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| Author | : Gabriela Pereira |
| Publisher | : Penguin |
| Total Pages | : 306 |
| Release | : 2016-07-08 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1599639343 |
Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.
| Author | : Mark McGurl |
| Publisher | : Harvard University Press |
| Total Pages | : 481 |
| Release | : 2011-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 0674266021 |
In The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and—even more important—how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature. McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explored with energy and at times brilliance by authors ranging from Flannery O’Connor to Vladimir Nabokov, Philip Roth, Raymond Carver, Joyce Carol Oates, and Toni Morrison. Through transformative readings of these and many other writers, The Program Era becomes a meditation on systematic creativity—an idea that until recently would have seemed a contradiction in terms, but which in our time has become central to cultural production both within and beyond the university. An engaging and stylishly written examination of an era we thought we knew, The Program Era will be at the center of debates about postwar literature and culture for years to come.
| Author | : Chad Harbach |
| Publisher | : Macmillan |
| Total Pages | : 321 |
| Release | : 2014-02-25 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0865478139 |
Writers write—but what do they do for money? In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.
| Author | : John Rember |
| Publisher | : Dream of Things |
| Total Pages | : 278 |
| Release | : 2010 |
| Genre | : Authorship |
| ISBN | : |
As Rember notes in his introduction, "MFA in a Box is not a how to write book. It's a why to write book." By exploring the relationships between the writer and love, grief, place, family, race and violence, Rember helps writers dive deep into their own writing. He tells them how they can breathe down there and how they can get back. "A big part of writing involves grappling with the terrors and discouragements that come when you have writing skills but can"t project yourself or your work into the future," says Rember. "My hope is that MFA in a Box will help writers balance the despair of writing with the joy of writing."--Publisher.
| Author | : Tom Kealey |
| Publisher | : A&C Black |
| Total Pages | : 230 |
| Release | : 2005-01-01 |
| Genre | : Education |
| ISBN | : 9780826418432 |
Guides prospective graduate students through the difficult process of researching, applying to, and choosing graduate schools in creative writing. This handbook includes special sections about Low-Residency writing programs, PhD programs, publishing in literary journals, and workshop and teaching advice.
| Author | : Roger A. Grimes |
| Publisher | : John Wiley & Sons |
| Total Pages | : 576 |
| Release | : 2020-09-28 |
| Genre | : Computers |
| ISBN | : 1119650801 |
Protect your organization from scandalously easy-to-hack MFA security “solutions” Multi-Factor Authentication (MFA) is spreading like wildfire across digital environments. However, hundreds of millions of dollars have been stolen from MFA-protected online accounts. How? Most people who use multifactor authentication (MFA) have been told that it is far less hackable than other types of authentication, or even that it is unhackable. You might be shocked to learn that all MFA solutions are actually easy to hack. That’s right: there is no perfectly safe MFA solution. In fact, most can be hacked at least five different ways. Hacking Multifactor Authentication will show you how MFA works behind the scenes and how poorly linked multi-step authentication steps allows MFA to be hacked and compromised. This book covers over two dozen ways that various MFA solutions can be hacked, including the methods (and defenses) common to all MFA solutions. You’ll learn about the various types of MFA solutions, their strengthens and weaknesses, and how to pick the best, most defensible MFA solution for your (or your customers') needs. Finally, this book reveals a simple method for quickly evaluating your existing MFA solutions. If using or developing a secure MFA solution is important to you, you need this book. Learn how different types of multifactor authentication work behind the scenes See how easy it is to hack MFA security solutions—no matter how secure they seem Identify the strengths and weaknesses in your (or your customers’) existing MFA security and how to mitigate Author Roger Grimes is an internationally known security expert whose work on hacking MFA has generated significant buzz in the security world. Read this book to learn what decisions and preparations your organization needs to take to prevent losses from MFA hacking.
| Author | : Lowery Stokes Sims |
| Publisher | : Museum of Fine Arts Boston |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 9780878468157 |
The story of African Americans in the visual arts has closely paralleled their social, political and economic aspirations over the last four hundred years. From enslaved craftspersons to contemporary painters, printmakers and sculptors, they have created a wealth of artistic expression that addresses common experiences, such as exclusion from dominant cultural institutions, and confronts questions of identity and community. This generously illustrated volume gathers works by leading figures from the nineteenth century to the present Henry Ossawa Tanner, Jacob Lawrence, Romare Bearden, Lois Mailou Jones, Gordon Parks, Wifredo Lam, Kara Walker, Glenn Ligon, Kerry James Marshall alongside many others who deserve to be better known, including artists from the African diaspora in South America and the Caribbean. Arranged thematically and accompanied by authoritative texts that provide historical and interpretive context, this book invites readers to share in a rich outpouring of art that meets shared challenges with individual creative responses.
