Meredith Willson - America's Music Man

Meredith Willson - America's Music Man
Author: Bill Oates
Publisher: AuthorHouse
Total Pages: 246
Release: 2005-08-15
Genre: Performing Arts
ISBN: 1420835254

Meredith Willson – America’s Music Man is a loving, thorough and accurate examination of one of Broadway’s great composers. It tells the story before, during and after The Music Man opened in 1957. The story of Willson’s family, his life in Mason City, Iowa, and his eventual rise to the top of the music world forms the platform that led to four musicals and dozens of awards. Also included are Willson’s activities scoring movies, directing orchestras on Old Time Radio, and even becoming a character on radio and television shows. This is the first in-depth look at the career of a real music man from north central Iowa.

"But He Doesn't Know the Territory"

Author: Meredith Willson
Publisher: U of Minnesota Press
Total Pages: 169
Release: 2020-09-22
Genre: Music
ISBN: 1452965013

Chronicles the creation of Meredith Willson’s The Music Man—reprinted now as the Broadway Edition Composer Meredith Willson described The Music Man as “an Iowan’s attempt to pay tribute to his home state.” Now featuring a new foreword by noted singer and educator Michael Feinstein, this book presents Willson’s reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America’s most popular musicals. Willson’s whimsical, personable writing style brings readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. Fresh admiration of the musical—and the man behind the music—is sure to result.

Meredith Willson

Meredith Willson
Author: John C. Skipper
Publisher: Savas Publishing
Total Pages: 258
Release: 2015-01-12
Genre: Performing Arts
ISBN: 1882810783

Meredith Willson marched into the hearts of American music lovers with productions such as the "The Music Man" and "The Unsinkable Molly Brown," and unforgettable show tunes like "76 Trombones." It is the amazing story of how a youngster with talent and tenacity, possessed with what he would later call a streak of "Iowa stubborn", rose to become one of America's most famous musicians. It is the story of a remarkable career in which Willson: helped scientist Lee deForest in experiments that developed sound for motion pictures, wrote the music for Charlie Chaplin's first "talkie," wrote a song recorded by the Beatles, and won the first Grammy award ever presented. John C. Skipper is a newspaper journalist whose 35-year career has produced thousands of newspaper columns and five books. John and his wife, Sandi, live in Mason City, Iowa, just a stone's throw from Willson's famous footbridge. They have three grown daughters and one grandchild.

Miracle of The Music Man

Miracle of The Music Man
Author: Mark Cabaniss
Publisher: Rowman & Littlefield
Total Pages: 233
Release: 2022-09-15
Genre: Biography & Autobiography
ISBN: 153815465X

The Music Man stands as one of the greatest achievements in American musical theatre, but few know about its rocky beginnings and the against-all-odds success story of its creator Meredith Willson. Mark Cabaniss steps back into the Golden Age of Broadway and brings to life the origins of this classic show, the music behind it, and the unlikely story of its creator. Interweaving behind-the-scenes accounts of people who worked with Willson, Cabaniss looks at his long and unusual career as a composer, conductor, radio personality, and flutist, which reached its pinnacle in The Music Man. No one initially believed in Willson’s “Valentine to Iowa,” seeing it as nothing but a corny flop or, worse, a recipe for disaster. But when the curtain fell on opening night, a star called The Music Man was born. Over 65 years later, that star is still marching right to this day, endeared by millions around the world. To understand Willson, his career, and his music is to understand how The Music Man came to be: he was truly the only person who could have ever written this show due to his unique background, talent, incredible persistence, and belief. The show’s ultimate success and longevity was anything but inevitable—rather, it was truly a miracle.

Honey Bear

Honey Bear
Author: Dixie Willson
Publisher:
Total Pages: 48
Release: 1923
Genre: Bears
ISBN:

A bear takes a baby into the forest to eat some honey, and her mother is so relieved to find the baby safe and covered in honey that she begins using the endearment "honey," which now all parents use to address their children.

And There I Stood with My Piccolo

And There I Stood with My Piccolo
Author: Meredith Willson
Publisher: U of Minnesota Press
Total Pages: 258
Release: 2009
Genre: Music
ISBN: 0816667691

"Originally published in 1948 by Doubleday & Company, Inc."

The Big Parade

The Big Parade
Author: Dominic McHugh
Publisher: Oxford University Press
Total Pages: 289
Release: 2021
Genre: Biography & Autobiography
ISBN: 0197554733

Though Meredith Willson is best remembered for The Music Man, there is a great deal more to his career as a composer and lyricist. In The Big Parade, author Dominic McHugh uses newly uncovered letters, manuscripts, and production files to reveal Willson's unusual combination of experiences in his pre-Broadway career that led him to compose The Music Man.

The Elocutionists

The Elocutionists
Author: Marian Wilson Kimber
Publisher: University of Illinois Press
Total Pages: 348
Release: 2017-01-19
Genre: Performing Arts
ISBN: 025209915X

Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.

The Secret in the Wings

The Secret in the Wings
Author: Mary Zimmerman
Publisher: Northwestern University Press
Total Pages: 124
Release: 2014-09-15
Genre: Drama
ISBN: 0810129876

Mary Zimmerman’s The Secret in the Wings adapts a group of lesser-known fairy tales to create a theatrical work that sets their dark mystery against her signature wit and humor. The framing story concerns a child and the frightening babysitter with whom her parents leave her. As the babysitter reads from a book, the characters in each of the tales materialize, with each tale breaking off just at its bleakest moment before giving way to the next one. The central tale is told without interruption, after which each previous tale is successively resumed, with each looming disaster averted. As in Zimmerman’s other productions, here she uses costumes, props, sets, and lighting to brilliant effect, creating images and feelings that render the fairy tales in all their elemental and enduring power.

Satchmo at the Waldorf

Satchmo at the Waldorf
Author: Terry Teachout
Publisher: Dramatists Play Service, Inc.
Total Pages: 40
Release: 2015-01-01
Genre: Drama
ISBN: 0822231573

THE STORY: SATCHMO AT THE WALDORF is a one-man, three-character play in which the same actor portrays Louis Armstrong, the greatest of all jazz trumpeters; Joe Glaser, his white manager; and Miles Davis, who admired Armstrong's playing but disliked his onstage manner. It takes place in 1971 in a dressing room backstage at the Empire Room of New York's Waldorf-Astoria Hotel, where Armstrong performed in public for the last time four months before his death. Reminiscing into a tape recorder about his life and work, Armstrong seeks to come to terms with his longstanding relationship with Glaser, whom he once loved like a father but now believes to have betrayed him. In alternating scenes, Glaser defends his controversial decision to promote Armstrong's career (with the help of the Chicago mob) by encouraging him to simplify his musical style, while Davis attacks Armstrong for pandering to white audiences.