Medieval Wall Paintings In English Welsh Churches
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| Author | : Roger Rosewell |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 179 |
| Release | : 2014-02-10 |
| Genre | : Art |
| ISBN | : 0747814562 |
The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.
| Author | : Roger Rosewell |
| Publisher | : |
| Total Pages | : 414 |
| Release | : 2008 |
| Genre | : Architecture |
| ISBN | : |
Surveying the images and iconography that made the medieval church a riot of colour, this book brings together many of the best surviving examples of medieval church wall paintings. It uses new technologies to allow us to visualise these works as the artists first intended. Rosewell's text accompanies the images.
| Author | : Richard Suggett |
| Publisher | : |
| Total Pages | : 376 |
| Release | : 2021-10 |
| Genre | : |
| ISBN | : 9781871184587 |
| Author | : Helen E. Lunnon |
| Publisher | : Boydell & Brewer |
| Total Pages | : 317 |
| Release | : 2020 |
| Genre | : Architecture |
| ISBN | : 178327526X |
Major interdisciplnary study of medieval church porches, bringing out their importance and significance.
| Author | : Michael Rimmer |
| Publisher | : Lutterworth Press |
| Total Pages | : 270 |
| Release | : 2015-08-27 |
| Genre | : Architecture |
| ISBN | : 0718843185 |
Shortlisted for the East Anglian Book Awards 2016! It has been estimated that over 90% of England's figurative medieval art was obliterated in the image destruction of the Reformation. Medieval angel roofs, timber structures with spectacular and ornate carvings of angels, with a peculiar preponderance in East Anglia, were simply too difficult for Reformation iconoclasts to reach. Angel roof carvings comprise the largest surviving body of major English medieval wood sculpture. Though they areboth masterpieces of sculpture and engineering, angel roofs have been almost completely neglected by academics and art historians, because they are inaccessible, fixed and challenging to photograph. 'The Angel Roofs of East Anglia' is the first detailed historical and photographic study of the region's many medieval angel roofs. It shows the artistry and architecture of these inaccessible and little-studied medieval artworks in more detail and clarity than ever before, and explains how they were made, by whom, and why. Michael Rimmer redresses the scholarly neglect and brings the beauty, craftsmanship and history of these astonishing medieval creations to the reader. The book also offers a fascinating new answer to the question of why angel roofs are so overwhelmingly an East Anglian phenomenon, but relatively rare elsewhere in the country.
| Author | : Thomas Tindall Wildridge |
| Publisher | : |
| Total Pages | : 262 |
| Release | : 1899 |
| Genre | : Christian art and symbolism |
| ISBN | : |
| Author | : Clifford Davidson |
| Publisher | : Springer |
| Total Pages | : 144 |
| Release | : 2016-12-19 |
| Genre | : Philosophy |
| ISBN | : 3319474766 |
This volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry; the devotional images in the Carthusian Miscellany; and meditation for “simple souls” in the Carthusian Nicholas Love’s Mirror of the Blessed Life of Jesus Christ. Emphasis is on such aspects as memory, participative theology, devotional images, meditative practice, and techniques of constructing patterns of sacred imagery.
| Author | : Stephen Hart |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 187 |
| Release | : 2010 |
| Genre | : Architecture |
| ISBN | : 1843835339 |
While the terms used to describe the tracery of medieval church windows are familiar (Early English, Decorated, Perpendicular), there has been no really detailed attempt to examine it as a distinct, stylistic architectural form, a gap which this book seeks to address. Based upon a visual catalogue of over 250 images of surviving types and styles from churches throughout England, it traces the progression of ideas and the continuity of motifs and themes in tracery patterns from the thirteenth to the sixteenth centuries, showing how different themes emerged within the main architectural styles; it also looks at the distinction between a window's architectural form and its tracery style, and describes the several different tracery techniques. The volume is completed with a detailed glossary. Stephen Hart is a retired architect, and the author of numerous works, including Flint Flushwork.
| Author | : Spike Bucklow |
| Publisher | : Boydell & Brewer |
| Total Pages | : 362 |
| Release | : 2017 |
| Genre | : Architecture |
| ISBN | : 178327123X |
Fresh examinations of one of the most important church furnishings of the middle ages. The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly" jurisdiction, it has also been argued that they served to unify architectural space. This volume brings together the latest scholarship on the subject, exploring in detail numerous aspects of the construction and painting of screens, it aims in particular to unite perspectives from science and art history. Examples are drawn from a wide geographical range, from Scandinavia to Italy. Spike Bucklow is Director of Research at the Hamilton Kerr Institute, University of Cambridge; Richard Marks is Emeritus Professor of the History of Art at the University of York and currently a member of the History of Art Department, University of Cambridge; Lucy Wrapson is Assistant to the Director at the Hamilton Kerr Institute, University of Cambridge. Contributors: Paul Binski, Spike Bucklow, Donal Cooper, David Griffith, Hugh Harrison, JacquelineJung, Justin Kroesen, Julian Luxford, Richard Marks, Ebbe Nyborg, Eddie Sinclair, Jeffrey West, Lucy Wrapson.
| Author | : Christopher Norton |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2012-03-29 |
| Genre | : Architecture |
| ISBN | : 9780521181358 |
From their introduction in the early twelfth century the Cistercians were one of the leading monastic orders in Britain. Many of the finest monastic remains - Fountains, Rievaulx and Tintern - are Cistercian. This 1986 book is a comprehensive survey of Cistercian art and architecture in the British Isles. The various contributions, all by leading specialists, cover the historical and literary background; the development of Cistercian architecture (especially in the twelfth and thirteenth centuries, when the Cistercians were in the forefront of architectural achievement, playing an important role in the introduction and dissemination of the Gothic style); and art forms such as wall painting, stained glass, tile pavements, and manuscript illumination, as well as liturgy and music. These studies reveal what was distinctively Cistercian in the art and architecture of the Order, and permit a distinct understanding of the remarkable contribution of the Cistercians to the culture of medieval Britain.
