Miniatura fiorentina del Rinascimento, 1440-1525
Author | : Annarosa Garzelli |
Publisher | : |
Total Pages | : 628 |
Release | : 1985 |
Genre | : Illumination of books and manuscripts |
ISBN | : |
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Author | : Annarosa Garzelli |
Publisher | : |
Total Pages | : 628 |
Release | : 1985 |
Genre | : Illumination of books and manuscripts |
ISBN | : |
Author | : Lorenz Bninger |
Publisher | : Harvard University Press |
Total Pages | : 225 |
Release | : 2021-04-06 |
Genre | : History |
ISBN | : 067425113X |
A new history of one of the foremost printers of the Renaissance explores how the Age of Print came to Italy. Lorenz Bninger offers a fresh history of the birth of print in Italy through the story of one of its most important figures, Niccol di Lorenzo della Magna. After having worked for several years for a judicial court in Florence, Niccol established his business there and published a number of influential books. Among these were Marsilio FicinoÕs De christiana religione, Leon Battista AlbertiÕs De re aedificatoria, Cristoforo LandinoÕs commentaries on DanteÕs Commedia, and Francesco BerlinghieriÕs Septe giornate della geographia. Many of these books were printed in vernacular Italian. Despite his prominence, Niccol has remained an enigma. A meticulous historical detective, Bninger pieces together the thorough portrait that scholars have been missing. In doing so, he illuminates not only NiccolÕs life but also the Italian printing revolution generally. Combining Renaissance studiesÕ traditional attention to bibliographic and textual concerns with a broader social and economic history of printing in Renaissance Italy, Bninger provides an unparalleled view of the business of printing in its earliest years. The story of Niccol di Lorenzo furnishes a host of new insights into the legal issues that printers confronted, the working conditions in printshops, and the political forces that both encouraged and constrained the publication and dissemination of texts.
Author | : S. P. Oakley |
Publisher | : Oxford University Press |
Total Pages | : 445 |
Release | : 2023-05-25 |
Genre | : |
ISBN | : 0198848730 |
This volumes offers a study of all known manuscripts and incunabular editions of four classical texts: Vitruvius' De architectura, Cato's De agri cultura, Varro's De re rustica, Porphyrio's Commentary on Horace, and Priscian's Periegesis. The total number of witnesses involved comes to over 200; many of the manuscripts were produced in France or Italy, but English, German, Polish, and Swiss manuscripts also feature. For each text, the genealogical affiliations of its manuscript copies are determined (in many cases for the first time), as is the manner in which each was dispersed throughout medieval Europe and transmitted from antiquity through the Middle Ages to the first printed editions. S. P. Oakley shows that clear and decisive results can be achieved by application of the so-called stemmatic method and establishes which manuscripts future editors should use in editing these texts. Manuscripts that are not needed by future editors are discussed as fully as those that are, and many localizations and derivations are established. The result is a detailed study that deepens knowledge of the transmission of classical Latin texts, especially in the Renaissance, of scribal practice, and of techniques that can be deployed in the genealogical study of manuscripts and incunables.
Author | : K. J. P. Lowe |
Publisher | : Cambridge University Press |
Total Pages | : 466 |
Release | : 2003-12-04 |
Genre | : Art |
ISBN | : 9780521621915 |
This well-illustrated and innovative book analyses convent culture in sixteenth-century Italy through the medium of three unpublished nuns' chronicles. It uses a comparative methodology of 'connected differences' to examine the intellectual and imaginative achievement of these nuns, and to investigate how they fashioned and preserved individual and convent identities by writing chronicles. The chronicles themselves reveal many examples of nuns' agency, especially with regard to cultural creativity, and show that convent traditions determined cultural priorities and specialisms, and dictated the contours of convent ceremonial life.
Author | : Margaret Ann Zaho |
Publisher | : Peter Lang |
Total Pages | : 168 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780820462356 |
Imago Triumphalis: The Function and Significance of Triumphal Imagery for Renaissance Rulers examines how independent rulers in fifteenth-century Italy used the motif of the Roman triumph for self-aggrandizement and personal expression. Triumphal imagery, replete with connotations of victory and splendor, was recognized during the Renaissance as a reflection of the glory of classical antiquity. Its appeal as a powerful visual bearer of meaning is evidenced by its appearance as a dominant theme in literature, architecture, and art. Rulers such as Alfonso of Aragon, Federico da Montefeltro, Sigismondo Malatesta, and Borso d'Este chose to incorporate the triumphal motif in major artistic commissions in which they were represented. They recognized that the image of the triumph could retain its classical associations while functioning as a highly personalized commentary.
