Millennial Desire and the Apocalyptic Vision of Washington Allston
Author | : David Bjelajac |
Publisher | : Smithsonian Books (DC) |
Total Pages | : 248 |
Release | : 1988 |
Genre | : Architecture |
ISBN | : |
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Author | : David Bjelajac |
Publisher | : Smithsonian Books (DC) |
Total Pages | : 248 |
Release | : 1988 |
Genre | : Architecture |
ISBN | : |
Author | : David Bjelajac |
Publisher | : Smithsonian Books (DC) |
Total Pages | : 248 |
Release | : 1988 |
Genre | : Architecture |
ISBN | : |
Author | : Gail E. Husch |
Publisher | : UPNE |
Total Pages | : 332 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9781584650065 |
This major contribution to the study of antebellum religious art offers a detailed case study of American postmillennialism and its many visual expressions. Treating paintings as "intersections of cultural expression," Gail E. Husch begins with a single painting to spin out an interpretation in many directions, from the specific aesthetic and social concerns of artist and patron to the wider political and cultural concerns of Americans in the mid-19th century. Arguing that "genuine apocalyptic faith" was fundamental to American Protestants, Husch shows how artists, patrons, and ordinary citizens actively engaged contemporary questions of peace and war, freedom and slavery, and the equality of human beings before God in their visual arts. Part of an emerging revaluation of the role of the religious in American art, Husch asks us to read ideas as they function in works, rather than see images merely as passive illustrations of ideas. Weaving images drawn from high and low culture, politics, and religion, she develops a complex cultural narrative of the times, thus showing the truth of one picture being worth a thousand words.
Author | : Alexander Nemerov |
Publisher | : Univ of California Press |
Total Pages | : 283 |
Release | : 2001-03-12 |
Genre | : Art |
ISBN | : 0520224981 |
"This book is mind-blowing. Nemerov is a groundbreaking thinker in his field."—John Wilmerding, Princeton University "This is a book for all serious Americanists."—Jay Fliegelman, author of Declaring Independence "Each haunting and delicately wrought canvas expands as Nemerov writes about it, so that his interpretive work both mirrors and supplements the wondrous intensity of the paintings themselves."—Ellen Handler Spitz, Museums of the Mind "Underneath their apparent simplicity, Raphaelle Peale's still lifes glow mysteriously in the dark light of their making. Peale transformed the common items of the early-nineteenth-century kitchen and market into explorations of the American unconscious. Now, writing as coolly and lucidly as Peale painted, Alexander Nemerov has unpeeled those still lifes in a tour de force of formalistic analysis. Through close interrogation of these small, hermetic images, Nemerov's book reveals the whole world of early America, in the process bringing us as close as possible to the genius of Raphaelle Peale."—David C. Ward, National Portrait Gallery, Smithsonian Institution. "This is a dazzling study, lively and imaginative, of an important body of work. Nemerov's novel arguments regarding still life in general and Raphaelle Peale in particular reveal much about the art, the man, and the times. It is a thoughtful and provocative book, certain to generate interest and debate. "—Charles C. Eldredge, Hall Distinguished Professor of American Art and Culture, University of Kansas "A triumph of interpretation! Not since Michael Fried's groundbreaking account of Thomas Eakins has a critic so reimagined the very terms by which we see painting. Nemerov's account singlehandedly catapults a painter we had previously considered to be interesting, but minor, into the forefront of discussions about American art during the early National Period. The Body of Raphaelle Peale will no doubt spark the beginning of an exciting revival of scholarship in American Romantic painting."—Bryan J. Wolf, author of Romantic Re-Vision
Author | : David C. Miller |
Publisher | : Yale University Press |
Total Pages | : 356 |
Release | : 1993-01-01 |
Genre | : Art |
ISBN | : 9780300065145 |
This overview of the "sister arts" of the nineteenth century by younger scholars in art history, literature, and American studies presents a startling array of perspectives on the fundamental role played by images in culture and society. Drawing on the latest thinking about vision and visuality as well as on recent developments in literary theory and cultural studies, the contributors situate paintings, sculpture, monument art, and literary images within a variety of cultural contexts. The volume offers fresh and sometimes extended discussions of single works as well as reevaluations of artistic and literary conventions and analyses of the economic, social, and technological forces that gave them shape and were influenced by them in turn. A wide range of figures are significantly reassessed, including the painters Charles Willson Peale, Washington Allston, Thomas Cole, George Caleb Bingham, Fitz Hugh Lane, and Mary Cassatt, and such writers as James Fenimore Cooper, Nathaniel Hawthorne, Henry David Thoreau, and William Dean Howells. One overarching theme to emerge is the development of an American national subjectivity as it interacted with the transformation of a culture dominated by religious values to one increasingly influenced by commercial imperatives. The essays probe the ways in which artists and writers responded to the changing conditions of the cultural milieu as it was mediated by such factors as class and gender, modes of perception and representation, and conflicting ideals and realities.
