Migrant Representations
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| Author | : Leen d’Haenens |
| Publisher | : Leuven University Press |
| Total Pages | : 209 |
| Release | : 2019-05-14 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9462701806 |
Perception and representation of newcomers and immigrants The topic of migration has become particularly contentious in national and international debates. Media have a discernable impact on overall societal attitudes towards this phenomenon. Polls show time and again that immigration is one of the most important issues occupying people’s minds. This book examines the dynamic interplay between media representations of migrants and refugees on the one hand and the governmental and societal (re)actions to these on the other. Largely focusing on Belgium and Sweden, this collection of interdisciplinary research essays attempts to unravel the determinants of people’s preferences regarding migration policy, expectations towards newcomers, and economic, humanitarian and cultural concerns about immigration’s effect on the majority population’s life. Whilst migrants and refugees remain voiceless and highly underrepresented in the legacy media, this volume allows their voices to be heard. Contributors: Leen d’Haenens (KU Leuven), Willem Joris (KU Leuven), Paul Puschmann (KU Leuven/Radboud University Nijmegen), Ebba Sundin (Halmstad University), David De Coninck (KU Leuven), Rozane De Cock (KU Leuven), Valériane Mistiaen (Université libre de Bruxelles), Lutgard Lams (KU Leuven), Stefan Mertens (KU Leuven), Olivier Standaert (UC Louvain), Hanne Vandenberghe (KU Leuven), Koen Matthijs (KU Leuven), Kevin Smets (Vrije Universiteit Brussel), Jacinthe Mazzocchetti (UC Louvain), Lorraine Gerstmans (UC Louvain), Lien Mostmans (Vrije Universiteit Brussel), and François Heinderyckx (Université libre de Bruxelles) Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). With thanks to the funding provided by Belspo (Belgian Science Policy Office), as part of the framework programme BRAIN-be (Belgian Research Action Through Interdisciplinary Networks), contract nr BR/165/A4/IM2MEDIATE.
| Author | : Erik Bleich |
| Publisher | : Routledge |
| Total Pages | : 279 |
| Release | : 2018-10-11 |
| Genre | : Social Science |
| ISBN | : 1315311275 |
The media inform the public, help political and social actors communicate with each other, influence perceptions of pressing issues, depict topics and people in particular ways, and may shape political views and participation. Given these critical functions that the media play in society, this book asks how the media represent migrants and minorities. What information do the media communicate about them? What are the implications of media coverage for participation in the public sphere? In the past, researchers studying migrants and minorities have rarely engaged in systematic media analysis. This volume advances analytical strategies focused on information, representation, and participation to examine the media, migrants, and minorities, and it offers a set of compelling original analyses of multiple minority groups from countries in Europe, North America, and East Asia, considering both traditional newspapers and new social media. The contributors analyze the framing and type of information that the media provide about particular groups or about issues related to migration and diversity; they examine how the media convey or construct particular depictions of minorities and immigrants, including negative portrayals; and they interrogate whether and how the media provide space for minorities’ participation in a public sphere where they can advance their interests and identities. This book was originally published as a special issue of the Journal of Ethnic and Migration Studies.
| Author | : Ecaterina Balica |
| Publisher | : Springer |
| Total Pages | : 282 |
| Release | : 2018-10-23 |
| Genre | : Social Science |
| ISBN | : 3319958135 |
This book proposes an interdisciplinary, multicultural and contemporary approach to examining the controversial links between migration and crime. It includes empirical research on migrants and crime to explore the risk and realities of crime and migration, as well as how mass media in different regions of the world has covered violent acts that have involved migrants (as victims or aggressors). The chapters are written by authors from various countries including the UK, Turkey, Slovenia, Iraq, Albania, Chile, the Republic of Moldavia, and Romania, and from different fields of research including: criminology, sociology, political sciences and communication. They bring to light new ideas, new methodologies and results that could be taken and developed further. This volume allows readers to explore the impact of migration on crime.
