Mi Fu
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Author | : Peter Charles Sturman |
Publisher | : Yale University Press |
Total Pages | : 970 |
Release | : 1997-01-01 |
Genre | : Art |
ISBN | : 9780300065695 |
Mi Fu was a prominent calligrapher in 11th-century China. This analysis of his work considers content and style, and examines his calligraphy within the framework of the artist's life, the Northern Song culture in which he lived and the literati theory of art he helped to formulate.
Author | : Fu Mi |
Publisher | : |
Total Pages | : 92 |
Release | : 2006 |
Genre | : Architecture |
ISBN | : |
The great Song Dynasty poet and artist, Mi Fu (1051-1107), wrote treatises on painting and calligraphy, in addition to this work on inkstones. Translating his work, this title offers a glimpse into the mind of this brilliant 11th century artist and provides a guide to the connoisseurship of this essential treasure of the scholar's studio. The great Song Dynasty poet and artist, Mi Fu (1051-1107), wrote treatises on painting and calligraphy, in addition to this work on inkstones, translated here by the eminent Dutch diplomat and Sinologist, Dr. R H van Gulik. In the
Author | : Alfreda Murck |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 615 |
Release | : 1991 |
Genre | : Calligraphy, Chinese |
ISBN | : 0870996045 |
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Author | : Daniel M. N. McDikkoh |
Publisher | : Outskirts Press |
Total Pages | : 376 |
Release | : 2015-01-09 |
Genre | : Foreign Language Study |
ISBN | : 1478741392 |
Hiam'nda: Lexicon, Dictionary and thesaurus is a document that contains over seven thousand words in first, the Jaba language or Hiam'nda - (Hiam Ham), with their definitions in both the Hausa and English languages. However, besides just comm definition of word in the Jaba language, this document attempts to also provide the grammatical aspect of and for the the Jaba language. This is the first attempt to provide a grammatical approach to writing the, ever. This edition also contains, some Bible verses, popular old but also traditional Christian (evangelical) songs translated from the old Hausa hymnal into Hiam'nda;. Furthermore, it also contains, names of some of some of the topographical (geographical) structures, like rivers, mountains or hills; common names, of people, trees, plants and animal and some short stories and or tales written in hiam Ham. While this book is not, by any stretch of the imagination, exhaustive, nevertheless, it is by far the most comprehensive document that might contain the largest number of words , idioms and idiomatic expression in the language of the Jaba people in Central Nigeria anywhere in the world!
Author | : Mi Huangfu |
Publisher | : Blue Poppy Enterprises, Inc. |
Total Pages | : 516 |
Release | : 1994 |
Genre | : Medical |
ISBN | : 9780936185293 |
The first clinical textbook of acumoxa therapy dating from the third century - and one of the four great Chinese acupuncture classics - this book is so authoritative that it has provided the framework and standard for all subsequent acupuncture textbooks in China. It contains all the most important passages of the Su Wen and Ling Shu, collated, edited, and arranged according to topic.
Author | : Melinda Takeuchi |
Publisher | : Stanford University Press |
Total Pages | : 238 |
Release | : 1994-03-01 |
Genre | : Art |
ISBN | : 9780804720885 |
This lavishly illustrated book on one of Japan's preeminent painters focuses on the relationship between topography and the language of visual symbols a painter manipulates, or must invent, to suggest specific places.
Author | : Mark Halperin |
Publisher | : BRILL |
Total Pages | : 429 |
Release | : 2020-03-23 |
Genre | : Religion |
ISBN | : 1684174392 |
"The intense piety of late T’ang essays on Buddhism by literati has helped earn the T’ang its title of the “golden age of Chinese Buddhism.” In contrast, the Sung is often seen as an age in which the literati distanced themselves from Buddhism. This study of Sung devotional texts shows, however, that many literati participated in intra-Buddhist debates. Others were drawn to Buddhism because of its power, which found expression and reinforcement in its ties with the state. For some, monasteries were extravagant houses of worship that reflected the corruption of the age; for others, the sacrifice and industry demanded by such projects were exemplars worthy of emulation. Finally, Buddhist temples could evoke highly personal feelings of filial piety and nostalgia.This book demonstrates that representations of Buddhism by lay people underwent a major change during the T’ang–Sung transition. These changes built on basic transformations within the Buddhist and classicist traditions and sometimes resulted in the use of Buddhism and Buddhist temples as frames of reference to evaluate aspects of lay society. Buddhism, far from being pushed to the margins of Chinese culture, became even more a part of everyday elite Chinese life."
Author | : Amy McNair |
Publisher | : University of Hawaii Press |
Total Pages | : 202 |
Release | : 1998-02-01 |
Genre | : Art |
ISBN | : 9780824820022 |
In the history of Chinese calligraphy, few are more famous than the eighth-century statesman Yan Zhenqing (709-785). His style is still taught today as a standard, and Chinese bookstores the world over stock inexpensive reproductions of his works for sale as copybooks. Yet Yan's style cannot be called conventionally attractive. "Correct," "severe," "serious," "forceful" are terms habitually applied to describe his writing--rarely has his calligraphy been called graceful or beautiful. How, then, did Yan earn such an eminent place in the history of art? In The Upright Brush, Amy McNair argues for the political rather than purely aesthetic basis for Yan Zhenqing's artistic reputation. She shows how his prominent position was made for him in the eleventh century by a handful of influential men who sought to advance their own position by associating themselves with Yan's reputation for uprightness. Equating style with personality, they adopted Yan's calligraphic style as a way to clothe themselves in his persona. Sophisticated, informed, and intelligent, The Upright Brush illuminates an episode (one of many) in the history of Chinese culture where the creative reinterpretation of the past was used for contemporary political means. It will be eagerly welcomed by all scholars of Chinese culture and history, as well as by those interested in the making and reading of art.
Author | : Judith T. Zeitlin |
Publisher | : Stanford University Press |
Total Pages | : 700 |
Release | : 1993 |
Genre | : Literary Collections |
ISBN | : 0804729689 |
This is the first book in English on the seventeenth-century Chinese masterpiece Liaozhai's Records of the Strange (Liaozhai zhiyi) by Pu Songling, a collection of nearly five hundred fantastic tales and anecdotes written in Classical Chinese.
Author | : Julia K. Murray |
Publisher | : University of Hawaii Press |
Total Pages | : 184 |
Release | : 2007-01-31 |
Genre | : Art |
ISBN | : 0824830016 |
“Fascinate is a riveting journey through the forces of fascination—how it irresistibly shapes our ideas, opinions, and relationships—and how to wield it to your advantage.” — Alan Webber, author of Rules of Thumb In Fascinate, advertising and media personality Sally Hogshead explores what triggers fascination—one of the most powerful ways to attract attention and influence behavior—and explains how companies can use these concepts to make their products and ideas irresistible to consumers. Marketing professionals of every ilk will find much of use in the pages of Fascinate; in the words of business guru Tom Peters, “fascination is arguably the most powerful of product attachments,” and Fascinate a “pioneering book [that] helps us approach the word and the concept in a thoughtful and also practical manner.”