Media Made Dixie
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Author | : Jack Temple Kirby |
Publisher | : University of Georgia Press |
Total Pages | : 241 |
Release | : 1986 |
Genre | : Social Science |
ISBN | : 0820323888 |
In Media-Made Dixie Jack Kirby shows how the American public’s perceptions of the South have been influenced, even controlled, by the mass communications media. In this newly updated edition, Kirby surveys major movies, radio and television shows, plays, popular histories, and music from the turn of the century through the 1980s. He documents a progression in the national image of the South from the cracker wasteland of Erskine Caldwell’s God’s Little Acre to the antebellum wonderland of Hollywood’s Shirley Temple-“Bojangles” Robinson musicals; from William Styron’s searching account of the Old South in Confessions of Nat Turner to the New South ingenuity of Jimmy Carter and Ted Turner; and from the regressive back-roads of television’s The Dukes of Hazzard to the complex reconciliation found in Alice Walker’s and Steven Spielberg’s The Color Purple.
Author | : Jack Temple Kirby |
Publisher | : Baton Rouge : Louisiana State University Press |
Total Pages | : 232 |
Release | : 1978 |
Genre | : History |
ISBN | : |
Author | : Karen L. Cox |
Publisher | : University Press of Florida |
Total Pages | : 243 |
Release | : 2019-02-04 |
Genre | : History |
ISBN | : 0813063892 |
Wall Street Journal’s Five Best Books on the Confederates’ Lost Cause Southern Association for Women Historians Julia Cherry Spruill Prize Even without the right to vote, members of the United Daughters of the Confederacy proved to have enormous social and political influence throughout the South—all in the name of preserving Confederate culture. Karen Cox traces the history of the UDC, an organization founded in 1894 to vindicate the Confederate generation and honor the Lost Cause. In this edition, with a new preface, Cox acknowledges the deadly riots in Charlottesville, Virginia, showing why myths surrounding the Confederacy continue to endure. The Daughters, as UDC members were popularly known, were daughters of the Confederate generation. While southern women had long been leaders in efforts to memorialize the Confederacy, UDC members made the Lost Cause a movement about vindication as well as memorialization. They erected monuments, monitored history for "truthfulness," and sought to educate coming generations of white southerners about an idyllic past and a just cause—states' rights. Soldiers' and widows' homes, perpetuation of the mythology of the antebellum South, and pro-southern textbooks in the region's white public schools were all integral to their mission of creating the New South in the image of the Old. UDC members aspired to transform military defeat into a political and cultural victory, in which states' rights and white supremacy remained intact. To the extent they were successful, the Daughters helped to preserve and perpetuate an agenda for the New South that included maintaining the social status quo. Placing the organization's activities in the context of the postwar and Progressive-Era South, Cox describes in detail the UDC's origins and early development, its efforts to collect and preserve manuscripts and artifacts and to build monuments, and its later role in the peace movement and World War I. This remarkable history of the organization presents a portrait of two generations of southern women whose efforts helped shape the social and political culture of the New South. It also offers a new historical perspective on the subject of Confederate memory and the role southern women played in its development.
Author | : Michael D. Doubler |
Publisher | : University of Illinois Press |
Total Pages | : 0 |
Release | : 2018-08-14 |
Genre | : Music |
ISBN | : 9780252083655 |
One of the earliest performers on WSM in Nashville, Uncle Dave Macon became the Grand Ole Opry's first superstar. His old-time music and energetic stage shows made him a national sensation and fueled a thirty-year run as one of America's most beloved entertainers. Michael D. Doubler tells the amazing story of the Dixie Dewdrop, a country music icon. Born in 1870, David Harrison Macon learned the banjo from musicians passing through his parents' Nashville hotel. After playing local shows in Middle Tennessee for decades, a big break led Macon to Vaudeville, the earliest of his two hundred-plus recordings and eventually to national stardom. Uncle Dave--clad in his trademark plug hat and gates-ajar collar--soon became the face of the Opry itself with his spirited singing, humor, and array of banjo picking styles. For the rest of his life, he defied age to tour and record prolifically, manage his business affairs, mentor up-and-comers like David "Stringbean" Akeman, and play with the Delmore Brothers, Roy Acuff, and Bill Monroe.
Author | : Douglas O. Cumming |
Publisher | : Northwestern University Press |
Total Pages | : 345 |
Release | : 2009 |
Genre | : Language Arts & Disciplines |
ISBN | : 0810123940 |
The Southern journalist was more likely to be a Romantic and an intellectual. The region's journalism was personal, colorful, and steeped in the classics. This title suggests that the South's journalism struck a literary pose closer to the older English press than to the democratic penny press or bourgeois magazines of the urban North.
Author | : Andrew B. Leiter |
Publisher | : McFarland |
Total Pages | : 254 |
Release | : 2011-08-31 |
Genre | : Performing Arts |
ISBN | : 078648702X |
The representation of Southerners on film has been a topic of enduring interest and debate among scholars of both film and Southern studies. These 15 essays examine the problem of Southern identity in film since the civil rights era. Fresh insights are provided on such familiar topics as the redneck image, transitions to modernity and the prevalence of the Southern gothic. Other essays reflect the reinvigorated and expanding field of new Southern studies and topics include the transnational South, the intersection of ethnicity and environment and the cultural significance of Southern identity outside the South.
