Medieval English Nunneries C 1275 To 1535
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Medieval English Nunneries c. 1275 to 1535
Author | : Eileen Power |
Publisher | : Good Press |
Total Pages | : 676 |
Release | : 2019-11-21 |
Genre | : History |
ISBN | : |
Eileen Edna Power's 'Medieval English Nunneries c. 1275 to 1535' offers a thorough exploration of the social and religious history of English nunneries during the Middle Ages. Power draws from a wide range of sources, including wills, account rolls, and visitation documents, to provide a detailed picture of life inside these cloistered communities. From the motivations of the women who took the veil to the financial difficulties that plagued many nunneries, Power delves into the day-to-day realities of monastic life. She also addresses controversies such as the moral state of nunneries, and the attempts at reform made by external authorities. This book is a fascinating and meticulously researched account of a little-understood aspect of medieval England.
Leadership in Medieval English Nunneries
Author | : Valerie Spear |
Publisher | : Boydell Press |
Total Pages | : 278 |
Release | : 2005 |
Genre | : History |
ISBN | : 9781843831501 |
Examination of the role of the convent superior in the middle ages, underlining the amount of power and responsibility at her command.
Historians on Chaucer
Author | : Alastair Minnis |
Publisher | : OUP Oxford |
Total Pages | : 525 |
Release | : 2014-12-04 |
Genre | : History |
ISBN | : 0191003689 |
As literary scholars have long insisted, an interdisciplinary approach is vital if modern readers are to make sense of works of medieval literature. In particular, rather than reading the works of medieval authors as addressing us across the centuries about some timeless or ahistorical 'human condition', critics from a wide range of theoretical approaches have in recent years shown how the work of poets such as Chaucer constituted engagements with the power relations and social inequalities of their time. Yet, perhaps surprisingly, medieval historians have played little part in this 'historical turn' in the study of medieval literature. The aim of this volume is to allow historians who are experts in the fields of economic, social, political, religious, and intellectual history the chance to interpret one of the most famous works of Middle English literature, Geoffrey Chaucer's 'General Prologue' to the Canterbury Tales, in its contemporary context. Rather than resorting to traditional historical attempts to see Chaucer's descriptions of the Canterbury pilgrims as immediate reflections of historical reality or as portraits of real life people whom Chaucer knew, the contributors to this volume have sought to show what interpretive frameworks were available to Chaucer in order to make sense of reality and how he adapted his literary and ideological inheritance so as to engage with the controversies and conflicts of his own day. Beginning with a survey of recent debates about the social meaning of Chaucer's work, the volume then discusses each of the Canterbury pilgrims in turn. Historians on Chaucer should be of interest to all scholars and students of medieval culture whether they are specialists in literature or history.
From Literacy to Literature
Author | : Christopher Cannon |
Publisher | : Oxford University Press |
Total Pages | : 314 |
Release | : 2016 |
Genre | : Language Arts & Disciplines |
ISBN | : 0198779437 |
'From Literacy to Literature' is a cultural history that draws a line between canonical ricardian writers and the school-books of their time.
Girl Culture in the Middle Ages and Renaissance
Author | : Deanne Williams |
Publisher | : Bloomsbury Publishing |
Total Pages | : 337 |
Release | : 2023-06-01 |
Genre | : Literary Criticism |
ISBN | : 1350343218 |
Deanne Williams offers the very first study of the medieval and early modern girl actor. Whereas previous histories of the actress begin with the Restoration, this book demonstrates that the girl is actually a well-documented category of performer and a key participant in the drama of the Middle Ages and Renaissance. It explores evidence of the girl actor in archival records of payment, eyewitness accounts, stage directions, paintings, and in the plays and masques that were explicitly composed for girls, and, in some cases, by them. Contradicting previous scholarly assumptions about the early modern stage as male-dominated, this evidence reveals girls' participation in medieval religious drama, Tudor civic pageants and royal entries, Elizabethan country house entertainments, and Stuart court and household masques. This book situates its historical study of the girl actor within the wider contexts of 'girl culture', including girls as singers, translators and authors. By examining the impact of the girl actor on constructions of girlhood in the work of Shakespeare – whose girl characters register and evoke the power of the performing girl – Girl Culture in the Middle Ages and Renaissance argues that girls' dramatic, musical and literary performances actively shaped medieval and early modern culture. It shows how the active presence and participation of girls shaped medieval and Renaissance culture, and it reveals how some of its best-known literary and dramatic texts address, represent, and reflect upon girl children, not as an imagined ideal, but as a lived reality.