Medieval Embroidery
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| Author | : Clare Browne |
| Publisher | : |
| Total Pages | : 324 |
| Release | : 2021-08-10 |
| Genre | : |
| ISBN | : 9780300259988 |
An introduction to the design, production and use of luxury embroideries in medieval England (c. 1200-1530) In medieval Europe, embroidered textiles were indispensable symbols of wealth and power. Owing to their quality, complexity and magnificence, English embroideries enjoyed international demand and can be traced in Continental sources as opus anglicanum (English work). Essays by leading experts explore the embroideries' artistic and social context, while catalogue entries examine individual masterpieces. Medieval embroiderers lived in a tightly knit community in London, and many were women who can be identified by name. Comparisons between their work and contemporary painting challenge modern assumptions about the hierarchy of artistic media. Contributors consider an outstanding range of examples, highlighting their craftsmanship and exploring the world in which they were created.
| Author | : Margaret H. Swain |
| Publisher | : B.T. Batsford |
| Total Pages | : 210 |
| Release | : 1986 |
| Genre | : Crafts & Hobbies |
| ISBN | : |
| Author | : Alexandra Lester-Makin |
| Publisher | : Oxbow Books |
| Total Pages | : 257 |
| Release | : 2019-11-01 |
| Genre | : Social Science |
| ISBN | : 1789251478 |
This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘story’ of embroidery, including what we can learn of its producers, their techniques, and the material functions and metaphorical meanings of embroidery within early medieval Anglo-Saxon society. The author presents embroideries as evidence for the evolution of embroidery production in Anglo-Saxon society, from a community-based activity based on the extended family, to organized workshops in urban settings employing standardized skill levels and as evidence of changing material use: from small amounts of fibers produced locally for specific projects to large batches brought in from a distance and stored until needed. She demonstrate that embroideries were not simply used decoratively but to incorporate and enact different meanings within different parts of society: for example, the newly arrived Germanic settlers of the fifth century used embroidery to maintain links with their homelands and to create tribal ties and obligations. As such, the results inform discussion of embroidery contexts, use and deposition, and the significance of this form of material culture within society as well as an evaluation of the status of embroiderers within early medieval society. The results contribute significantly to our understanding of production systems in Anglo-Saxon England and Ireland.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2018 |
| Genre | : |
| ISBN | : 9781527216198 |
| Author | : Marty Noble |
| Publisher | : Courier Dover Publications |
| Total Pages | : 28 |
| Release | : 2015-05-20 |
| Genre | : Crafts & Hobbies |
| ISBN | : 0486797554 |
More than 150 decorative designs include adaptations from ancient originals as well as new motifs inspired by Camelot, Game of Thrones, and other shows. Ideal for needlework and other crafts. Complete instructions.
| Author | : Tanya Bentham |
| Publisher | : The Crowood Press |
| Total Pages | : 734 |
| Release | : 2022-02-28 |
| Genre | : Crafts & Hobbies |
| ISBN | : 1785009885 |
The term 'Bayeux stitch' often describes the laid and couched work that was used across Europe in the middle ages. This practical book of techniques and projects demonstrates the simple style of the Bayeux tapestry, before showing variations based on both surviving examples and adaptations of medieval manuscripts. It explains the narrow range of stitches used in laid and couched work and introduces the limited colour palette in medieval embroidery and the rhythmic use of colour. There are twelve projects with step-by-step sequences that illustrate how to stitch subjects ranging from knights to trees, and from dragons to bishops. By introducing subtle variations of techniques and materials, Tanya Bentham illustrates the endless potential of this beautiful embroidery, and brings it alive for today's embroiderers.
| Author | : Elizabeth Coatsworth |
| Publisher | : BRILL |
| Total Pages | : 469 |
| Release | : 2018-02-12 |
| Genre | : History |
| ISBN | : 9004352163 |
An astonishing number of medieval garments survive, more-or-less complete. Here the authors present 100 items, ranging from homely to princely. The book’s wide-ranging introduction discusses the circumstances in which garments have survived to the present; sets and collections; constructional and decorative techniques; iconography; inscriptions on garments; style and fashion. Detailed descriptions and discussions explain technique and ornament, investigate alleged associations with famous people (many of them spurious) and demonstrate, even when there are no known associations, how a garment may reveal its own biography: a story that can include repair, remaking, recycling; burial, resurrection and veneration; accidental loss or deliberate deposition. The authors both have many publications in the field of medieval studies, including previous collaborations on medieval textiles such as Medieval Textiles of the British Isles AD 450-1100: an Annotated Bibliography (2007), the Encyclopedia of Medieval Dress and Textiles of the British Isles (2012) and online bibliographies.
