Medieval Body Language
| Author | : Robert G. Benson |
| Publisher | : |
| Total Pages | : 178 |
| Release | : 1980 |
| Genre | : Body language in literature |
| ISBN | : |
Medieval Body Language
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Body Language: The Body in Medieval Art
| Author | : Wendelien van Welie-Vink |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 2021-02-16 |
| Genre | : |
| ISBN | : 9789462085992 |
Saints walking around headless, vagina-shaped wounds and a Jesus being crushed like a grape: welcome to medieval man's intriguing perception of the world. Thanks to a growing fixation on the body and body parts, some of the works of art created in the late Middle Ages meet with amazement and sometimes incomprehension today. How should we, from our position in the present, look at these works of art from so long ago? Body Language introduces you to the role of the body in devotion in the late Middle Ages (1300-1500) and to the surprising/sometimes bizarre works of art associated with it. Once you have finished this book, your view of the body will have changed forever. This publication concludes a multi-year research project on the body in the Middle Ages that was conducted at the University of Amsterdam. It will be presented at an exhibition of the same name that will feature at the Catharijne Convent Museum. Exhibition: Museum Catharijneconvent, Utrecht, The Netherlands (25.09.2020 – 17.01.2021).
Body Language in Literature
| Author | : Barbara Korte |
| Publisher | : University of Toronto Press |
| Total Pages | : 348 |
| Release | : 1997-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780802076564 |
An important interdisciplinary study, that establishes a general theory that accounts for the varieties of body language encountered in literary narrative, based on a general history of the phenomenon in the English language.
Medieval Bodies
| Author | : Jack Hartnell |
| Publisher | : Profile Books |
| Total Pages | : 306 |
| Release | : 2018-03-29 |
| Genre | : History |
| ISBN | : 178283270X |
A SUNDAY TIMES HISTORY BOOK OF THE YEAR 'A triumph' Guardian 'Glorious ... makes the past at once familiar, exotic and thrilling.' Dominic Sandbrook 'A brilliant book' Mail on Sunday Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different to our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule. In this richly-illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored and experienced their physical selves in the Middle Ages, from Constantinople to Cairo and Canterbury. Unfolding like a medieval pageant, and filled with saints, soldiers, caliphs, queens, monks and monstrous beasts, it throws light on the medieval body from head to toe - revealing the surprisingly sophisticated medical knowledge of the time in the process. Bringing together medicine, art, music, politics, philosophy and social history, there is no better guide to what life was really like for the men and women who lived and died in the Middle Ages. Medieval Bodies is published in association with Wellcome Collection.
Gestures and Looks in Medieval Narrative
| Author | : J. A. Burrow |
| Publisher | : Cambridge University Press |
| Total Pages | : 218 |
| Release | : 2002-08-08 |
| Genre | : Literary Criticism |
| ISBN | : 1139434756 |
In medieval society, gestures and speaking looks played an even more important part in public and private exchanges than they do today. Gestures meant more than words, for example, in ceremonies of homage and fealty. In this, the first study of its kind in English, John Burrow examines the role of non-verbal communication in a wide range of narrative texts, including Chaucer's Troilus and Criseyde, the anonymous Sir Gawain and the Green Knight, Malory's Morte D'arthur, the romances of Chrétien de Troyes, the Prose Lancelot, Boccaccio's Il Filostrato, and Dante's Commedia. Burrow argues that since non-verbal signs are in general less subject to change than words, many of the behaviours recorded in these texts, such as pointing and amorous gazing, are familiar in themselves; yet many prove easy to misread, either because they are no longer common, like bowing, or because their use has changed, like winking.
Body - Language - Communication. Volume 1
| Author | : Cornelia Müller |
| Publisher | : Walter de Gruyter |
| Total Pages | : 1148 |
| Release | : 2013-10-14 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3110261316 |
Volume I of the handbook presents contemporary, multidisciplinary, historical, theoretical, and methodological aspects of how body movements relate to language. It documents how leading scholars from differenct disciplinary backgrounds conceptualize and analyze this complex relationship. Five chapters and a total of 72 articles, present current and past approaches, including multidisciplinary methods of analysis. The chapters cover: I. How the body relates to language and communication: Outlining the subject matter, II. Perspectives from different disciplines, III. Historical dimensions, IV. Contemporary approaches, V. Methods. Authors include: Michael Arbib, Janet Bavelas, Marino Bonaiuto, Paul Bouissac, Judee Burgoon, Martha Davis, Susan Duncan, Konrad Ehlich, Nick Enfield, Pierre Feyereisen, Raymond W. Gibbs, Susan Goldin-Meadow, Uri Hadar, Adam Kendon, Antja Kennedy, David McNeill, Lorenza Mondada, Fernando Poyatos, Klaus Scherer, Margret Selting, Jürgen Streeck, Sherman Wilcox, Jeffrey Wollock, Jordan Zlatev.