Author | : James B. Twitchell |
Publisher | : LSU Press |
Total Pages | : 188 |
Release | : 2011-03-18 |
Genre | : History |
ISBN | : 080713967X |
In Look Away, Dixieland Vermont-native James Twitchell sets out from his home in Florida on the inauguration day of America's first black president to find the "real" South and to try to figure out the truth about his illustrious ancestor, Marshall Harvey Twitchell -- a carpetbagger and a victim of the Coushatta Massacre (having both his arms shot off), which made the front page of the New York Times in 1873. Twitchell travels from Georgia's Okefenokee Swamp across Alabama and Mississippi to Coushatta, Louisiana in a RV. As he drives through the heart of Dixie, Twitchell sorts through the prejudices he learned from his northern rearing. Ultimately, he uncovers facts about his great-grandfather and his family's past while revealing some of the differences and similarities between the North and South that ultimately define us as nation.
Author | : Thomas Lawrence Connelly |
Publisher | : LSU Press |
Total Pages | : 151 |
Release | : 1995-03-01 |
Genre | : History |
ISBN | : 0807165026 |
More than a century after Appomattox, the Civil War and the idea of the "Lost Cause" remain at the center of the southern mind. God and General Longstreet traces the persistence and the transformation of the Lost Cause from the first generation of former Confederates to more recent times, when the Lost Cause has continued to endure in the commitment of southerners to their regional culture. Southern writers from the Confederate period through the southern renascence and into the 1970s fostered the Lost Cause, creating an image of the South that was at once romantic and tragic. By examining the work of these writers, Thomas Connelly and Barbara Bellows explain why the nation embraced this image and outline the evolution of the Lost Cause mentality from its origins in the South's surrender to its role in a centurylong national expression of defeat that extended from 1865 through the Vietnam War. As Connelly and Bellows demonstrate, the Lost Cause was a realization of mortality in an American world striving for perfection, an admission of failure juxtaposed against a national faith in success.
Author | : Bryan M. Jack |
Publisher | : University Press of Kentucky |
Total Pages | : 243 |
Release | : 2019-01-08 |
Genre | : Performing Arts |
ISBN | : 0813176468 |
Hollywood films have been influential in the portrayal and representation of race relations in the South and how African Americans are cinematically depicted in history, from The Birth of a Nation (1915) and Gone with the Wind (1939) to The Help (2011) and 12 Years a Slave (2013). With an ability to reach mass audiences, films represent the power to influence and shape the public's understanding of our country's past, creating lasting images—both real and imagined—in American culture. In Southern History on Screen: Race and Rights, 1976–2016, editor Bryan Jack brings together essays from an international roster of scholars to provide new critical perspectives on Hollywood's relationships between historical films, Southern history, identity, and the portrayal of Jim Crow–era segregation. This collection analyzes films through the lens of religion, politics, race, sex, and class, building a comprehensive look at the South as seen on screen. By illuminating depictions of the southern belle in Gone with the Wind, the religious rhetoric of southern white Christians and the progressive identity of the "white heroes" in A Time to Kill (1996) and Mississippi Burning (1988), as well as many other archetypes found across films, this book explores the intersection between film, historical memory, and southern identity.
Author | : Pamela Riney-Kehrberg |
Publisher | : Routledge |
Total Pages | : 441 |
Release | : 2016-04-14 |
Genre | : History |
ISBN | : 1135054983 |
The Routledge History of Rural America charts the course of rural life in the United States, raising questions about what makes a place rural and how rural places have shaped the history of the nation. Bringing together leading scholars to analyze a wide array of themes in rural history and culture, this text is a state-of-the-art resource for students, scholars, and educators at all levels. This Routledge History provides a regional context for understanding change in rural communities across America and examines a number of areas where the history of rural people has deviated from the American mainstream. Readers will come away with an enhanced understanding of the interplay between urban and rural areas, a knowledge of the regional differences within the rural United States, and an awareness of the importance of agriculture and rural life to American society. The book is divided into four main sections: regions of rural America, rural lives in context, change and development, and resources for scholars and teachers. Examining the essays on the regions of rural America, readers can discover what makes New England different from the South, and why the Midwest and Mountain West are quite different places. The chapters on rural lives provide an entrée into the social and cultural history of rural peoples – women, children and men – as well as a description of some of the forces shaping rural communities, such as immigration, race and religious difference. Chapters on change and development examine the forces molding the countryside, such as rural-urban tensions, technological change and increasing globalization. The final section will help scholars and educators integrate rural history into their research, writing, and classrooms. By breaking the field of rural history into so many pieces, this volume adds depth and complexity to the history of the United States, shedding light on an understudied aspect of the American mythology and beliefs about the American dream.