| Author | : Peter Leese |
| Publisher | : Liverpool University Press |
| Total Pages | : 304 |
| Release | : 2022-01-15 |
| Genre | : Social Science |
| ISBN | : 1802070710 |
Migrant Representations pairs twenty-four carefully selected histories in order to compare how migrants themselves – Irish labourer, Lithuanian refugee or Indian doctor – and their social investigators capture in words and images defining private and historical moments. These comparative case studies from the 1780s to the 2000s explore how migrants constructed their own narratives of mobility and settlement through procedures of reflecting, remembering and recording. Moreover, these studies examine how speech, writing, and picture were used, for instance, by a missionary, social scientist or activist to make ‘outside’ representations of the migrant. Such life-stories, social surveys, and pictures emerge as alternative archives. Leese’s transnational, cultural history considers life-story forms and their uses; the tension between external surveillance and self-observation; the power of narratives to afford legibility and acknowledgement. Leese argues that, historically and in the present, first-person migrant stories and outsider investigations create a continuous charged exchange of views where both migrant and observer negotiate position, authority, authenticity, and potential advantage. Within the history of migrant representations this exchange generates a persistent, subversive strain of opposition and critique. Such self-observations, observations of others, and images never settle.
| Author | : Alice Massari |
| Publisher | : Springer Nature |
| Total Pages | : 213 |
| Release | : 2021-05-18 |
| Genre | : Social Science |
| ISBN | : 3030711439 |
This open access book offers an innovative account of how relief organizations’ visual depiction of Syrian displacement contributes to reproduce and reinforce a securitized account of refugees. Through visual analysis, the book demonstrates how the securitization process takes place in three different ways. First of all, even if marginally, it occurs through the reproduction of mainstream media and political accounts that have depicted refugees in terms of threats. Secondly, and more consistently, through a representation of Syrian displaced people that, despite the undeniable innovative aesthetic patterns focusing on dignity and empowerment, continue to reinforce a visual narrative around refugees in terms of victimhood and passivity. The reproduction of a securitized account takes also place through the dialectic between what is made visible in the pictures and what is not. At the same time the book identifies visual glimmers and minor displacements in the humanitarian discourse that have the potentiality to produce alternative discourses on refugees and displacement beyond the mainstream securitized ones. By showing how relief organizations’ visual representation contributes to the securitization of the refugee issue, this book provides a great resource to students and academics in migration, visuality, humanitarianism and securitization, as well as social scientists and policy-makers.
| Author | : Daniel H. Rellstab |
| Publisher | : Routledge |
| Total Pages | : 305 |
| Release | : 2014-09-19 |
| Genre | : Literary Criticism |
| ISBN | : 1134656769 |
War, migration, and refugeehood are inextricably linked and the complex nature of all three phenomena offers profound opportunities for representation and misrepresentation. This volume brings together international contributors and practitioners from a wide range of fields, practices, and backgrounds to explore and problematize textual and visual inscriptions of war and migration in the arts, the media, and in academic, public, and political discourses. The essays in this collection address the academic and political interest in representations of the migrant and the refugee, and examine the constructed nature of categories and concepts such as ‘war,’ ‘refuge(e),’ ‘victim,’ ‘border,’ ‘home,’ ‘non-place,’ and ‘dis/location.’ Contributing authors engage with some of the most pressing questions surrounding war, migration, and refugeehood as well as with the ways in which war and its multifarious effects and repercussions in society are being framed, propagated, glorified, or contested. This volume initiates an interdisciplinary debate which re-evaluates the relationship between war, migration, and refugeehood and their representations.
