Milton and Heresy
Author | : Stephen B. Dobranski |
Publisher | : Cambridge University Press |
Total Pages | : 286 |
Release | : 1998-09-10 |
Genre | : Literary Criticism |
ISBN | : 0521630657 |
Publisher Description
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Author | : Stephen B. Dobranski |
Publisher | : Cambridge University Press |
Total Pages | : 286 |
Release | : 1998-09-10 |
Genre | : Literary Criticism |
ISBN | : 0521630657 |
Publisher Description
Author | : The late A. D. Nuttall |
Publisher | : OUP Oxford |
Total Pages | : 296 |
Release | : 1998-07-30 |
Genre | : Literary Criticism |
ISBN | : 0191518573 |
The Trinity of orthodox Christianity is harmonious. The Trinity for Blake is, conspicuously, not a happy family: the Father and the Son do not get on. It might be thought that so cumbersome a notion is inconceivable before the rise of Romanticism but the Ophite Gnostics of the second century AD appear to have thought that God the Father was a jealous tyrant because he forbade Adam and Eve to eat from the Tree of Knowledge and that the serpent, who led the way to the Tree of Knowledge, was really Christ. This book explores the possibility of an underground 'perennial heresy', linking the Ophites to Blake. The 'alternative Trinity' is intermittently visible in Marlowe's Doctor Faustus and even in Milton's Paradise Lost. Blake's notorious detection of a pro-Satan anti-poem, latent in this 'theologically patriarchal' epic is less capricious, better grounded historically and philosophically, than is commonly realised.
Author | : Mark R. Kelley |
Publisher | : |
Total Pages | : 368 |
Release | : 2003 |
Genre | : History |
ISBN | : |
Both in his life and in his writings, Milton became the very embodiment of contention. He was an embattled figure whose ideas provoked endless controversy from his own time to the present. The ten new essays in this volume examine major issues that have become the grounds of contention in the study and interpretation of Milton and his works. These issues include the significance of women writers and readers, the nature of Milton's influence and the reception of his works, the gendered bias that informs the portrayal of Eve, the vexed subject of choice and election that underlies the character of Samson, and the taint of heresy that Milton's theological beliefs are said to betray. In their engagement with these issues, the scholars represented here concern themselves with such figures as Edmund Burke, Lucy Huitchinson and Elizabeth Singer Rowe. Their essays explre the concept of 'femme covert', the authorship of 'De Doctrina Christiana', the significance of Milton's failure to pursue the Passion and Crucifiction of Jesus, and the place of the Socinian controversy in Milton and his heirs.
Author | : John Milton |
Publisher | : |
Total Pages | : 264 |
Release | : 1890 |
Genre | : Freedom of the press |
ISBN | : |
Author | : Nicholas McDowell |
Publisher | : OUP Oxford |
Total Pages | : 752 |
Release | : 2009-11-19 |
Genre | : Literary Criticism |
ISBN | : 0191549320 |
Four hundred years after his birth, John Milton remains one of the greatest and most controversial figures in English literature. The Oxford Handbook of Milton is a comprehensive guide to the state of Milton studies in the early twenty-first century, bringing together an international team of thirty-five leading scholars in one volume. The rise of critical interest in Milton's political and religious ideas is the most striking aspect of Milton studies in recent times, a consequence in great part of the increasingly fluid relations between literary and historical study. The Oxford Handbook both embodies the interest in Milton's political and religious contexts in the last generation and seeks to inaugurate a new phase in Milton studies through closer integration of the poetry and prose. There are eight essays on various aspects of Paradise Lost, ranging from its classical background and poetic form to its heretical theology and representation of God. There are sections devoted both to the shorter poems, including 'Lycidas' and Comus, and the final poems, Paradise Regained and Samson Agonistes. There are also three sections on Milton's prose: the early controversial works on church government, divorce, and toleration, including Areopagitica; the regicide and republican prose of 1649-1660, the period during which he served as the chief propagandist for the English Commonwealth and Cromwell's Protectorate, and the various writings on education, history, and theology. The opening essays explore what we know about Milton's biography and what it might tell us; the final essays offer interpretations of aspects of Milton's massive influence on later writers, including the Romantic poets.
Author | : Denise Gigante |
Publisher | : Yale University Press |
Total Pages | : 264 |
Release | : 2008-10-01 |
Genre | : Literary Criticism |
ISBN | : 0300133057 |
div What does eating have to do with aesthetic taste? While most accounts of aesthetic history avoid the gustatory aspects of taste, this book rewrites standard history to uncover the constitutive and dramatic tension between appetite and aesthetics at the heart of British literary tradition. From Milton through the Romantics, the metaphor of taste serves to mediate aesthetic judgment and consumerism, gusto and snobbery, gastronomes and gluttons, vampires and vegetarians, as well as the philosophy and physiology of food. The author advances a theory of taste based on Milton’s model of the human as consumer (and digester) of food, words, and other commodities—a consumer whose tasteful, subliminal self remains haunted by its own corporeality. Radically rereading Wordsworth’s feeding mind, Lamb’s gastronomical essays, Byron’s cannibals and other deviant diners, and Kantian nausea, Taste resituates Romanticism as a period that naturally saw the rise of the restaurant and the pleasures of the table as a cultural field for the practice of aesthetics. /DIV
Author | : David Loewenstein |
Publisher | : Cambridge University Press |
Total Pages | : 350 |
Release | : 2006-12-21 |
Genre | : Literary Criticism |
ISBN | : 1107320348 |
This interdisciplinary volume of essays brings together a team of leading early modern historians and literary scholars in order to examine the changing conceptions, character, and condemnation of 'heresy' in sixteenth- and seventeenth-century England. Definitions of 'heresy' and 'heretics' were the subject of heated controversies in England from the English Reformation to the end of the seventeenth century. These essays illuminate the significant literary issues involved in both defending and demonising heretical beliefs, including the contested hermeneutic strategies applied to the interpretation of the Bible, and they examine how debates over heresy stimulated the increasing articulation of arguments for religious toleration in England. Offering fresh perspectives on John Milton, Thomas Hobbes, John Locke and others, this volume should be of interest to all literary, religious and political historians working on early modern English culture.
Author | : C.S. Lewis |
Publisher | : London : Oxford University Press |
Total Pages | : 170 |
Release | : 1960 |
Genre | : Literary Criticism |
ISBN | : |
Author C. S. Lewis examines John Milton's "Paradise Lost" and the epic genre, discussing epic technique, subject matter, and style and the elements of Milton's story.
Author | : Neil Forsyth |
Publisher | : Princeton University Press |
Total Pages | : 398 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9780691113395 |
The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.