Medievalism And Reception
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| Author | : Dr Ellie Crookes |
| Publisher | : Boydell & Brewer |
| Total Pages | : 203 |
| Release | : 2024-12-03 |
| Genre | : Literary Criticism |
| ISBN | : 1843847302 |
The relationship between medievalism and reception explored via a rich variety of case studies. At the intersection of the twin fields of medievalism and reception studies is the timely and fascinating question of how a contested past is deployed in the context of a conflicted and contradictory present. Despite their shared roots and a fundamental orientation towards the entanglement of past and present, the term "reception" is rarely taken up in medievalist scholarship, and they have developed along parallel but divergent lines, evolving their own emphases, problematics, sensibilities, vocabularies, and critical tools. This book is the first to reunite these two fields. Its introduction and first chapter clearly set out their tangled intellectual and disciplinary histories. The ten essays that follow reflect upon the relationship between medievalism and reception in theory and in practice, through thematically, temporally, and geographically expansive case studies, engaging with theories of translation, postcolonialism, fan studies, persona studies, and Indigenous studies. Individual topics examined include the cultural impact of Robin Hood; the Tulsa rase massacre; the crusades in the nineteenth century; later representations of Chaucer's works; Victorian representations of Anne Boleyn; and media such as Star Wars and Game of Thrones. As a whole, this collection models and demonstrates the value of a new and self-aware approach to medievalism, enriched by a conscious and critical redeployment of reception theories and methodologies.
| Author | : David Matthews |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 231 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 1843843927 |
An accessibly-written survey of the origins and growth of the discipline of medievalism studies. The field known as "medievalism studies" concerns the life of the Middle Ages after the Middle Ages. Originating some thirty years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity, from Bale and Leland to HBO's Game of Thrones. But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Can such a diverse field claim coherence? Should it be housed in departments of English, or History, or should it always be interdisciplinary? In responding to such questions, the author traces the history of medievalism from its earliest appearances in the sixteenth century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more. He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential. Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry. David Matthews is Professor of Medieval and Medievalism Studies at the University of Manchester.
| Author | : Pavlina Cermanova |
| Publisher | : |
| Total Pages | : 325 |
| Release | : 2021-06-30 |
| Genre | : |
| ISBN | : 9782503594637 |
This book provides a series of studies concerning unique medieval texts that can be defined as 'books of knowledge', such as medieval chronicles, bestiaries, or catechetic handbooks. Thus far, scholarship of intellectual history has focused on concepts of knowledge to describe a specific community, or to delimit intellectuals in society. However, the specific textual tool for the transmission of knowledge has been missing. Besides oral tradition, books and other written texts were the only sources of knowledge, and they were thus invaluable in efforts to receive or transfer knowledge. That is one reason why texts that proclaim to introduce a specific field of expertise or promise to present a summary of wisdom were so popular. These texts discussed cosmology, theology, philosophy, the natural sciences, history, and other fields. They often did so in an accessible way to maintain the potential to also attract a non-specialised public. The basic form was usually a narrative, chronologically or thematically structured, and clearly ordered to appeal to readers. Books of this kind could be disseminated in dozens or even hundreds of copies, and were often available (by translation or adaptation) in various languages, including the vernacular. In exploring these widely-disseminated and highly popular texts that offered a precise segment of knowledge that could be accessed by readers outside the intellectual and social elite, this volume intends to introduce books of knowledge as a new category within the study of medieval literacy.
| Author | : Nahir I. Otaño Gracia |
| Publisher | : University of Wales Press |
| Total Pages | : 393 |
| Release | : 2022-02-01 |
| Genre | : History |
| ISBN | : 1786838354 |
Essays on a variety of medieval women, which will grant readers a more complete view of medieval women’s lives broadly speaking. These essays largely take a new perspective on their subjects, pushing readers to reconsider preconceived notions about medieval women, authority, and geography. This book will expand the knowledge base of our readers by introducing them to non-canonical and non-European subjects.
| Author | : Rosemary Tzanaki |
| Publisher | : Routledge |
| Total Pages | : 407 |
| Release | : 2017-07-05 |
| Genre | : History |
| ISBN | : 1351920170 |
The so-called travels of Sir John Mandeville to the Holy Land, India and Cathay were immensely popular throughout Europe during the late medieval period and were translated into nine different languages. This is a detailed study of the audiences of Mandeville's Book, with particular emphasis on its reception in England and France from the time the Book appeared in the 1350s to the mid-16th century. The multiple ways in which audiences interpreted the work, depending on wider social and cultural contexts, are analysed thematically, under the headings of pilgrimage, geography, romance, history and theology, and contrasted with what can be learned of the author's intentions. The book is well-illustrated with images taken from both manuscript and early printed editions: in her study of these and the marginal notes, Rosemary Tzanaki shows their importance for seeing what readers found of interest. Her analysis makes a significant contribution to our understanding of how people in medieval Europe perceived the outside world.