| Author | : Lanto Synge |
| Publisher | : ACC Distribution |
| Total Pages | : 360 |
| Release | : 2001 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
This glorious book is filled to the brim with a wide ranging history of textiles and 350 superb illustrations drawn from many countries and sources vestments and costume, samplers and pictures, great beds and furniture. The story of embroidery and needlework is discussed within the fascinating context of the history of fabrics, of decorative costume, of interior decoration, of church and state ceremonial, of girl's education, of furniture and pastimes. Silk, cotton, linen, and the significance of colours and dyes are also considered. Two interesting chapters reveal the world-wide fascination in an influence of Chinese embroidery and Indian textiles. With a broad account of the artistic achievements of every facet of decorative needlework the book is rich with the art-historical background encompassing the most magnificent of all embroidery, the mediaeval English vestments so coveted by Popes and Bishops across Europe, to the domestic treasures created in more recent centuries. Baroque, Rococo, neo-classical and other period characteristics are each discussed with reference to works created by children, young girls, and ladies who made furniture coverings destined for posterity. The nineteenth century saw extremes of art and fashion ranging from Berlin woolwork to Art Needlework and the eclectic inspiration represented by William Morris, all leading to simpler modernist styles which evolved over the twentieth century. The author sets in political and social context the whole panoply of textiles distinguishing between the magnificent products of professional workshops and the uniquely individual and especially charming amateur embroideries that survive today amongst the most beautiful treasures of the decorative arts. Mr Synge's text is authoritative but examines with infectious enthusiasm this field which has never been sufficiently understood but now interests more people than ever before. It will appeal to all who admire beautiful things, fine workmanship, good design and lovely fabrics. 320 colour & 30 b/w illustrations
| Author | : Elsa E. Guðjónsson |
| Publisher | : University of Iceland Press |
| Total Pages | : 100 |
| Release | : 2003 |
| Genre | : Crafts & Hobbies |
| ISBN | : |
"Traditional Icelandic Embroidery has been out of print for almost a decade and is now available in revised edition. The main text contains a survey of the history of Icelandic traditional embroidery from the earliest times to the middle of the nineteenth century, emphasizing extant embroideries preserved in the National Museum of Iceland in Reykjavik. Included are fifty-four photographs in full color of embroideries and twenty-four pages of original patterns, all in the National Museum of Iceland, and an extensive updated bibliography of relevant books and articles. Also included are eight pages with stitch diagrams and descriptions of how to work the various techniques used in the embroideries, and twenty-four plates of traditional Icelandic squared embroidery designs.
| Author | : June Hall McCash |
| Publisher | : University of Georgia Press |
| Total Pages | : 428 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : 9780820317021 |
The Cultural Patronage of Medieval Women is the first volume exclusively devoted to an examination of the significant role played by women as patrons in the evolution of medieval culture. The twelve essays in this volume look at women not simply as patrons of letters but also as patrons of the visual and decorative arts, of architecture, and of religious and educational foundations. Patronage as a means of empowerment for women is an issue that underlies many of the essays. Among the other topics discussed are the various forms patronage took, the obstacles to women's patronage, and the purposes behind patronage. Some women sought to further political and dynastic agendas; others were more concerned with religion and education; still others sought to provide positive role models for women. The amusement of their courts was also a consideration for female patrons. These essays also demonstrate that as patrons women were often innovators. They encouraged vernacular literature as well as the translation of historical works and of the Bible, frequently with commentary, into the vernacular. They led the way in sponsoring a variety of genres and encouraged some of the best-known and most influential writers of the Middle Ages. Moreover, they were at the forefront in fostering the new art of printing, which made books accessible to a larger number of people. Finally, the essays make clear that behind much patronage lay a concern for the betterment of women.