Framing Medieval Bodies
| Author | : Sarah Kay |
| Publisher | : Manchester University Press |
| Total Pages | : 308 |
| Release | : 1996 |
| Genre | : Body, Human |
| ISBN | : 9780719050107 |
In this book, available at last in paperback, Kauppi develops a structural constructivist theory of the European Union and critically analyses, through French and Finnish empirical cases, the political practices that maintain the Union's 'democratic deficit'. Kauppi conceptualises the European Union as both an arena for political contention and a nascent political order. In this evolving, multi-levelled European political field, individuals and groups construct material and symbolic structures of political power, grounded in a variety of social resources such as nationality, culture, and gender. The author shows how the dominance of both executive political resources and domestic political cultures has prevented the development of European democracy. Supranational executive networks have become more autonomous, reinforcing the dominance of the resources they control. At the same time, national political cultures condition the political status of elected institutions such as the European parliament. The book is particularly suited for undergraduate and graduate students in the fields of European Politics, European Union Studies and International Relations.
The Ends of the Body
| Author | : Suzanne Conklin Akbari |
| Publisher | : University of Toronto Press |
| Total Pages | : 345 |
| Release | : 2013-01-29 |
| Genre | : Literary Criticism |
| ISBN | : 1442661399 |
Drawing on Arabic, English, French, Irish, Latin and Spanish sources, the essays share a focus on the body’s productive capacity – whether expressed through the flesh’s materiality, or through its role in performing meaning. The collection is divided into four clusters. ‘Foundations’ traces the use of physical remnants of the body in the form of relics or memorial monuments that replicate the form of the body as foundational in communal structures; ‘Performing the Body’ focuses on the ways in which the individual body functions as the medium through which the social body is maintained; ‘Bodily Rhetoric’ explores the poetic linkage of body and meaning; and ‘Material Bodies’ engages with the processes of corporeal being, ranging from the energetic flow of humoural liquids to the decay of the flesh. Together, the essays provide new perspectives on the centrality of the medieval body and underscore the vitality of this rich field of study.
Strong of Body, Brave and Noble
| Author | : Constance Brittain Bouchard |
| Publisher | : Cornell University Press |
| Total Pages | : 220 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : 9780801485480 |
Medieval society was dominated by its knights and nobles. The literature created in medieval Europe was primarily a literature of knightly deeds, and the modern imagination has also been captured by these leaders and warriors. This book explores the nature of the nobility, focusing on France in the High Middle Ages (11th-13th centuries). Constance Brittain Bouchard examines their families; their relationships with peasants, townspeople, and clerics; and the images of them fashioned in medieval literary texts. She incorporates throughout a consideration of noble women and the nobility's attitude toward women. Research in the last two generations has modified and expanded modern understanding of who knights and nobles were; how they used authority, war, and law; and what position they held within the broader society. Even the concepts of feudalism, courtly love, and chivalry, once thought to be self-evident aspects of medieval society, have been seriously questioned. Bouchard presents bold new interpretations of medieval literature as both reflecting and criticizing the role of the nobility and their behavior. She offers the first synthesis of this scholarship in accessible form, inviting general readers as well as students and professional scholars to a new understanding of aristocratic role and function.
Promised Bodies
| Author | : Patricia Dailey |
| Publisher | : Columbia University Press |
| Total Pages | : 277 |
| Release | : 2013-08-27 |
| Genre | : Literary Criticism |
| ISBN | : 023153552X |
In the Christian tradition, especially in the works of Paul, Augustine, and the exegetes of the Middle Ages, the body is a twofold entity consisting of inner and outer persons that promises to find its true materiality in a time to come. A potentially transformative vehicle, it is a dynamic mirror that can reflect the work of the divine within and substantially alter its own materiality if receptive to divine grace. The writings of Hadewijch of Brabant, a thirteenth-century beguine, engage with this tradition in sophisticated ways both singular to her mysticism and indicative of the theological milieu of the twelfth and thirteenth centuries. Crossing linguistic and historical boundaries, Patricia Dailey connects the embodied poetics of Hadewijch's visions, writings, and letters to the work of Julian of Norwich, Hildegard of Bingen, Marguerite of Oingt, and other mystics and visionaries. She establishes new criteria to more consistently understand and assess the singularity of women's mystical texts and, by underscoring the similarities between men's and women's writings of the time, collapses traditional conceptions of gender as they relate to differences in style, language, interpretative practices, forms of literacy, and uses of textuality.