| Author | : Louise D'Arcens |
| Publisher | : Cambria Press |
| Total Pages | : 294 |
| Release | : 2014-04-18 |
| Genre | : Literary Criticism |
| ISBN | : 1604978643 |
Today medievalism is increasingly intelligible as a cultural lingua franca, produced in trans- and international contexts with a view to reaching popular international audiences, some of mass scope. This book offers new perspectives on international relations and how global concerns are made available through contemporary medievalist texts. It questions how research in medievalism may help us rethink the terms of internationalism and globalism within popular cultures, ideologies, and political formations. It investigates how the diverse media of medievalism (print; film and television; arts and crafts; fashion; digital media; clubs and fandom) affect its cultural meaning and circulation, and its social function, and engage questions of desire, gender and identity construction. As a whole, International Medievalism and Popular Culture differs from those studies which have concentrated on imaginative appropriations of the middle ages for domestic cultural contexts. It investigates rather how contemporary cultures engage with medievalism to map and model ideas of the international, the trans-national, the cosmopolitan and the global. This book includes examples from Europe, Britain, North America, Australia and the Arab world. It discusses the formation and the impact of popular medievalism in the globalised worlds of Braveheart, Disney and Harry Potter, but it also explores how the contemporary medieval imaginary generates international cultural perspectives, for example in considering Middle Eastern reception of Ridley Scott's Kingdom of Heaven, the Byzantinism of Julia Kristeva, and Hedley Bull's postnationalist 'new medievalism'. International Medievalism in Popular Culture is an important contribution to medieval studies, cultural studies, and historical studies. It will be of value to undergraduate, postgraduate and academic readers, as well as to all interested in popular culture or medievalism.
| Author | : Nasrin Askari |
| Publisher | : BRILL |
| Total Pages | : 409 |
| Release | : 2016-08-09 |
| Genre | : History |
| ISBN | : 9004307915 |
Nasrin Askari explores the medieval reception of Firdausī’s Shāhnāma, or Book of Kings (completed in 1010 CE) as a mirror for princes. Through her examination of a wide range of medieval sources, Askari demonstrates that Firdausī’s oeuvre was primarily understood as a book of wisdom and advice for kings and courtly elites. In order to illustrate the ways in which the Shāhnāma functions as a mirror for princes, Askari analyses the account about Ardashīr, the founder of the Sasanian dynasty, as an ideal king in the Shāhnāma. Within this context, she explains why the idea of the union of kingship and religion, a major topic in almost all medieval Persian mirrors for princes, has often been attributed to Ardashīr.
| Author | : Louise D'Arcens |
| Publisher | : Cambridge University Press |
| Total Pages | : 257 |
| Release | : 2016-03-10 |
| Genre | : History |
| ISBN | : 110708671X |
An introduction to medievalism offering a balance of accessibility and sophistication, with comprehensive overviews as well as detailed case studies.
| Author | : Irene Caiazzo |
| Publisher | : BRILL |
| Total Pages | : 512 |
| Release | : 2021-11-22 |
| Genre | : Philosophy |
| ISBN | : 9004499466 |
For the first time, the reader can have a synoptic view of the reception of Pythagoras and Pythagoreanism in the Middle Ages and the Renaissance, East and West, in a multicultural perspective. All the major themes of Pythagoreanism are addressed, from mathematics, number philosophy and metaphysics to ethics and religious thought.
| Author | : Shiloh Carroll |
| Publisher | : Boydell & Brewer |
| Total Pages | : 216 |
| Release | : 2018 |
| Genre | : Literary Criticism |
| ISBN | : 1843844842 |
One of the biggest attractions of George R.R. Martin's high fantasy series A Song of Ice and Fire, and by extension its HBO television adaptation, Game of Thrones, is its claim to historical realism. The author, thedirectors and producers of the adaptation, and indeed the fans of the books and show, all lay claim to Westeros, its setting, as representative of an authentic medieval world. But how true are these claims? Is it possible to faithfully represent a time so far removed from our own in time and culture? And what does an authentic medieval fantasy world look like? This book explores Martin's and HBO's approaches to and beliefs about the Middle Ages and how those beliefs fall into traditional medievalist and fantastic literary patterns. Examining both books and programme from a range of critical approaches - medievalism theory, gender theory, queer theory, postcolonial theory, andrace theory - Dr Carroll analyzes how the drive for historical realism affects the books' and show's treatment of men, women, people of colour, sexuality, and imperialism, as well as how the author and showrunners discuss these effects outside the texts themselves. SHILOH CARROLL teaches in the writing center at Tennessee State University.
