Milton and Heresy

Milton and Heresy
Author: Stephen B. Dobranski
Publisher: Cambridge University Press
Total Pages: 286
Release: 1998-09-10
Genre: Literary Criticism
ISBN: 0521630657

Publisher Description

Theological Milton

Theological Milton
Author: Michael Lieb
Publisher: Penn State University Press
Total Pages: 368
Release: 2006
Genre: Literary Criticism
ISBN:

"Literature and theology are inextricably intertwined in this study of the figure of God as a literary character in the writings of John Milton"--Provided by publisher.

The Alternative Trinity

The Alternative Trinity
Author: The late A. D. Nuttall
Publisher: OUP Oxford
Total Pages: 296
Release: 1998-07-30
Genre: Literary Criticism
ISBN: 0191518573

The Trinity of orthodox Christianity is harmonious. The Trinity for Blake is, conspicuously, not a happy family: the Father and the Son do not get on. It might be thought that so cumbersome a notion is inconceivable before the rise of Romanticism but the Ophite Gnostics of the second century AD appear to have thought that God the Father was a jealous tyrant because he forbade Adam and Eve to eat from the Tree of Knowledge and that the serpent, who led the way to the Tree of Knowledge, was really Christ. This book explores the possibility of an underground 'perennial heresy', linking the Ophites to Blake. The 'alternative Trinity' is intermittently visible in Marlowe's Doctor Faustus and even in Milton's Paradise Lost. Blake's notorious detection of a pro-Satan anti-poem, latent in this 'theologically patriarchal' epic is less capricious, better grounded historically and philosophically, than is commonly realised.

Areopagitica

Areopagitica
Author: John Milton
Publisher:
Total Pages: 264
Release: 1890
Genre: Freedom of the press
ISBN:

Milton and the Grounds of Contention

Milton and the Grounds of Contention
Author: Mark R. Kelley
Publisher:
Total Pages: 368
Release: 2003
Genre: History
ISBN:

Both in his life and in his writings, Milton became the very embodiment of contention. He was an embattled figure whose ideas provoked endless controversy from his own time to the present. The ten new essays in this volume examine major issues that have become the grounds of contention in the study and interpretation of Milton and his works. These issues include the significance of women writers and readers, the nature of Milton's influence and the reception of his works, the gendered bias that informs the portrayal of Eve, the vexed subject of choice and election that underlies the character of Samson, and the taint of heresy that Milton's theological beliefs are said to betray. In their engagement with these issues, the scholars represented here concern themselves with such figures as Edmund Burke, Lucy Huitchinson and Elizabeth Singer Rowe. Their essays explre the concept of 'femme covert', the authorship of 'De Doctrina Christiana', the significance of Milton's failure to pursue the Passion and Crucifiction of Jesus, and the place of the Socinian controversy in Milton and his heirs.

The Oxford Handbook of Milton

The Oxford Handbook of Milton
Author: Nicholas McDowell
Publisher: OUP Oxford
Total Pages: 752
Release: 2009-11-19
Genre: Literary Criticism
ISBN: 0191549320

Four hundred years after his birth, John Milton remains one of the greatest and most controversial figures in English literature. The Oxford Handbook of Milton is a comprehensive guide to the state of Milton studies in the early twenty-first century, bringing together an international team of thirty-five leading scholars in one volume. The rise of critical interest in Milton's political and religious ideas is the most striking aspect of Milton studies in recent times, a consequence in great part of the increasingly fluid relations between literary and historical study. The Oxford Handbook both embodies the interest in Milton's political and religious contexts in the last generation and seeks to inaugurate a new phase in Milton studies through closer integration of the poetry and prose. There are eight essays on various aspects of Paradise Lost, ranging from its classical background and poetic form to its heretical theology and representation of God. There are sections devoted both to the shorter poems, including 'Lycidas' and Comus, and the final poems, Paradise Regained and Samson Agonistes. There are also three sections on Milton's prose: the early controversial works on church government, divorce, and toleration, including Areopagitica; the regicide and republican prose of 1649-1660, the period during which he served as the chief propagandist for the English Commonwealth and Cromwell's Protectorate, and the various writings on education, history, and theology. The opening essays explore what we know about Milton's biography and what it might tell us; the final essays offer interpretations of aspects of Milton's massive influence on later writers, including the Romantic poets.

A Preface to Paradise Lost

A Preface to Paradise Lost
Author: C.S. Lewis
Publisher: London : Oxford University Press
Total Pages: 170
Release: 1960
Genre: Literary Criticism
ISBN:

Author C. S. Lewis examines John Milton's "Paradise Lost" and the epic genre, discussing epic technique, subject matter, and style and the elements of Milton's story.