| Author | : Annie Isabel Fukushima |
| Publisher | : |
| Total Pages | : 272 |
| Release | : 2019 |
| Genre | : Law |
| ISBN | : 9781503609075 |
Migrant Crossings examines the experiences and representations of Asian and Latina/o migrants trafficked in the United States into informal economies and service industries. Through sociolegal and media analysis of court records, press releases, law enforcement campaigns, film representations, theatre performances, and the law, Annie Isabel Fukushima questions how we understand victimhood, criminality, citizenship, and legality. Fukushima examines how migrants legally cross into visibility, through frames of citizenship, and narratives of victimhood. She explores the interdisciplinary framing of the role of the law and the legal system, the notion of "perfect victimhood", and iconic victims, and how trafficking subjects are resurrected for contemporary movements as illustrated in visuals, discourse, court records, and policy. Migrant Crossings deeply interrogates what it means to bear witness to migration in these migratory times--and what such migrant crossings mean for subjects who experience violence during or after their crossing.
| Author | : Lorella Viola |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 374 |
| Release | : 2019-03-07 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027262705 |
The socio-discursive landscape surrounding the migration debate is characterised by a growing sense of crisis in both personal and collective identities. From this viewpoint, discourses about immigration are also always attempts at reconstructing the threatened ‘home identity’ of the respective host society. It is such attempts at reasserting identity-in-crisis (due to migration) that are the focus of the volume Migration and Media: Discourses about identities in crisis. This four-part book explores the representational strategies used to frame current migration debates as crises of identity, collective and individual. It features fourteen case-studies of varying sets of data including print media texts, TV broadcasts, online forums, politicians’ speeches, legal and administrative texts, and oral narratives, drawn from discourses in a range of languages – Croatian, English, French, German, Greek, Italian, Lithuanian, Polish, Russian, Serbian, Slovenian, Spanish, and Ukrainian – , and it employs different discourse-analytical methods, such as Argumentation and Metaphor Analysis, Gendered Language Studies, Corpus-assisted Semantics and Pragmatics, and Proximization Theory. Such a diverse range of sources, languages, and approaches provides innovative methodological and theoretical analysis on migration and identity which will be of interest to scholars, students, and policy makers working in the fields of migration studies, media studies, identity studies, and social and public policy. As of January 2023, this e-book is freely available, thanks to the support of libraries working with Knowledge Unlatched.
| Author | : Dr Kristina Myrvold |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 362 |
| Release | : 2013-06-28 |
| Genre | : Religion |
| ISBN | : 1409481662 |
Sikhs in Europe are neglected in the study of religions and migrant groups: previous studies have focused on the history, culture and religious practices of Sikhs in North America and the UK, but few have focused on Sikhs in continental Europe. This book fills this gap, presenting new data and analyses of Sikhs in eleven European countries; examining the broader European presence of Sikhs in new and old host countries. Focusing on patterns of migration, transmission of traditions, identity construction and cultural representations from the perspective of local Sikh communities, this book explores important patterns of settlement, institution building and cultural transmission among European Sikhs.
| Author | : T. J. Demos |
| Publisher | : Duke University Press |
| Total Pages | : 377 |
| Release | : 2013-03-04 |
| Genre | : Art |
| ISBN | : 0822353407 |
In The Migrant Image T. J. Demos examines the ways contemporary artists have reinvented documentary practices in their representations of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globalization and the ways their works connect viewers to the lived experiences of political and economic crisis. Demos investigates the cinematic approaches Steve McQueen, the Otolith Group, and Hito Steyerl employ to blur the real and imaginary in their films confronting geopolitical conflicts between North and South. He analyzes how Emily Jacir and Ahlam Shibli use blurs, lacuna, and blind spots in their photographs, performances, and conceptual strategies to directly address the dire circumstances of dislocated Palestinian people. He discusses the disparate interventions of Walid Raad in Lebanon, Ursula Biemann in North Africa, and Ayreen Anastas and Rene Gabri in the United States, and traces how their works offer images of conflict as much as a conflict of images. Throughout Demos shows the ways these artists creatively propose new possibilities for a politics of equality, social justice, and historical consciousness from within the aesthetic domain.
