10-17 |
Genre | : |
ISBN | : 9781735642321 |
This memoir of Michelle Dunn Marsh's life and work as a book designer, cultural producer, and publisher unfolds through photographs drawn from the author's collection (featuring many prints gifted to her from projects, or obtained through trade), and notes on her formative encounters with some of American photography's master practitioners over the last twenty-five years.Portraits of her by Stephen Shore, Larry Fink, Sylvia Plachy, Will Wilson, and others punctuate a loosely chronological narrative exploring the author's evolution of seeing, the influences of family, education, geographies, mentors, and photography itself on that process, and her commitment to the printed book as a vessel of future histories.
Author | : Colum Hourihane |
Publisher | : Index of Christian Art Department of Art and Archeology Princeton |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9780983753711 |
This collection explores the way in which these minor arts have fought back to gain wider acceptance in our holistic approach to studying the arts of the Middle Ages. Written by some of the most eminent scholars in the field, looks at minor media from a historiographical perspective and shows how they are gaining wider acceptance.
Author | : Vernon Hyde Minor |
Publisher | : |
Total Pages | : 211 |
Release | : 1994 |
Genre | : Art |
ISBN | : 9780131946064 |
This undergraduate text covers the standard (old and new) methodological approaches to art history, in a clear, direct and understandable way.
Author | : Ernst Hans Gombrich |
Publisher | : Univ of California Press |
Total Pages | : 258 |
Release | : 1987-01-01 |
Genre | : Art |
ISBN | : 9780520061897 |
Essays discuss Greek and Chineese art, Da Vinci, Michelangelo, Dutch genre painting, Rubens, Rembrandt, art collecting, museums, and Freud's aesthetics
Author | : Mike Kane |
Publisher | : Sports Publishing LLC |
Total Pages | : 262 |
Release | : 1994 |
Genre | : Sports & Recreation |
ISBN | : 9781571670045 |
When Ned Harkness enthusiastically predicted that Glens Falls, New York, would become the 'Green Bay of Hockey', even his most ardent supporters had to wonder whether his hyperbole had any limits. Adirondack teams have won four Calder Cup playoff titles and have been a finishing school for dozens of NHL players, coaches, and executives, including Boston Bruin Adam Oates, NY Ranger Adam Graves, Chicago Blackhawk Joe Murphy, Detroit's Bob Probert, Tim Cheveldae of Winnipeg, former Montreal Canadien star Peter Mahovlich, New York Rangers president and general manager Neil Smith, and Los Angeles Kings coach Barry Melrose.
Author | : Jews |
Publisher | : |
Total Pages | : 934 |
Release | : 1834 |
Genre | : |
ISBN | : |
Author | : Jules Gill-Peterson |
Publisher | : U of Minnesota Press |
Total Pages | : 392 |
Release | : 2018-10-23 |
Genre | : Social Science |
ISBN | : 1452958157 |
A groundbreaking twentieth-century history of transgender children With transgender rights front and center in American politics, media, and culture, the pervasive myth still exists that today’s transgender children are a brand new generation—pioneers in a field of new obstacles and hurdles. Histories of the Transgender Child shatters this myth, uncovering a previously unknown twentieth-century history when transgender children not only existed but preexisted the term transgender and its predecessors, playing a central role in the medicalization of trans people, and all sex and gender. Beginning with the early 1900s when children with “ambiguous” sex first sought medical attention, to the 1930s when transgender people began to seek out doctors involved in altering children’s sex, to the invention of the category gender, and finally the 1960s and ’70s when, as the field institutionalized, transgender children began to take hormones, change their names, and even access gender confirmation, Julian Gill-Peterson reconstructs the medicalization and racialization of children’s bodies. Throughout, they foreground the racial history of medicine that excludes black and trans of color children through the concept of gender’s plasticity, placing race at the center of their analysis and at the center of transgender studies. Until now, little has been known about early transgender history and life and its relevance to children. Using a wealth of archival research from hospitals and clinics, including incredible personal letters from children to doctors, as well as scientific and medical literature, this book reaches back to the first half of the twentieth century—a time when the category transgender was not available but surely existed, in the lives of children and parents.
Author | : David James |
Publisher | : Univ of California Press |
Total Pages | : 572 |
Release | : 2005-05-30 |
Genre | : Performing Arts |
ISBN | : 9780520938199 |
Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films—many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods—from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture’s utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California’s geography.
Author | : Mieke Bleyen |
Publisher | : Universitaire Pers Leuven |
Total Pages | : 225 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9058679101 |
The first book to apply the concept of the 'minor' to the theory of photography. The notion of the minor, developed by Gilles Deleuze and Félix Guattari in Kafka, Towards a minor literature (1975), is introduced and connected applied here for the very first time to the field of photography theory. Deleuze and Guattari defined minor literature in terms of deterritorialization, politicization and collectivization. By transferring 'the minor' to the medium of photography, this book enlarges the idea of 'the minor' and opens it up to all kinds of mutations in the process. The essays gathered in this book discuss the ways in which photography can make the dominant codes of representation stammer and how it can produce new effects and address people yet to come. The authors consider 'the minor' as a valuable tool to help photography research move beyond, or in between, binary and hierarchized ways of thinking (of high and low art, for example, or centre and periphery). As such, it aims to contribute to a rethinking of photography as multiplicity and variation. Consequently, the term is connected with both marginal and canonical photographic practices, covering photographers as different as Miroslav Tichy, Paul McCarthy, Tacita Dean, Dan Graham, and Paul Nougé. After developing a theory of the minor, this book explores how the operations of the minor can be found in major art practices. It closes by tackling the question of photography as variation in case studies of belated forms of surrealist photography. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).