Author | : Bernard Mineo |
Publisher | : John Wiley & Sons |
Total Pages | : 517 |
Release | : 2014-11-17 |
Genre | : History |
ISBN | : 1118301285 |
A Companion to Livy features a collection of essays representing the most up-to-date international scholarship on the life and works of the Roman historian Livy. Features contributions from top Livian scholars from around the world Presents for the first time a new interpretation of Livy's historical philosophy, which represents a key to an overall interpretation of Livy's body of work Includes studies of Livy's work from an Indo-European comparative aspect Provides the most modern studies on literary archetypes for Livy's narrative of the history of early Rome
Author | : Ian Du Quesnay |
Publisher | : Cambridge University Press |
Total Pages | : 417 |
Release | : 2021-04-29 |
Genre | : History |
ISBN | : 1107193567 |
Comprehensive coverage, accessible to students and non-specialists, of one of the most popular poets of classical antiquity.
Author | : Jeanne K. Cadogan |
Publisher | : Yale University Press |
Total Pages | : 452 |
Release | : 2000-01-01 |
Genre | : Art |
ISBN | : 0300087209 |
Domenico Ghirlandaio was one of the most popular artists in fifteenth-century Florence. He worked in a variety of media, including panel paintings, wall murals, mosaic, and manuscript illumination, and his workshop - to which Michelangelo was apprenticed - was highly influential. This beautiful book offers a radically new interpretation of Ghirlandaio’s life and work, viewing him primarily as an artisan active within the craft traditions, guild structure, and workshop organizations of his day. Jean K. Cadogan argues that Ghirlandaio was a pivotal figure in the transformation of the artist from medieval artisan to Renaissance genius. She traces his gradual social elevation, which reflected the increasing respect with which he was treated by his patrons. And she notes that the changes in the way he and other artists were viewed created a milieu that encouraged innovation in technique, style, and content, qualities that were vividly displayed in Ghirlandaio’s work. Cadogan explains how his working method, his pragmatic, artisan approach to technique, the organization and functioning of his workshop, and his relations with his patrons affected the works of art Ghirlandaio produced. Her text is complemented by a catalogue raisonné of Ghirlandaio’s works in all media as well as an appendix of documents useful for scholars.
Author | : Douglas R. Thomas |
Publisher | : Oxford University Press |
Total Pages | : 368 |
Release | : 2024-10-08 |
Genre | : Literary Collections |
ISBN | : 0198884036 |
Cicero's Brutus is a history of Roman oratory, in the form of a dialogue between Cicero, Atticus, and the eponymous Brutus. This new edition by Douglas R. Thomas presents the first comprehensive study of the transmission of the text, a critical edition of the Latin text, and a textual commentary. The first part of the book presents the study of the manuscript tradition, employng the stemmatic method to establish the relationships between all 107 extant manuscripts of Brutus, and demonstrating that the stemma has three independent branches in the first part of the text and four in the second. The study also shows that the ninth-century Cremona fragment is part of the long-lost archetype, the Codex Laudensis, and that F, the manuscript copied by Niccolò Niccoli, is the source of the majority of the tradition. Brief descriptions are provided of the manuscripts in a catalogue. The second part of the volume presents a new edition of Brutus with critical apparatus, based on the study of the text's transmission. Each textual problem is considered afresh and careful attention is paid to historical evidence and Ciceronian style. The edition is followed by a detailed textual commentary, which discusses a range of significant textual problems.
Author | : Diane E. Booton |
Publisher | : Routledge |
Total Pages | : 573 |
Release | : 2016-12-05 |
Genre | : Literary Criticism |
ISBN | : 1351920022 |
Manuscripts, Market and the Transition to Print in Late Medieval Brittany surveys the production and marketing of non-monastic manuscripts and printed books over 150 years in late medieval Brittany, from the accession of the Montfort family to the ducal crown in 1364 to the duchy's formal assimilation by France in 1532. Brittany, as elsewhere, experienced the shift of manuscript production from monasteries to lay scriptoria and from rural settings to urban centers, as the motivation for copying the word in ink on parchment evolved from divine meditation to personal profit. Through her analysis of the physical aspects of Breton manuscripts and books, parchment and paper, textual layouts, scripts and typography, illumination and illustration, Diane Booton exposes previously unexplored connections between the tangible cultural artifacts and the society that produced, acquired and valued them. Innovatively, Booton's discussion incorporates archival research into the prices, wages and commissions associated with the manufacture of the works under discussion to shed new light on their economic and personal value.