The Heresy of John Milton, Calvinist

The Heresy of John Milton, Calvinist
Author: Grant Horner
Publisher:
Total Pages: 403
Release: 2017
Genre: Arminianism--England--History--17th century
ISBN:

I argue that the seventeenth century Puritan poet and polemicist John Milton is not at all the theological Arminian he is nearly universally held to be. In fact he exemplifies the typical theological paradigm held by virtually every English Puritan of the sixteenth and seventeenth centuries. This century of Puritanism has its theological nexus in the Calvinism of Beza as propagated through William Perkins and others. Puritans were Calvinists. They fought what they saw as the various and intermingled pressures of Roman, Laudian, and Arminian forces arrayed against their desire for the complete and biblical reformation of the English church. While the Puritans were certainly not absolutely monolithic, their core theological beliefs about the nature of God, man, sin, and salvation, were deeply and irrefutably Calvinist. Calvinists are soteriological monergists: they argue that God alone is the author of salvation. Man is a fallen, depraved rebel; when one is saved from judgment it is by God's gracious will alone and has nothing to do with the virtue or attitude or future faith of the sinner. Salvation is purely a result of the eternal decree of the deity "from before the foundation of the world" and is irresistible, unconditional, and eternal. The Arminian position, arising in the early seventeenth century and codified in the Remonstrance of 1610, holds that ma cooperates with God in salvation to some extent. Remonstrant theology rejects both the supralapsarian and the sublapsarian views of election and predestination, the doctrine of irresistible grace, and the perseverance of the saints -- major cornerstones of Calvinist doctrine. Instead, Arminians argue for conditional election based upon God's foreknowledge of future faith through prevenient grace. Salvation is thus synergistic and conditional. Calvinists are faced with the difficulty of explaining the justice of a perfectly good and utterly sovereign God who elects to salvation some but not others, regardless of either merit or foreseen faith. Arminians developed their system to bypass this difficulty and to preserve the character of the deity: God must not be made the unjust author of evil. Milton was clearly a puritan. Why then has he long been considered Arminian? A long list of critics have argued for his Remonstrant theology, and these assertions have gone almost entirely unchallenged since the early nineteenth century. Everyone knows Milton is an Arminian. But what if this understanding of Milton is inaccurate? What if, instead of being that rarest of exceptions -- an Arminian Puritan -- Milton could in fact be shown to be Calvinist? This shift would entail a large-scale reconsideration of virtually everything Milton has written. Milton's thought revolves around how paradise was lost, how it can be regained, and how we are to live in the interim. The most central issue for Milton is theodicy; the question of the existence of evil in a world supposedly controlled by a good deity of unlimited power and knowledge. Theodicy is a particular problem for Calvinists, with their insistence upon God's absolute, eternal sovereignty -- while Arminian thought is itself already a theodical structure, grounded in the contingencies of conditional decrees, divine foreknowledge, and human freedom. Our primary questions, then, if we are to consider Milton, must be historical-theological questions: who, exactly, controls this economy of loss and redemption? God, man, or both? To misread Milton's theology is to misread Milton. My work provides a corrective which opens up a richer, more historically accurate, and more stimulating reading of the poet's works. I first show the relationship between Calvinist and Arminian thought through analysis of the Remonstrance of 1610 and the Canons of Dordt (1619), thus establishing the nature of the theological debate in Europe and England during Milton's lifetime. Next I demonstrate and critique the long-term consensus regarding Milton's supposed Arminian theology, while attempting to explain the origins of such significant misreadings of his rhetoric. I further clarify the historical-theological context by delineating the contours of the Calvinist/Arminian debates as they were understood in seventeenth century England while laying out a series of close readings of Milton's prose and poetry demonstrating Milton's strong Reformed theology. I argue that Milton holds to a peculiarly English Calvinism that, in its strong emphasis on eternal providence and theodicy, is a direct and deliberate repudiation of Arminian theology. Along the way I show how a growing mass of unexamined assumptions about Milton's Arminianism -- assumptions endemic to critical essays, footnotes, and scholarly apparatus -- work to short-circuit a reader's ability to recognize the Calvinist paradigm actually informing Milton's thought.

Milton and the Science of the Saints

Milton and the Science of the Saints
Author: Georgia B. Christopher
Publisher: Princeton University Press
Total Pages: 278
Release: 2014-07-14
Genre: Poetry
ISBN: 1400853516

In the most sweeping claim yet made for Milton's puritanism, Georgia B. Christopher holds that the great poet assimilated classical literature through Reformation categories, not humanist ones. Examining Milton's major works against the beliefs of Luther and Calvin, she shows how his poetry reflects their view of Scripture, the extra-literary properties they accorded God's speech, and the responses they expected of readers. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.