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| Author | : Max Pensky |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 1993 |
| Genre | : History |
| ISBN | : |
In recent years the German-Jewish critic and philosopher Walter Benjamin has come to be regarded as one of the leading intellectual figures of the 20th century. Yet much of his work, particularly his theoretical writing, remains elusive.
| Author | : Jean-Philippe Mathy |
| Publisher | : Penn State Press |
| Total Pages | : 250 |
| Release | : 2011-01-01 |
| Genre | : History |
| ISBN | : 0271037849 |
The current cultural climate in France is often described as one of &“d&éclinisme&” or &“sinistrose,&” a mixture of pessimism about the national future, nostalgia for the past, and a sinister sense of irreversible decline concerning the present. The notion of &“democratic melancholia&” has become widely popular, cropping up time and again in academic papers and newspaper articles. In Melancholy Politics, Jean-Philippe Mathy examines the development of this disenchanted mood in the works of prominent French philosophers, historians, and sociologists since the beginning of the 1980s. This period represents a significant turning point in French intellectual life, as the legacy of major postwar and sixties theorists such as L&évi-Strauss, Derrida, and Foucault was increasingly challenged by a younger generation of authors who repudiated both Marxism and structuralism. The book is not a classic intellectual or cultural history of post-1968 France, but rather a contribution to the understanding of the present&—a collection of soundings into what remains largely a complex, ongoing process.
| Author | : Ilit Ferber |
| Publisher | : Stanford University Press |
| Total Pages | : 263 |
| Release | : 2013-06-12 |
| Genre | : Philosophy |
| ISBN | : 080478664X |
This book traces the concept of melancholy in Walter Benjamin's early writings. Rather than focusing on the overtly melancholic subject matter of Benjamin's work or the unhappy circumstances of his own fate, Ferber considers the concept's implications for his philosophy. Informed by Heidegger's discussion of moods and their importance for philosophical thought, she contends that a melancholic mood is the organizing principle or structure of Benjamin's early metaphysics and ontology. Her novel analysis of Benjamin's arguments about theater and language features a discussion of the Trauerspiel book that is amongst the first in English to scrutinize the baroque plays themselves. Philosophy and Melancholy also contributes to the history of philosophy by establishing a strong relationship between Benjamin and other philosophers, including Leibniz, Kant, Husserl, and Heidegger.
| Author | : Simon Mussell |
| Publisher | : Manchester University Press |
| Total Pages | : 232 |
| Release | : 2017-11-02 |
| Genre | : Philosophy |
| ISBN | : 1526105713 |
This book offers a unique and timely reading of the early Frankfurt School in response to the recent ‘affective turn’ within the arts and humanities. Resisting the overly rationalist tendencies of political philosophy, it argues that critical theory actively cultivates a powerful connection between thinking and feeling, and rediscovers a range of often neglected concepts that were of vital importance to the first generation of critical theorists, including melancholia, hope, (un)happiness, objects and mimesis. In doing so, it brings the dynamic work of Walter Benjamin, Theodor Adorno, Ernst Bloch and Siegfried Kracauer into conversation with more recent debates around politics and affect. An important intervention in the fields of affect studies and social and political thought, Critical theory and feeling shows that sensuous experience is at the heart of the Frankfurt School’s affective politics.
| Author | : Berthold Hoeckner |
| Publisher | : Princeton University Press |
| Total Pages | : 367 |
| Release | : 2021-03-09 |
| Genre | : Music |
| ISBN | : 069122756X |
Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Liszt, Mahler, and Schoenberg, whose private messages and public predicaments are emblematic for the cultural legacy of this rich repertory. After Romanticism had elevated music as a language "beyond" language, the ineffable spurred an unprecedented proliferation of musical analysis and criticism. Taking his cue from Adorno, Hoeckner develops the idea of a "hermeneutics of a moment," which holds that musical meaning crystallizes only momentarily--in a particular passage, a progression, even a single note. And such moments can signify as little as a fleeting personal memory or as much as the whole of German music. Although absolute music emerged with a matrix of values--the integrity of the subject, the aesthetic autonomy of art, and the intrinsic worth of high culture--that are highly contested in musicology today, Hoeckner argues that we should not completely discard the ideal of a music that continues to offer moments of transcendence and liberation. Passionately and artfully written, Hoeckner's quest for an "essayistic musicology" displays an original intelligence willing to take interpretive risks. It is a provocative contribution to our knowledge about some of Europe's most important music--and to contemporary controversies over how music should be understood and experienced.
| Author | : Jonathan FLATLEY |
| Publisher | : Harvard University Press |
| Total Pages | : 272 |
| Release | : 2009-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 0674036964 |
The surprising claim of this book is that dwelling on loss is not necessarily depressing. Instead, embracing melancholy can be a road back to contact with others and can lead people to productively remap their relationship to the world around them. Flatley demonstrates that a seemingly disparate set of modernist writers and thinkers showed how aesthetic activity can give us the means to comprehend and change our relation to loss.
| Author | : Eugenie Brinkema |
| Publisher | : Duke University Press |
| Total Pages | : 382 |
| Release | : 2014-05-12 |
| Genre | : Performing Arts |
| ISBN | : 0822376776 |
What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form.
| Author | : Corinne Fowler |
| Publisher | : Routledge |
| Total Pages | : 307 |
| Release | : 2013-12-13 |
| Genre | : Literary Criticism |
| ISBN | : 1135019339 |
Despite the recent increase in scholarly activity regarding travel writing and the accompanying proliferation of publications relating to the form, its ethical dimensions have yet to be theorized with sufficient rigour. Drawing from the disciplines of anthropology, linguistics, literary studies and modern languages, the contributors in this volume apply themselves to a number of key theoretical questions pertaining to travel writing and ethics, ranging from travel-as-commoditization to encounters with minority languages under threat. Taken collectively, the essays assess key critical legacies from parallel disciplines to the debate so far, such as anthropological theory and postcolonial criticism. Also considered, and of equal significance, are the ethical implications of the form’s parallel genres of writing, such as ethnography and journalism. As some of the contributors argue, innovations in these genres have important implications for the act of theorizing travel writing itself and the mode and spirit in which it continues to be conducted. In the light of such innovations, how might ethical theory maintain its critical edge?
| Author | : Benjamin Kohlmann |
| Publisher | : Routledge |
| Total Pages | : 261 |
| Release | : 2016-04-29 |
| Genre | : Literary Criticism |
| ISBN | : 1317145658 |
Offering the first book-length consideration of Edward Upward (1903-2009), one of the major British left-wing writers, this collection positions his life and works in the changing artistic, social and political contexts of the twentieth and early twenty-first centuries. Upward’s fiction and non-fiction, from the 1920s onwards, illustrate the thematic and formal richness of left-wing writing during the twentieth-century age of extremes. At the same time, Upward’s work shows the inherent tensions of a life committed at once to writing and to politics. The full range of Upward’s work and a wealth of unpublished materials are examined, including his early fantastic stories of the 1920s, his Marxist fiction of the 1930s, the extraordinary semi-autobiographical trilogy The Spiral Ascent and his formally and thematically innovative later stories. The essays collected here reevaluate Upward’s central place in twentieth-century British literary culture and assess his legacy for the twenty-first century.
| Author | : Jacques Khalip |
| Publisher | : Stanford University Press |
| Total Pages | : 299 |
| Release | : 2011-08-09 |
| Genre | : Philosophy |
| ISBN | : 0804761388 |
From painting to poetry to new media technologies, this book theorizes "the image" beyond the logic of representationalism and provokes new ways of engaging topics of embodiment, agency, history, and technology.
