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| Author | : Andrew B. R. Elliott |
| Publisher | : Boydell & Brewer |
| Total Pages | : 237 |
| Release | : 2017 |
| Genre | : History |
| ISBN | : 184384463X |
An exploration of how the Middle Ages are manipulated ideologically in today's communication.
| Author | : Jakob Linaa Jensen |
| Publisher | : Emerald Group Publishing |
| Total Pages | : 152 |
| Release | : 2020-09-11 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1839094125 |
This book sheds light on the world of the Internet and social media and their relationship with surveillance and control, through a historical prism drawn from the Medieval Age.
| Author | : David W. Marshall |
| Publisher | : McFarland |
| Total Pages | : 217 |
| Release | : 2007-04-11 |
| Genre | : History |
| ISBN | : 0786429224 |
Beginning in 1976 with the first issue of the journal Studies in Medievalism, all things medieval and the concept of medievalism became a hot topic in culture studies. Medievalism examines how different groups, individuals, or eras use and shape the image of the Middle Ages, differentiating between historical knowledge of the Middle Ages and what we have made the period out to be. The 13 essays in this book explore the medieval invasion of today's media and consider the various ways--from film and print to websites and video games--that the Middle Ages have been packaged for consumption. Essays encompass diverse theoretical perspectives and are grouped loosely around distinct functions of medievalism, including the exposure of recent social concerns; the use of medieval images in modern political contexts; and the medieval's influence on products of today's popular culture. The legitimization of the study of medievalism and the effect of medievalism on the more traditional subject of medieval studies are also discussed. Instructors considering this book for use in a course may request an examination copy here.
| Author | : KellyAnn Fitzpatrick |
| Publisher | : Boydell & Brewer |
| Total Pages | : 246 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 1843845415 |
The medieval in the modern world is here explored in a variety of media, from film and book to gaming.
| Author | : Tison Pugh |
| Publisher | : Routledge |
| Total Pages | : 185 |
| Release | : 2012-11-12 |
| Genre | : Literary Collections |
| ISBN | : 1136265406 |
From King Arthur and Robin Hood, through to video games and jousting-themed restaurants, medieval culture continues to surround us and has retained a strong influence on literature and culture throughout the ages. This fascinating and illuminating guide is written by two of the leading contemporary scholars of medieval literature, and explores: The influence of medieval cultural concepts on literature and film, including key authors such as Shakespeare, Tennyson, and Mark Twain The continued appeal of medieval cultural figures such as Dante, King Arthur, and Robin Hood The influence of the medieval on such varied disciplines such as politics, music, children’s literature, and art. Contemporary efforts to relive the Middle Ages. Medievalisms: Making the Past in the Present surveys the critical field and sets the boundaries for future study, providing an essential background for literary study from the medieval period through to the twenty-first century.
| Author | : Karl Fugelso |
| Publisher | : Boydell & Brewer |
| Total Pages | : 254 |
| Release | : 2022-05-06 |
| Genre | : Literary Criticism |
| ISBN | : 184384625X |
Essays on the use, and misuse, of the Middle Ages for political aims.
| Author | : Bruce J. Schulman |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 272 |
| Release | : 2017-02-27 |
| Genre | : History |
| ISBN | : 0812248880 |
Media Nation brings together some of the most exciting voices in media and political history to present fresh perspectives on the role of mass media in the evolution of modern American politics. Together, these contributors offer a field-shaping work that aims to bring the media back to the center of scholarship modern American history.
| Author | : Stephen C. Meyer |
| Publisher | : Oxford University Press |
| Total Pages | : 844 |
| Release | : 2020-03-02 |
| Genre | : Music |
| ISBN | : 0190658460 |
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
| Author | : Timothy Reuter |
| Publisher | : Cambridge University Press |
| Total Pages | : 453 |
| Release | : 2006-11-02 |
| Genre | : History |
| ISBN | : 1139459546 |
This is a collection of influential and challenging essays by British medievalist Timothy Reuter, a perceptive and original thinker with extraordinary range who was equally at home in the Anglophone or German scholarly worlds. The book addresses three interconnected themes in the study of the history of the early and high Middle Ages. Firstly, historiography, the development of the modern study of the medieval past. How do our contemporary and inherited preconceptions and pre-occupations determine our view of history? Secondly, the importance of symbolic action and communication in the politics and polities of the Middle Ages. Finally, the need to avoid anachronism in our consideration of medieval politics. Throwing light both on modern mentalities and on the values and conduct of medieval people themselves, and containing articles, at time of publication, never previously been available in English, this book is essential reading for any serious scholar of medieval Europe.
| Author | : Helen Young |
| Publisher | : Cambria Press |
| Total Pages | : 240 |
| Release | : 2015-07-30 |
| Genre | : Literary Criticism |
| ISBN | : |
Note: this is an abridged version of the book with references removed. The complete edition is available on this website. This fascinating study places multiple genres in dialogue and considers both medievalism and genre to be frameworks from which meaning can be produced. It explores works from a wide range of genres-children's and young adult, historical, cyberpunk, fantasy, science fiction, romance, and crime-and across multiple media-fiction, film, television, video games, and music. The range of media types and genres enable comparison, and the identification of overarching trends, while also allowing comparison of contrasting phenomena. As the first volume to explore the nexus of medievalism and genre across such a wide range of texts, this collection illustrates the fractured ideologies of contemporary popular culture. The Middle Ages are more usually, and often more prominently, aligned with conservative ideologies, for example around gender roles, but the Middle Ages can also be the site of resistance and progressive politics. Exploring the interplay of past and present, and the ways writers and readers work engage with them demonstrates the conscious processes of identity construction at work throughout Western popular culture. The collection also demonstrates that while scholars may have by-and-large abandoned the concept of accuracy when considering contemporary medievalisms, the Middle Ages are widely associated with authenticity, and the authenticity of identity, in the popular imagination; the idea of the real Middle Ages matters, even when historical realities do not. This book will be of interest to scholars of medievalism, popular culture, and genre.
