Medieval and Renaissance Drama in England, vol. 28

Medieval and Renaissance Drama in England, vol. 28
Author: S.P. Cerasano
Publisher: Associated University Presse
Total Pages: 206
Release: 2015-09-30
Genre: Literary Criticism
ISBN: 0838644783

Medieval and Renaissance Drama in England is an international journal committee to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eight new articles and reviews of fourteen books.

Medieval and Renaissance Drama in England, vol. 30

Medieval and Renaissance Drama in England, vol. 30
Author: S.P. Cerasano
Publisher: Associated University Presse
Total Pages: 248
Release: 2017-09-30
Genre: Literary Criticism
ISBN: 0838644848

Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to drama and theatre history to 1642. Volume 30, an anniversary issue, contains eight essays, three review essays, and 12 briefer reviews of important books in the field.

Medieval and Renaissance Drama in England

Medieval and Renaissance Drama in England
Author: S. P. Cerasano
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 199
Release: 2010-09
Genre: English drama
ISBN: 0838642691

MEDIEVAL AND RENAISSANCE DRAMA IN ENGLAND, now over twenty years in publication, is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. MaRDiE 23 features essays by MacDonald P. Jackson on authorship as related to Shakespeare, Kyd, and Arden of Faversham. James Hirsh considers the editing of Hamlet's 'To be, or not to be' in light of both conventional and emerging editorial theory. Politics and prophecy, as they influence Friar Bacon and Friar Bungay is at the centre of Brian Walsh's contribution, while John Curran uses declamation as a rhetorical strategy in order to focus on character in the Fletcher-Massinger plays. Chris Fitter considers vagrancy and 'vestry values' in Shakespeare's As You Like It and June Schlueter reconsiders the matter of theatrical cartography and The View of London from the North. The collection of reviews range from books on early modern dietaries and Shakespeare's plays to those on male friendship and theatre economics.

Medieval and Renaissance Drama in England

Medieval and Renaissance Drama in England
Author: John Pitcher
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 364
Release: 2003
Genre: Drama
ISBN: 9780838639634

Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.

Female Mourning in Medieval and Renaissance English Drama

Female Mourning in Medieval and Renaissance English Drama
Author: Katharine Goodland
Publisher: Ashgate Publishing, Ltd.
Total Pages: 276
Release: 2006
Genre: Literary Criticism
ISBN: 9780754651017

Looking at the plays of Shakespeare, Kyd, and Webster this book presents a new perspective on early modern drama grounded upon three original interrelated points. The author explores how the motif of the mourning woman on the early modern stage embodies the cultural trauma of the Reformation in England; brings to light the extent to which the figures of early modern drama recall those of the recent medieval past; and addresses how these representations embody actual mourning practices that were, after the Reformation, increasingly viewed as disturbing.

Medieval and Renaissance Drama in England

Medieval and Renaissance Drama in England
Author: J. Leeds Barroll
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 460
Release: 1995-03
Genre: Literary Criticism
ISBN: 9780838635704

Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.

Medieval and Renaissance Drama in England, vol. 27

Medieval and Renaissance Drama in England, vol. 27
Author: S. P. Cerasano
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 263
Release: 2014-09-30
Genre: Literary Criticism
ISBN: 0838644724

An international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes nine new articles and reviews of three books.

Medieval and Renaissance Drama in England, vol. 29

Medieval and Renaissance Drama in England, vol. 29
Author: S.P. Cerasano
Publisher: Associated University Presse
Total Pages: 255
Release: 2016-09-30
Genre: Literary Criticism
ISBN: 0838644821

Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eight new articles, a review essays, and review of six books.

Fifteenth-Century Studies Vol. 28

Fifteenth-Century Studies Vol. 28
Author: Edelgard E. DuBruck
Publisher: Camden House
Total Pages: 288
Release: 2003
Genre: History
ISBN: 9781571132734

The focus of the volume, in addition to standard features such as the bibliographical update on 15th-c. theater, is on late-medieval authors as literary critics. Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, Fifteenth-Century Studies has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that has long been the stepchild of research. The fifteenthcentury defies consensus on fundamental issues: some scholars dispute, in fact, whether it belonged to the middle ages at all, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the verytenor of an age that stood under the influence of Gutenberg, Columbus, the Devotio Moderna, and Humanism. Along with the standard updating of bibliography on 15th-c. theater, this volume is devoted to research on late-medieval authors as literary critics. Thus, for the historian as well as the writer of fiction, the tenuous limits between truth and fantasy (and the role of doubt) are investigated. If there are several eyewitness accounts of an event, which one can be trusted? Medieval memorialists sometimes became advisors to princes and used a rhetoric of careful persuasion. Values such as chivalry, courtly love, and kingly self-representation come up for discussion here.Several essays ponder the structure of poetic forms and popular genres, and others consider more factual topics such as incunabula on medications, religious literature in the vernacular for everyday use, a student's notebook on magic, and late medieval merchants, money, and trade. Contributors: Edelgard DuBruck, Karen Casebier, Emma J. Cayley, Albrecht Classen, Michael G. Cornelius, Jean Dufornet, Catherine Emerson, Leonardas V. Gerulaitis, Kenneth Hodges, Sharon M. Loewald, Luca Pierdominici, Michel J. Raby, Elizabeth I. Wade. Edelgard E. DuBruck is professor emerita in the Modern Languages Department at Marygrove College in Detroit; Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.

A Companion to Renaissance Drama

A Companion to Renaissance Drama
Author: Arthur F. Kinney
Publisher: John Wiley & Sons
Total Pages: 648
Release: 2008-04-15
Genre: Literary Criticism
ISBN: 0470998911

This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.