Johannes Brahms

Johannes Brahms
Author: Heather Platt
Publisher: Routledge
Total Pages: 448
Release: 2004-03
Genre: Art
ISBN: 113557619X

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Johannes Brahms

Johannes Brahms
Author: Heather Anne Platt
Publisher: Routledge
Total Pages: 578
Release: 2011
Genre: Music
ISBN: 041599456X

First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.

Focal Impulse Theory

Focal Impulse Theory
Author: John Paul Ito
Publisher: Indiana University Press
Total Pages: 393
Release: 2021-01-05
Genre: Music
ISBN: 0253052475

Music is surrounded by movement, from the arching back of the guitarist to the violinist swaying with each bow stroke. To John Paul Ito, these actions are not just a visual display; rather, they reveal what it really means for musicians to move with the beat, organizing the flow of notes from beat to beat and shaping the sound produced. By developing "focal impulse theory," Ito shows how a performer's choices of how to move with the meter can transform the music's expressive contours. Change the dance of the performer's body, and you change the dance of the notes. As Focal Impulse Theory deftly illustrates, bodily movements carry musical meaning and, in a very real sense, are meaning.

Brahms and the Shaping of Time

Brahms and the Shaping of Time
Author: Scott Murphy
Publisher: Boydell & Brewer
Total Pages: 310
Release: 2018
Genre: Music
ISBN: 1580465978

Combines fresh approaches to the life and music of the beloved nineteenth-century composer with the latest and most significant ways of thinking about rhythm, meter, and musical time.

Brahms and the Scherzo

Brahms and the Scherzo
Author: Ryan McClelland
Publisher: Routledge
Total Pages: 337
Release: 2016-04-15
Genre: Music
ISBN: 1317172841

Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.

Transformations of Musical Modernism

Transformations of Musical Modernism
Author: Erling E. Guldbrandsen
Publisher: Cambridge University Press
Total Pages: 369
Release: 2015-10-26
Genre: Art
ISBN: 1107127211

This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.

Structural Functions in Music

Structural Functions in Music
Author: Wallace Berry
Publisher: Courier Corporation
Total Pages: 482
Release: 1987-01-01
Genre: Music
ISBN: 9780486253848

A brilliant investigation into musical structure through a systematic exploration of tonality, melody, harmony, texture, and rhythm. Discusses early madrigals and Gregorian chants through Bach, Beethoven, and Brahms to Ravel, Bartok, and Berg."

Spaces Speak, Are You Listening?

Spaces Speak, Are You Listening?
Author: Barry Blesser
Publisher: MIT Press
Total Pages: 453
Release: 2009-09-18
Genre: Architecture
ISBN: 026251317X

How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture.The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines—including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others—Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.

Anthology of Musical Forms - Structure & Style (Expanded Edition)

Anthology of Musical Forms - Structure & Style (Expanded Edition)
Author: Leon Stein
Publisher: Alfred Music
Total Pages: 324
Release: 1999-11-27
Genre: Music
ISBN: 9781457400940

Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.