| Author | : Dana Schwartz |
| Publisher | : HarperCollins |
| Total Pages | : 205 |
| Release | : 2019-11-05 |
| Genre | : Humor |
| ISBN | : 0062867881 |
How do you use ‘taraddidle’ in a sentence? Is it possible to make a Gin Ricky that’s also a metaphor for the American Dream? How can you tell your Faulkner from your Franzen if you haven’t actually read either? Allow me, the @GuyInYourMFA, to expound on the most important (aka white male) writers of western literature. You’ve probably seen me around, observing the masses, or defying the wind by hand-rolling a cigarette outside a local, fair-trade coffeeshop. I’ve actually read Infinite Jest 9 1/2 times. Care to discuss? From Shakespeare's greatest mystery (how could a working-class man without access to an MFA program be so prolific?) to the true meaning of Kafkaesque (you know you've made it when you have an adjective named for you), the pages herewith are at once profound and practical. Use my ingenious Venn diagram to test your knowledge of which Jonathan—Franzen, Lethem, or Safran Foer—hates Twitter and lives in Brooklyn. (Trick question: all 3!) Sneer at chick-lit and drink Mojitos like Hemingway (not like middle-aged divorcées!). So instead of politely nodding along next time you make an acquaintance at a housewarming party in Brooklyn, you can roll up your sleeves and get to work schooling them in character arcs and the experimental form of your next great American novel. Dazzle your friends with how well you understand post-modernism. You’ll be at a literary event asking a question “that’s really more of a comment” in no time.
| Author | : Christine Kondoleon |
| Publisher | : |
| Total Pages | : 204 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
"Ancient Greek, Roman, and Etruscan civilizations come vividly to life in this selection of over one hundred highlights from the MFA's collection of Classical art. An introduction by curators Christine Kondoleon and Richard A. Grossmann outlines the geographical and historical scope of the Classical world from the Bronze Age to Late Antiquity describes the range of materials and techniques used by ancient artists, and provides a brief history of the MFA's collection. An appendix by conservator Pamela Hatchfield shares the conservation stories of some of the featured objects. In the splendidly illustrated body of the book, the highlighted artworks are grouped according to five broad themes: myth and religion, heroes and warriors, love and loss, daily life, and beasts and beauties. Celebrated mosaics, statues, and vases share the stage with less-familiar jewelry, coins, and glassware - each piece accompanied by a concise discussion of its artistic creation and cultural context. Both shared interests and varied traditions emerge in cross-cultural discussions of topics such as war and politics, commemoration of the dead, sports and entertainment, and the human form, providing rich insight into the astonishing civilizations that produced and used these fascinating objects so many centuries ago."--BOOK JACKET.
| Author | : Liz Munsell |
| Publisher | : MFA Publications |
| Total Pages | : 200 |
| Release | : 2020-04-21 |
| Genre | : Art |
| ISBN | : 9780878468713 |
How hip-hop culture and graffiti electrified the art of Jean-Michel Basquiat and his contemporaries in 1980s New York In the early 1980s, art and writing labeled as graffiti began to transition from New York City walls and subway trains onto canvas and into art galleries. Young artists who freely sampled from their urban experiences and their largely Black, Latinx and immigrant histories infused the downtown art scene with expressionist, pop and graffiti-inspired compositions. Jean-Michel Basquiat (1960-88) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied longstanding racial divisions. Writing the Future features Basquiat's works in painting, sculpture, drawing, video, music and fashion, alongside works by his contemporaries--and sometimes collaborators--A-One, ERO, Fab 5 Freddy, Futura, Keith Haring, Kool Koor, LA2, Lady Pink, Lee Quiñones, Rammellzee and Toxic. Throughout the 1980s, these artists fueled new directions in fine art, design and music, reshaping the predominantly white art world and driving the now-global popularity of hip-hop culture. Writing the Future, published to accompany a major exhibition, contextualizes Basquiat's work in relation to his peers associated with hip-hop culture. It also marks the first time Basquiat's extensive, robust and reflective portraiture of his Black and Latinx friends and fellow artists has been given prominence in scholarship on his oeuvre. With contributions from Carlo McCormick, Liz Munsell, Hua Hsu, J. Faith Almiron and Greg Tate, Writing the Future captures the energy, inventiveness and resistance unleashed when hip-hop hit the city.
