Melodrama and Asian Cinema

Melodrama and Asian Cinema
Author: Wimal Dissanayake
Publisher: Cambridge University Press
Total Pages: 300
Release: 1993-05-28
Genre: Drama
ISBN: 9780521414654

This unique study examines the importance of melodrama in the film traditions of Japan, India, China, Indonesia, the Philippines, and Australia.

South Korean Golden Age Melodrama

South Korean Golden Age Melodrama
Author: Kathleen McHugh
Publisher: Wayne State University Press
Total Pages: 276
Release: 2005
Genre: Melodrama in motion pictures
ISBN: 9780814332535

Examining the theoretical, historical, and contemporary impact of South Korea's Golden Age of cinema.

Asian Cinemas

Asian Cinemas
Author: Dimitris Eleftheriotis
Publisher: University of Hawaii Press
Total Pages: 490
Release: 2006-03-31
Genre: Social Science
ISBN: 9780824830854

The West’s current fascination with Asian cinema must be viewed in the context of a complex and often problematic relationship between Western scholars, students, viewers, and Asian films. This book examines a number of detailed case studies (such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema, Hindi melodramas, Godzilla films, Taiwanese directors, and Fifth Generation Chinese cinema) and uses them to investigate the limitations of Anglo–U.S. theoretical models and critical paradigms. By engaging readers with familiar areas of critical discourse (such as postcolonial criticism, "national cinema," "genre," "authorship," and "stardom") the book aims to introduce within such contexts the "unfamiliar" case studies that will be explored in depth and detail.

In Black and White

In Black and White
Author: Darius Cooper
Publisher:
Total Pages: 108
Release: 2005
Genre: Performing Arts
ISBN:

Born on 9 July 1925 into a Saraswat family of Mangalore and educated in the liberal climate of Calcutta, Guru Dutt started his own production company in 1954 with Aar Paar, and never looked back till Sahib Bibi aur Gulam, 1962, his last film. On 9 October 1964, he committed suicide. His oeuvre is now widely regarded as one of the most rich and significant legacies of Indian cinema, amongst the finest examples of the melodrama mode. The aim of this volume is to lay before the reader a particular melodramatic tradition of the Hindi film that Guru Dutt typified. The critical fragments spread over the book s six chapters are all taken from the body of work done by western critics in elevating the Hollywood melodrama, primarily of the forties and fifties, to critical acceptability and respectability. Dutt s Indian melodramas, functioning around the same time, seem to be assembled in very similar ways and when examined under these rubrics, reveal an astonishing level of vision and craftsmanship. Darius Cooper is Professor of Literature and Film in the English Department at San Diego Mesa College, USA. His first book, Between Tradition and Modernity: The Cinema of Satyajit Ray was published by Cambridge University Press in 2000. His essays on Indian cinema have appeared in Film Quarterly (Berkeley), East-West Film Journal (Hawaii), The Journal of Commonwealth and Post-Colonial Studies (Georgia), Women s Studies (Claremont), The Toronto South Asian Review (Canada), Asian Cinema (Pennsylvania) and in the anthology Colonialism and Nationalism in Asian Cinema (Indiana). He has also been published widely as a poet and short fiction writer.

Colonialism and Nationalism in Asian Cinema

Colonialism and Nationalism in Asian Cinema
Author: Wimal Dissanayake
Publisher: Indiana University Press
Total Pages: 266
Release: 1994-10-22
Genre: Performing Arts
ISBN: 9780253208958

" . . . an important collective work for communication practitioners, students, and scholars who want to have a deeper understanding of film making in Asia and of the promotion of nationalism through communication." —Media Asia " . . . a momentous contribution to the study of colonialism and postcoloniality in Asia . . . " —The Journal of Asian Studies "This is an excellent model for studies in how the popular, art, and experimental cinemas function in the consideration of nationhood as a configuration of symbols. . . . This anthology provides an interesting discussion by offering a theoretical framework from which to examine the complex topics of nation, state, identity formation, and collective history in the realm of cinema. It becomes an even more effective tool by playing itself out within a diverse Asian context." —Afterimage Essays examine the representation of the interlocking discourses of nationhood and history in Asian cinema, dealing with film traditions in Japan, China, Taiwan, Korea, Vietnam, Thailand, Indonesia, India, Sri Lanka, and Australia.

Melodrama and Modernity

Melodrama and Modernity
Author: Ben Singer
Publisher: Columbia University Press
Total Pages: 386
Release: 2001-02-05
Genre: Performing Arts
ISBN: 0231113293

