Form, Function, Beauty
Author | : Max Bill |
Publisher | : |
Total Pages | : 192 |
Release | : 2010 |
Genre | : Architects |
ISBN | : |
Selected writings of Max Bill - this collection makes many of his key texts available in English for the first time.
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Author | : Max Bill |
Publisher | : |
Total Pages | : 192 |
Release | : 2010 |
Genre | : Architects |
ISBN | : |
Selected writings of Max Bill - this collection makes many of his key texts available in English for the first time.
Author | : Juliet Kinchin |
Publisher | : The Museum of Modern Art |
Total Pages | : 89 |
Release | : 2011 |
Genre | : Antiques & Collectibles |
ISBN | : 0870708082 |
Catalog of an exhibition held at the Museum of Modern Art, New York, Sept. 15, 2010-May 2, 2011.
Author | : Georges Vantongerloo |
Publisher | : Actar |
Total Pages | : 224 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
The catalogue is published on the occasion of the first individual exhibition of Georges Vantongerloo in Spain. The catalogue reveals the grounding of his work in the re-conceptualisation of pictorial and sculptural space that marked the abstract tendencies in art of the early 20th century. In the 1920s an important part of the Vantongerloos investigation was centred on colour as physical and perceptive phenomenon. Later, Vantongerloo will conceive his works according to strictly geometric rules, algebraic afterwards, to turn, thus, into the founder of the mathematical thought in art in our epoch. Genuine pioneer in the abstract sculpture field, the artist will continue, after 1945, proposing peculiar versions of that kind of sculpture, abandoning all the reference to a built geometry, and opening to a subjective approach to the universe of cosmology.
Author | : Andrew Witt |
Publisher | : MIT Press |
Total Pages | : 433 |
Release | : 2022-01-11 |
Genre | : Architecture |
ISBN | : 0262366851 |
An investigation of mathematics as it was drawn, encoded, imagined, and interpreted by architects on the eve of digitization in the mid-twentieth century. In Formulations, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects. Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design. Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques. Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.
Author | : Kunstmuseum Wolfsburg |
Publisher | : |
Total Pages | : 188 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
At last, the broader movements of twentieth-century Swiss art--and the individual artists behind them--are tracked through the present day in one standard-setting publication. Swiss Made: Precision and Madness sets the famous Swiss tendency toward precision and order alongside the tendency toward obstinacy and chaos, pairing canonical works with pieces made within the past 40 years. Provocative pairs include Max Bill and John Armleder, Ferdinand Hodler and Urs Lüthi, Alberto Giacometti and Rémy Zaugg, Louis Soutter and Martin Disler, Robert Müller and Sylvie Fleury, Paul Klee and Silvia Bächli, Adolph Wölfli and Ugo Rondinone. Tensions emerge between the focused and the expansive, over everyday life in the Swiss state, and naturally over the mountains. Swiss Made: Precision and Madness is of interest on its own analytic terms, and as an excellent overview of the country's art since 1850.
Author | : Dr. Loretta Würtenberger |
Publisher | : Hatje Cantz Verlag |
Total Pages | : 284 |
Release | : 2021-11-24 |
Genre | : Art |
ISBN | : 3775752048 |
Andy Warhol bequeathed us the words "Death can really make you look like a star." But death per se is not a catalyst for the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artistic estate. The handbook by Loretta Würtenberger presents the possible legal framework, appropriate financing models, as well as the proper handling of the market, museums, and academia. Her business, Fine Art Partners, has advised artists and artists' estates for many years in their structuring and development of estate concepts as well as in operative questions. Based on numerous international examples, the author explains the different alternatives for maintaining an artist's estate and makes recommendations on how to ideally handle work, archives, and mementos following the death of an artist.
Author | : Charlotte Appleyard |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 275 |
Release | : 2012 |
Genre | : Art |
ISBN | : 1848220715 |
This volume offers a guide to corporate collecting, examining its history, nature and importance, and the different reasons for starting and maintaining corporate collections.
Author | : John Golding |
Publisher | : Princeton University Press |
Total Pages | : 313 |
Release | : 2023-10-17 |
Genre | : Art |
ISBN | : 0691252947 |
A groundbreaking account of the meaning of abstract painting From Mondrian's bold geometric forms to Kandinsky's use of symbols to Pollock's "dripped paintings," the richly diverse movement of abstract painting challenges anyone trying to make sense of either individual works or the phenomenon as a whole. Applying his insights as an art historian and a painter, John Golding offers a unique approach to understanding the evolution of abstractionism by looking at the personal artistic development of seven of its greatest practitioners. He re-creates the journey undertaken by each painter in his move from representational art to the abstract—a journey that in most cases began with cubism but led variously to symbolism, futurism, surrealism, theosophy, anthropology, Jungian analysis, and beyond. For each artist, spiritual quest and artistic experimentation became inseparable. And despite their different techniques and philosophies, these artists shared one goal: to break a path to a new, ultimate pictorial truth. The book first explores the works and concerns of three pioneering European abstract painters—Mondrian, Malevich, Kandinsky—and then those of their American successors—Pollock, Newman, Rothko, and Still. Golding shows how each painter sought to see the world and communicate his vision in the purest or most expressive form possible. For example, Mondrian found his way into abstraction through a spiritual response to the landscape of his native Holland, Malevich through his apprehension of the human body, Kandinsky through a blend of religious mysticism and symbolism. Line and color became the focus for many of their creative endeavors. In the 1940s and 50s, the Americans raised the level of pictorial innovation, beginning most notably with Pollock and his Jung-inspired concept of action. Golding makes a powerful case that at its best and most profound, abstract painting is heavily imbued with meaning and content. Through a blend of biography, art analysis, and cultural history, Paths to the Absolute offers remarkable insights into how a sense of purpose is achieved in painting, and how abstractionism engaged with the intellectual currents of its time. Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author | : Kerry Mitchell |
Publisher | : Lulu.com |
Total Pages | : 32 |
Release | : 2005-08 |
Genre | : Art |
ISBN | : 1411645170 |
This book presents 16 images that are variations on a single theme of the Hilbert curve fractal. Also included are brief discussions of the curve and the methods by which the variations were generated.