Max Ophuls
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Author | : Lutz Bacher |
Publisher | : Rutgers University Press |
Total Pages | : 404 |
Release | : 1996 |
Genre | : Biography & Autobiography |
ISBN | : 9780813522913 |
Drawing on documents in many archives and on interviews with more than sixty of Ophuls' contemporaries, Bacher traces the European director's struggle to find a niche in the U.S. film industry.
Author | : Susan M. White |
Publisher | : Columbia University Press |
Total Pages | : 422 |
Release | : 1995 |
Genre | : Performing Arts |
ISBN | : 0231101139 |
Using film theory and current criticism, White traces the figure of woman in the work of Max Ophuls.
Author | : |
Publisher | : Wallstein Verlag |
Total Pages | : 492 |
Release | : 2002 |
Genre | : |
ISBN | : 9783892445203 |
Author | : Max Ophuls |
Publisher | : Rutgers University Press |
Total Pages | : 284 |
Release | : 1986 |
Genre | : Performing Arts |
ISBN | : 9780813511603 |
On the film "letter from an unknown woman" including the screenplay and criticism of the motion picture
Author | : Salman Rushdie |
Publisher | : Vintage Canada |
Total Pages | : 418 |
Release | : 2009-02-24 |
Genre | : Fiction |
ISBN | : 0307371182 |
Shalimar the Clown is a masterpiece from one of our greatest writers, a dazzling novel that brings together the fiercest passions of the heart and the gravest conflicts of our time into an astonishingly powerful, all-encompassing story. Max Ophuls’ memorable life ends violently in Los Angeles in 1993 when he is murdered by his Muslim driver Noman Sher Noman, also known as Shalimar the Clown. At first the crime seems to be politically motivated—Ophuls was previously ambassador to India, and later US counterterrorism chief—but it is much more. Ophuls is a giant, an architect of the modern world: a Resistance hero and best-selling author, brilliant economist and clandestine US intelligence official. But it is as Ambassador to India that the seeds of his demise are planted, thanks to another of his great roles—irresistible lover. Visiting the Kashmiri village of Pachigam, Ophuls lures an impossibly beautiful dancer, the ambitious (and willing) Boonyi Kaul, away from her husband, and installs her as his mistress in Delhi. But their affair cannot be kept secret, and when Boonyi returns home, disgraced and obese, it seems that all she has waiting for her is the inevitable revenge of her husband: Noman Sher Noman, Shalimar the Clown. He was an acrobat and tightrope walker in their village’s traditional theatrical troupe; but soon Shalimar is trained as a militant in Kashmir’s increasingly brutal insurrection, and eventually becomes a terrorist with a global remit and a deeply personal mission of vengeance. In this stunningly rich book everything is connected, and everyone is a part of everyone else. A powerful love story, intensely political and historically informed, Shalimar the Clown is also profoundly human, an involving story of people’s lives, desires and crises, as well as—in typical Rushdie fashion—a magical tale where the dead speak and the future can be foreseen.
Author | : Alan Larson Williams |
Publisher | : |
Total Pages | : 194 |
Release | : 1980 |
Genre | : Performing Arts |
ISBN | : |
Author | : Malte Hagener |
Publisher | : Springer |
Total Pages | : 489 |
Release | : 2016-12-16 |
Genre | : Performing Arts |
ISBN | : 3476036863 |
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
Author | : Colin MacCabe |
Publisher | : Oxford University Press |
Total Pages | : 261 |
Release | : 2011 |
Genre | : Performing Arts |
ISBN | : 0195374665 |
Fifty percent of Hollywood productions each year are adaptations--films that use an already published book, dramatic work, or comic as their source material. If the original is well known, then for most spectators the question of whether these adaptations are "true to the spirit" of the original is central. The recent wave of adaptation studies dismisses the question of fidelity as irrelevant, mistaken, or an affront to the unstable nature of meaning itself. The essays gathered here, mixing the field's top authorities (Andrew, Gunning, Jameson, Mulvey, and Naremore) with fresh new voices, take the question of correspondence between source and adaptation as seriously as do producers and audiences. Spanning examples from Shakespeare to Ghost World, and addressing such notable directors as Welles, Kubrick, Hawks, Tarkovsky, and Ophuls, the contributors write against the grain of recent adaption studies by investigating the question of what fidelity might mean in its broadest and truest sense, what it might reveal of the adaptive process, and why it is still one of the richest veins of investigation in the study of cinema.
Author | : Vincent Brook |
Publisher | : Rutgers University Press |
Total Pages | : 299 |
Release | : 2009-09-18 |
Genre | : Performing Arts |
ISBN | : 0813548330 |
From its earliest days, the American film industry has attracted European artists. With the rise of Hitler, filmmakers of conscience in Germany and other countries, particularly those of Jewish origin, found it difficult to survive and fledùfor their work and their livesùto the United States. Some had trouble adapting to Hollywood, but many were celebrated for their cinematic contributions, especially to the dark shadows of film noir. Driven to Darkness explores the influence of Jewish TmigrT directors and the development of this genre. While filmmakers such as Fritz Lang, Billy Wilder, Otto Preminger, and Edward G. Ulmer have been acknowledged as crucial to the noir canon, the impact of their Jewishness on their work has remained largely unexamined until now. Through lively and original analyses of key films, Vincent Brook penetrates the darkness, shedding new light on this popular film form and the artists who helped create it.
Author | : Pardis Dabashi |
Publisher | : University of Chicago Press |
Total Pages | : 306 |
Release | : 2023 |
Genre | : American literature |
ISBN | : 0226829251 |
"It is widely understood that the modernist novel sought to escape what Virginia Woolf called the "tyranny" of plot. Yet even as twentieth-century writers pushed against the constraints of Victorian, plot-driven novels, Pardis Dabashi shows that plot kept its hold on them through the influence of another medium: the cinema. Focusing on the novels of Nella Larsen, Djuna Barnes, and William Faulkner-writers known for their moviegoing affinities and connections to early film-Dabashi uses the relationship between literature and the cinema to reveal a profound longing for plot in modernist fiction. Dabashi links the moviegoing practices of Larsen, Barnes, and Faulkner to the tensions in their works, tensions between the formal properties of the novels and the characters in them. In making a distinction between what the novel is doing and what their characters desire, these authors ponder how it is one thing to withhold plot as a gesture of modernist aesthetics, and quite another to be denied the comfort of plot's architecture in one's living and breathing existence"--