A World Art History and Its Objects

A World Art History and Its Objects
Author: David Carrier
Publisher: Penn State Press
Total Pages: 200
Release: 2008-11-21
Genre: Art
ISBN: 0271036060

Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.

Literary Criticism--idea and Act

Literary Criticism--idea and Act
Author: English Institute
Publisher: Univ of California Press
Total Pages: 668
Release: 1974-01-01
Genre: Literary Criticism
ISBN: 9780520025851

34 essays om litteraturvidenskab og engelsk litteratur, udvalgt blandt afhandlinger, der blev forelæst ved The English Institute, Columbia University i årene 1939-1972.

To be and Not to be

To be and Not to be
Author: Göran Rossholm
Publisher: Peter Lang
Total Pages: 388
Release: 2004
Genre: Language Arts & Disciplines
ISBN: 9783039100477

To Be And Not to Be is a study of the interrelated concepts interpretation, iconicity and fiction as applied to works of art in general and literary narratives in particular. Two perspectives run through the book: a semiotic one, focusing on the work of art and what it stands for - represents, expresses, alludes to, etc. - and a psychological one, focusing on the audience's interpretation of the work. The book establishes an ongoing dialogue with recent research within analytic aesthetics, narratology and other relevant fields. In particular, the philosopher Nelson Goodman's theory of symbols has proved to be fruitful in the development of new and original concept formations with respect to interpretation, iconicity and fictionality. In the first part some fundamental questions of literary theory are focused on, foremost what is meant by «intentional interpretation», the relation between literary interpretation and understanding of everyday spontaneous discourse as analyzed by Paul Grice, and how to locate aesthetic interpretation within the wider scope of interpretive practices. These discussions yield some conceptual tools deployed in the two following parts of the book. The second part opens with a suggestion on the concept of pictorial representation. This is generalized to apply to verbal and literary phenomena such as temporal matching, quotation, and uses of point of view in narratives. In the final part recent philosophical accounts of fictionality are discussed.

Key Writers on Art: The Twentieth Century

Key Writers on Art: The Twentieth Century
Author: Chris Murray
Publisher: Routledge
Total Pages: 325
Release: 2005-06-27
Genre: Art
ISBN: 1134597207

Key Writers on Art: The Twentieth Century offers a unique and authoritative guide to modern responses to art. Featuring 48 essays on the most important twentieth century writers and thinkers and written by an international panel of expert contributors, it introduces readers to key approaches and analytical tools used in the study of contemporary art. It discusses writers such as Adorno, Barthes, Benjamin, Freud, Greenberg, Heuser, Kristeva, Merleau-Ponty, Pollock, Read and Sontag.

Depression Glass

Depression Glass
Author: Monique Vescia
Publisher: Routledge
Total Pages: 175
Release: 2014-02-04
Genre: Literary Criticism
ISBN: 1135493200

First Published in 2006. This is part of the literary critcism and cutlural theory collection. Situated within the larger narrative of the symbiosis between photography and modern poetry in America during the 1930s, each text examined by the author is a discrete object constituting a series of empirical statements, expressing certain empirical truths particular to its time and place.

Artifacts, Representations and Social Practice

Artifacts, Representations and Social Practice
Author: C. Gould
Publisher: Springer Science & Business Media
Total Pages: 573
Release: 2012-12-06
Genre: Philosophy
ISBN: 9401109028

The essays collected here in honor of Marx Wartofsky's sixty-fifth birthday are a celebration of his rich contribution to philosophy over the past four decades and a testimony to the wide influence he has had on thinkers with quite various approaches of their own. His diverse philosophical interests and main themes have ranged from constructivism and realism in the philosophy of science to practices of representation and the creation of artifacts in aesthetics; and from the development of human cognition and the historicity of modes of knowing to the construction of norms in the context of concrete social critique. Or again, in the history of philosophy, his work spans historical approaches to Hegel, Feuerbach, and Marx, as well as contemporary implications of their work; and in applied philosophy, problems of education, medicine, and new technologies. Marx's philosophical theorizing moves from the highest levels of abstraction to the most concrete concern with the everyday and with contemporary social and political reality. And perhaps most notably, it is acutely sensitive to the importance of historical development and social practice. As a student of John Herman Randall, Jr. and Ernest Nagel at Columbia, Marx developed an exemplary background in both the history of philosophy and systematic philosophy and subsequently combined this with a wide acquaintance with analytic philosophy. He is at once aware of the requirements of system and of the need for rigorous and careful detailed argument.

The Self-Conscious Novel

The Self-Conscious Novel
Author: Brian Stonehill
Publisher: University of Pennsylvania Press
Total Pages: 232
Release: 2016-11-11
Genre: Literary Criticism
ISBN: 151280732X

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.