Author | : Kris Millegan |
Publisher | : Trine Day |
Total Pages | : 724 |
Release | : 2004-10-01 |
Genre | : History |
ISBN | : 1937584046 |
This chronicle of espionage, drug smuggling, and elitism in Yale University's Skull & Bones society offers rare glimpses into this secret world with previously unpublished documents, photographs, and articles that delve into issues such as racism, financial ties to the Nazi party, and illegal corporate dealings. Contributors include Anthony Sutton, author of America's Secret Establishment; Dr. Ralph Bunch, professor emeritus of political science at Portland State University; Webster Griffin Tarpley and Anton Chaitkin, authors and historians. A complete list of members, including George Bush, George W. Bush, and John F. Kerry, and reprints of rare magazine articles are included.
Author | : Jerome Tharaud |
Publisher | : Princeton University Press |
Total Pages | : 358 |
Release | : 2020-10-13 |
Genre | : History |
ISBN | : 0691200106 |
Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist -- Geographies of the Secular. Pilgrimage to the 'Secular Center': Tourism and the Calvinist Novel -- Cosmic Modernity: Henry David Thoreau, the Missionary Memoir, and the Heathen Within -- The Sensational Republic: Catholic Conspiracy and the Battle for the Great West -- Epilogue.
Author | : Kenneth Silverman |
Publisher | : Knopf |
Total Pages | : 512 |
Release | : 2010-04-07 |
Genre | : Biography & Autobiography |
ISBN | : 0307434370 |
In this brilliantly conceived and written biography, Pulitzer Prize–winning Kenneth Silverman gives us the long and amazing life of the man eulogized by the New York Herald in 1872 as “perhaps the most illustrious American of his age.” Silverman presents Samuel Morse in all his complexity. There is the gifted and prolific painter (more than three hundred portraits and larger historical canvases) and pioneer photographer, who gave the first lectures on art in America, became the first Professor of Fine Arts at an American college (New York University), and founded the National Academy of Design. There is the republican idealist, prominent in antebellum politics, who ran for Congress and for mayor of New York. But most important, there is the inventor of the American electromagnetic telegraph, which earned Morse the name Lightning Man and brought him the fame he sought. In these pages, we witness the evolution of the great invention from its inception as an idea to its introduction to the world—an event that astonished Morse’s contemporaries and was considered the supreme expression of the country’s inventive genius. We see how it transformed commerce, journalism, transportation, military affairs, diplomacy, and the very shape of daily life, ushering in the modern era of communication. But we discover as well that Morse viewed his existence as accursed rather than illustrious, his every achievement seeming to end in loss and defeat: his most ambitious canvases went unsold; his beloved republic imploded into civil war, making it unlivable for him; and the commercial success of the telegraph engulfed him in lawsuits challenging the originality and ownership of his invention. Lightning Man is the first biography of Samuel F. B. Morse in sixty years. It is a revelation of the life of a fascinating and profoundly troubled American genius.
Author | : Joseph A. Leo Lemay |
Publisher | : University of Delaware Press |
Total Pages | : 494 |
Release | : 2001 |
Genre | : History |
ISBN | : 9780874137224 |
The stories now being told about the colonial American past represent an "America" newly found, as scholars continue to evaluate and revise the longer-standing stories that have, across the centuries, held particular cultural and critical sway. This collection is a celebration of the widening of scholarly inquire in early American studies, and a tribute to a leading early Americanist whose scholarly career continues to contribute to the opening up of crucial questions of canon.
Author | : Jochen Wierich |
Publisher | : Penn State Press |
Total Pages | : 237 |
Release | : 2012-01-01 |
Genre | : Art |
ISBN | : 0271050322 |
"Explores history painting in the United States during the middle decades of the nineteenth century, as exemplified by Emanuel Leutze's Washington Crossing the Delaware (1851). Includes the work of artists such as Daniel Huntington, Lilly Martin Spencer, and Eastman Johnson"--Provided by publisher.