Metafiction

Metafiction
Author: Patricia Waugh
Publisher: Routledge
Total Pages: 187
Release: 2013-10-08
Genre: Literary Criticism
ISBN: 1136493891

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Metafiction

Metafiction
Author: Mark Currie
Publisher: Routledge
Total Pages: 400
Release: 2014-07-15
Genre: Literary Criticism
ISBN: 1317893867

Metafiction is one of the most distinctive features of postwar fiction, appearing in the work of novelists as varied as Eco, Borges, Martin Amis and Julian Barnes. It comprises two elements: firstly cause, the increasing interpenetration of professional literary criticism and the practice of writing; and secondly effect: an emphasis on the playing with styles and forms, resulting from an enhanced self-consciousness and awareness of the elusiveness of meaning and the limitations of the realist form. Dr Currie's volume examines first the two components of metafiction, with practical illustrations from the work of such writers as Derrida and Foucault. A final section then provides the view of metafiction as seen by metafictional writers themselves.

The Metafictional Muse

The Metafictional Muse
Author: Larry McCaffery
Publisher: University of Pittsburgh Pre
Total Pages: 313
Release: 2010-10-12
Genre: Literary Criticism
ISBN: 0822976358

McCaffery interprets the works of three major writers of radically experimental fiction: Robert Coover; Donald Barthelme; and Willam H. Gass. The term "metafiction" here refers to a strain in American writing where the self-concious approach to the art of fiction-making is a commentary on the nature of meaning itself.

Animal Money

Animal Money
Author: Michael Cisco
Publisher: Lazy Fascist Press
Total Pages: 0
Release: 2015-11
Genre: Fiction
ISBN: 9781621052128

A living form of money results in the unraveling of the world.

Black Metafiction

Black Metafiction
Author: Madelyn Jablon
Publisher: University of Iowa Press
Total Pages: 228
Release: 1997
Genre: Literary Criticism
ISBN: 9780877456568

Examines the tradition of self-consciousness in African American literature. The book points to the shortcomings of theories of metafiction founded on studies of Anglo-American literature. It analyzes and evaluates these theories, providing a model for the evaluation of other Eurocentric theories.

Metafiction and Metahistory in Contemporary Women's Writing

Metafiction and Metahistory in Contemporary Women's Writing
Author: A. Heilmann
Publisher: Springer
Total Pages: 231
Release: 2007-04-11
Genre: Fiction
ISBN: 023020628X

This collection examines the dynamic experimentation of contemporary women writers from North America, Australia, and the UK. Blurring the dichotomies of the popular and the literary, the fictional and the factual, the essays assembled here offer new approaches to reading contemporary women fiction writers' reconfigurations of history.

Chloe and the Lion

Chloe and the Lion
Author: Mac Barnett
Publisher: Little, Brown Books for Young Readers
Total Pages: 48
Release: 2017-01-04
Genre: Juvenile Fiction
ISBN: 1368005292

Meet Chloe: Every week, she collects loose change so she can buy tickets to ride the merry-go-round. But one fateful day, she gets lost in the woods on her way home, and a large dragon leaps out from-"Wait! It's supposed to be a lion," says Mac Barnett, the author of this book. But Adam Rex, the illustrator, thinks a dragon would be so much cooler (don't you agree?). Mac's power of the pen is at odds with Adam's brush, and Chloe's story hangs in the balance. Can she help them out of this quandary to be the heroine of her own story? Mac Barnett and Adam Rex are a dynamic duo, and two of the strongest contemporary voices in picture books today. In an accessible and funny way, Chloe and the Lion talks about the creative process and the joys and trials of collaboration.

Christie Malry's Own Double-entry

Christie Malry's Own Double-entry
Author: Bryan Stanley Johnson
Publisher: New Directions Publishing
Total Pages: 196
Release: 1985
Genre: Fiction
ISBN: 9780811209540

A disaffected young man, Christie Malry, is a simple man who learns the principles of double-entry book-keeping while taking an evening class in accountancy and working in the local bank. He begins to apply these principles to his own life, revenging himself against society in an increasingly violent manner for perceived 'debits'. Debit: the unpleasantness of the bank manager is the first on an ever-growing list; Credit: scratching the façade of the office block. All accounts are settled in the most alarming way.