Surveying the expanding conflict in Europe during one of his famous fireside chats in 1940, President Franklin Roosevelt ominously warned that "we know of other methods, new methods of attack. The Trojan horse. The fifth column that betrays a nation unprepared for treachery. Spies, saboteurs, and traitors are the actors in this new strategy." Having identified a new type of war -- a shadow war -- being perpetrated by Hitler's Germany, FDR decided to fight fire with fire, authorizing the formation of the Office of Strategic Services (OSS) to organize and oversee covert operations. Based on an extensive analysis of OSS records, including the vast trove of records released by the CIA in the 1980s and '90s, as well as a new set of interviews with OSS veterans conducted by the author and a team of American scholars from 1995 to 1997, The Shadow War Against Hitler is the full story of America's far-flung secret intelligence apparatus during World War II. In addition to its responsibilities generating, processing, and interpreting intelligence information, the OSS orchestrated all manner of dark operations, including extending feelers to anti-Hitler elements, infiltrating spies and sabotage agents behind enemy lines, and implementing propaganda programs. Planned and directed from Washington, the anti-Hitler campaign was largely conducted in Europe, especially through the OSS's foreign outposts in Bern and London. A fascinating cast of characters made the OSS run: William J. Donovan, one of the most decorated individuals in the American military who became the driving force behind the OSS's genesis; Allen Dulles, the future CIA chief who ran the Bern office, which he called "the big window onto the fascist world"; a veritable pantheon of Ivy League academics who were recruited to work for the intelligence services; and, not least, Roosevelt himself. A major contribution of the book is the story of how FDR employed Hitler's former propaganda chief, Ernst "Putzi" Hanfstengl, as a private spy. More than a record of dramatic incidents and daring personalities, this book adds significantly to our understanding of how the United States fought World War II. It demonstrates that the extent, and limitations, of secret intelligence information shaped not only the conduct of the war but also the face of the world that emerged from the shadows.

Martial Law Melodrama

Martial Law Melodrama
Author: José B. Capino
Publisher: University of California Press
Total Pages: 325
Release: 2020-01-07
Genre: Performing Arts
ISBN: 0520314638

Lino Brocka (1939–1991) was one of Asia and the Global South’s most celebrated filmmakers. A versatile talent, he was at once a bankable director of genre movies, an internationally acclaimed auteur of social films, a pioneer of queer cinema, and an outspoken critic of Ferdinand Marcos’s autocratic regime. José B. Capino examines the figuration of politics in the Filipino director’s movies, illuminating their historical contexts, allegorical tropes, and social critiques. Combining eye-opening archival research with fresh interpretations of over fifteen of Brocka’s major and minor works, Martial Law Melodrama does more than reveal the breadth of his political vision. It also offers a timely lesson about popular cinema’s vital role in the struggle for democracy.

Remaking Chinese Cinema

Remaking Chinese Cinema
Author: Yiman Wang
Publisher: University of Hawaii Press
Total Pages: 234
Release: 2013-03-31
Genre: Performing Arts
ISBN: 0824837843

From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point—Shanghai in the Chinese case—she argues for a multi-local process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through trans-regional and trans-national interactions that also produced a vision of Chinese cinema. Among the book’s highlights are a rereading of The Goddess—one of the best-known silent Chinese films in the West—from the perspective of its wartime Mandarin-Cantonese remake; the excavation of a hybrid genre (the Western costume Cantonese opera film) inspired by Hollywood's fantasy films of the 1930s and produced in Hong Kong well into the mid-twentieth century; and a rumination on Hollywood’s remake of Hong Kong’s Infernal Affairs and the wholesale incorporation of “Chinese elements” in Kung Fu Panda 2. Positing a structural analogy between the utopic vision, the national cinema, and the location-specific collective subject position, the author traces their shared urge to infinitesimally approach, but never fully and finitely reach a projected goal. This energy precipitates the ongoing processes of cross-Pacific film remaking, which constitute a crucial site for imagining and enacting (without absolving) issues of national and regional border politics. These issues unfold in relation to global formations such as colonialism, Cold War ideology, and postcolonial, postsocialist globalization. As such, Remaking Chinese Cinema contributes to the ongoing debate on (trans-)national cinema from the unique perspective of century-long border-crossing film remaking.

Melodrama Unbound

Melodrama Unbound
Author: Christine Gledhill
Publisher: Columbia University Press
Total Pages: 761
Release: 2018-05-08
Genre: Performing Arts
ISBN: 0231543190

For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling. Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.

Southeast Asian Independent Cinema

Southeast Asian Independent Cinema
Author: Tilman Baumgärtel
Publisher: Hong Kong University Press
Total Pages: 297
Release: 2012-01-01
Genre: Performing Arts
ISBN: 9888083600

The rise of independent cinema in Southeast Asia, following the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered startling new voices from a part of the world rarely heard or seen in international film circles. The appearance of fresh, sharply alternative, and often very personal voices has had a tremendous impact on local film production. This book documents these developments as a genuine outcome of the democratization and liberalization of film production. Contributions from respected scholars, interviews with filmmakers, personal accounts and primary sources by important directors and screenwriters collectively provide readers with a lively account of dynamic film developments in Southeast Asia. Interviewees include Lav Diaz, Amir Muhammad, Apichatpong Weerasethakul, Eric Khoo, Nia Dinata and others. Tilman Baumgärtel taught film and media studies in Germany, Austria and the Philippines before joining Royal University of Phnom Penh in 2009. He has curated international film series and art exhibitions, and has also published books on independent cinema, Internet art, computer games and the German director Harun Farocki. His blog can be found at http://southeastasiancinema.wordpress.com