Memoir And Theatrical Career Of Ira Aldridge The African Roscius Primary Source Edition
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Author | : Bernth Lindfors |
Publisher | : University Rochester Press |
Total Pages | : 406 |
Release | : 2011 |
Genre | : Biography & Autobiography |
ISBN | : 1580463819 |
The first widely available biography of this important black Victorian-age actor, Ira Aldridge: The Early Years, 1807-1833 details the early life and career of this New York-born thespian as he began to act on the British stage. Ira Aldridge: The Early Years, 1807-1833 chronicles the rise of one of the modern world's first black classical actors, as he ascended from an impoverished childhood in New York City to a career as a celebrated thespian onthe British stage. After a successful debut in London in 1825, Aldridge began touring the British provinces, billing himself grandiloquently as the "African Roscius," and attracting crowds with his powerful presence and style. He received accolades not only as a tragedian in classic roles such as Othello and Oroonoko but also as a comic actor in popular farces and musicals. In 1833, when a bill to abolish slavery was being debated in Parliament, he was called back to London to perform at one of the city's most prestigious theaters, where his appearance, now under his own name but also billed as "a native of Senegal," created a great deal of controversy. In dealing with Aldridge's emergence as a professional actor in the United Kingdom, Lindfors here records in detail the ups and downs of his itinerant existence in a world where no theatergoer had ever seen anyone like him on stage before. Aldridgewas genuinely a unique phenomenon in Britain at a pivotal point in history. Bernth Lindfors is Professor Emeritus of English and African Literatures, University of Texas at Austin, and editor of Ira Aldridge: The African Roscius (University of Rochester Press, 2007).
Author | : Harvard University. Library |
Publisher | : |
Total Pages | : 480 |
Release | : 1992 |
Genre | : Africa |
ISBN | : |
Author | : Bernth Lindfors |
Publisher | : Boydell & Brewer |
Total Pages | : 366 |
Release | : 2011 |
Genre | : Biography & Autobiography |
ISBN | : 1580464726 |
This book describes the "glory years" of Ira Aldridge's first Continental tour, during which he won more awards and honors, often conferred by royalty, than any other actor of his day. Ira Aldridge: Performing Shakespeare in Europe, 1852-1855, the third volume of Bernth Lindfors's award-winning biography, traces the American-born black classical actor's itinerary on his first Continental tour. Starting inBrussels and following Aldridge up the Rhine to Basel, on to Berlin and Vienna, and cities in Prussia and Hungary, Lindfors recounts the major performances and analyzes audience responses to them. Because European audiences wanted to see this "African" actor in Shakespearean roles rather than in the melodramas and farces that were popular in Britain, Aldridge concentrated almost exclusively on performing as Othello, Shylock, Macbeth, and Richard III. He performed the roles in English even when acting with local companies who spoke in German, Hungarian, or another European language. Aldridge's impressive manner of interpreting these characters won him many honors, awards, and medals, some bestowed by heads of state or by national academies. Drawing on myriad reviews, playbills, and letters, many of them penned by Aldridge himself, Lindfors examines in detail Aldridge's interpretations of these timeless characters and shows why these were Aldridge's glory years. Bernth Lindfors, professor emeritus of English and African Literatures, University of Texas at Austin, is the author of Ira Aldridge: The Early Years, 1807-1833 and Ira Aldridge: The Vagabond Years, 1833-1852, both published by the University of Rochester Press in 2011.
Author | : |
Publisher | : |
Total Pages | : 60 |
Release | : 1959-11 |
Genre | : |
ISBN | : |
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Author | : John Ernest |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 292 |
Release | : 2011-08-19 |
Genre | : Literary Criticism |
ISBN | : 9781617034725 |
Author | : Herbert Marshall |
Publisher | : |
Total Pages | : 404 |
Release | : 1993 |
Genre | : Biography & Autobiography |
ISBN | : |
"On March 25, 1833, celebrated English actor Edmund Kean collapsed on stage at Covent Garden while playing the role of Othello and died shortly thereafter. Sixteen days later, young Ira Aldridge, an American-born black actor, replaced Edmund Kean in the role of the Moor. "Suddenly, members of the press were up in arms," and a real-life drama escalated, with all of London the stage." "The late biographers Herbert Marshall and Mildred Stock recreate this drama, which included a huge cast of characters: An adoring following among the common folk in the English provinces. The manager of Covent Garden, one Pierre Francois Laporte, a Frenchman who mixed business with liberal ideas about race. Theatre critics who relished calling Aldridge a "black servant" even as they idealized Shakespeare's peasant background. The proslavery lobby, at that very moment fighting its last battle." "Aldridge had come to London from New York City at age seventeen and for eight years had performed in the English provinces. In April 1833, he stood at the very heart of the Empire, beloved Covent Garden. Thrust out after only two performances, he was catapulted, in a wonderfully ironic twist, onto a world stage that included all of Europe and Russia. He would eventually return to conquer London, decked with medals of distinction."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : Peter Reed |
Publisher | : Cambridge University Press |
Total Pages | : 229 |
Release | : 2022-12-01 |
Genre | : Drama |
ISBN | : 1009121367 |
American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.
Author | : |
Publisher | : |
Total Pages | : 28 |
Release | : 1850 |
Genre | : |
ISBN | : |
Author | : Bernth Lindfors |
Publisher | : University Rochester Press |
Total Pages | : 316 |
Release | : 2007 |
Genre | : Biography & Autobiography |
ISBN | : 9781580462587 |
Ira Aldridge--a black New Yorker--was one of 19th-century Europe's greatest actors, performing abroad for 43 years, winning more awards, honors, and official decorations than any of his professional peers. This collection restores the luster to Aldridge's reputation by examining his extraordinary achievements against all odds.
Author | : David Worrall |
Publisher | : Routledge |
Total Pages | : 272 |
Release | : 2015-09-30 |
Genre | : History |
ISBN | : 1317315499 |
Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment.