Media Worlds In The Postjournalism Era
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Author | : David Altheide |
Publisher | : Routledge |
Total Pages | : 270 |
Release | : 2019-01-08 |
Genre | : Social Science |
ISBN | : 1351328867 |
The concept of media logic, a theoretical framework for explaining the relationship between mass media and culture, was first introduced in Altheide and Snow's influential work, Media Logic. In Media Worlds in the Postjournalism Era, the authors expand their analysis of how organizational considerations promote a distinctive media logic, which in turn is conductive to a media culture. They trace the ethnography of that media culture, including the knowledge, techniques, and assumptions that encourage media professionals to acquire particular cognitive and evaluative criteria and thereby present events primarily for the media's own ends.
Author | : David L. Altheide |
Publisher | : SAGE Publications, Incorporated |
Total Pages | : 268 |
Release | : 1979-08 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Analyzes such social institutions as politics, religion, and sport as they are presented and transformed by the media to affect our shared stock of knowledge. Altheide and Snow move beyond a consideration of the reasons for the picture given by media of these institutions and the ways in which media has impact, to a more pervasive view of our culture as shaped by the media that are a part of it. 'Altheide and Snow do successfully show how a common media logic has gripped such apparently different areas as spectator politics, sport and religion. They do show how all other media tend to conform to a dominant television format.' -- The Media Reporter, Spring 1980
Author | : David L. Altheide |
Publisher | : Routledge |
Total Pages | : 274 |
Release | : 1991 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780202303765 |
The concept of media logic, a theoretical framework for explaining the relationship between mass media and culture, was first introduced in Altheide and Snow's influential work, Media Logic. In Media Worlds in the Postjournalism Era, the authors expand their analysis of how organizational considerations promote a distinctive media logic, which in turn is conductive to a media culture. They trace the ethnography of that media culture, including the knowledge, techniques, and assumptions that encourage media professionals to acquire particular cognitive and evaluative criteria and thereby present events primarily for the media's own ends.Case studies and examples of the mass media presentation of entertainment, news, politics, organized religion, and sports during the past twenty years illustrate how scheduling, sources of information, style, format, and professional awards influence how the world is portrayed in the various media. The authors analyze the influence of media logic on society's perceptions and judgments of issues and its impact on public opinion, culture, and social institutions.
Author | : Andrey Mir |
Publisher | : Independently Published |
Total Pages | : 402 |
Release | : 2020-10-05 |
Genre | : |
ISBN | : |
Media business that mostly relies on ad revenue requires an audience that consists of happy and economically able consumers. Media business that mostly relies on reader revenue requires an audience that consists of frustrated and politically strangulated citizens. The media not only address these audiences; they create and reproduce them.All we knew about journalism was related to a news business funded by advertising. Advertising has fled to the internet. The entire media environment is shifting. The media are forced to switch to another source of funding - selling content to readers. However, they cannot sell news, because news is already known to people whose media consumption is increasingly centered on social media newsfeeds. Instead, the media offers the validation of already-known news within a certain value system and the delivery of the "right" news to others. The business necessity forces the media to relocate the gravity of their operation from news to values.Media outlets are increasingly soliciting subscriptions as donations to a cause. To attract donations, they have to focus on 'pressing social issues'. However, for better soliciting, they must also support and amplify readers' irritation and frustration with those issues. Thus, the media are incentivized to amplify and dramatize issues whose coverage is most likely to be paid for. Ideally, the media should not just exaggerate but induce the public's concerns.The ad-driven media manufactured consent. The reader-driven media manufactures anger. The former served consumerism. The latter serves polarization.Because the largest mainstream media outlets in the US, both liberal and conservative, performed incredibly well in commodifying Trump in the form of soliciting subscriptions as donations to the cause, the rest of the media market has started moving in the same direction.The need to pursue reader revenue, with the news no longer being a commodity, is pushing journalism to mutate into postjournalism. Journalism wants its picture to match the world; postjournalism wants the world to match its picture. The media are turning into crowdsourced Ministries of post-truth not because of some underlying conspiracies but due to their business needs and the settings of a broader media environment. This book is about the origins and propelling forces of this mutation. The book explores polarization as a media effect, seeing polarization studies as media studies.Andrey Mir (Andrey Miroshnichenko) is a media scholar and journalist with twenty years in the print media. He is the author of "Human as Media. The Emancipation of Authorship" (2014) and a number of books on media and politics. His dissertation in journalism and linguistics (1996) focused on the linguistics of the Soviet media and propaganda. He lives in Toronto, Canada. His blog: Human as Media (human-as-media.com). Twitter: @Andrey4Mir
Author | : D.L. Altheide |
Publisher | : |
Total Pages | : 286 |
Release | : 1991-01-01 |
Genre | : |
ISBN | : 9783110132021 |
Author | : A. Hepp |
Publisher | : Springer |
Total Pages | : 516 |
Release | : 2014-03-06 |
Genre | : Social Science |
ISBN | : 1137300353 |
How does the media influence our everyday lives? In which ways do our social worlds change when they interact with media? And what are the consequences for theorizing media and communication? Starting with questions like these, Mediatized Worlds discusses the transformation of our lives by their increasing mediatization. The chapters cover topics such as rethinking mediatization, mediatized communities, the mediatization of private lives and of organizational contexts, and the future perspective for mediatization research. The empirical studies offer new access to questions of mediatization an access that grounds mediatization in life-world and social-world perspectives.
Author | : Norman K. Denzin |
Publisher | : Emerald Group Publishing |
Total Pages | : 247 |
Release | : 2012-05-07 |
Genre | : Social Science |
ISBN | : 1780527470 |
Part of "Blue Ribbon Papers Series", this title presents the autobiographies of scholars who have made significant contributions to symbolic interactionist approach over the 20th and 21st centuries.
Author | : Mary Angela Bock |
Publisher | : Oxford University Press |
Total Pages | : 305 |
Release | : 2021 |
Genre | : Language Arts & Disciplines |
ISBN | : 019092697X |
Playing with Fire -- Images of Discipline -- Walks of Shame -- Spectacular Trials -- What Picture Would They Use? -- What's So Special About Video? -- Filming Police -- Police and Image Maintenance -- Everyday Racism and Rudeness -- Playing (Safely) With Fire.
Author | : David L. Altheide |
Publisher | : SAGE |
Total Pages | : 169 |
Release | : 2013 |
Genre | : Reference |
ISBN | : 1452230056 |
Qualitative Media Analysis
Author | : Simon Cottle |
Publisher | : SAGE |
Total Pages | : 218 |
Release | : 2003-04-18 |
Genre | : Language Arts & Disciplines |
ISBN | : 1446232662 |
Drawing on the work of international contributors Media Organization and Production examines a wide range of global-local media organizations and the production of different mediums and genres. Following the editor′s introduction which sets out the principal differences of approach and defining debates, chapters address: transnational and national, commercial and public service corporations; international film and TV co-productions; children′s television news production, the historical development of ′liveness′ on radio, and music journalism; the politics and organizational forms of alternative media production including radical newspapers, video and the internet; and the changing ′production ecology′ of natural history television. These topics are examined through a variety of theoretical and conceptual frameworks that help to illuminate how cultural production often involves a complex articulation of differing influences and constraints, both material and discursive, intended and unintended, structurally determined and culturally mediated.Together the chapters in this book help to recover this complexity and thereby help us to better understand the nature and output of today′s media.