Masters Of Cinema Charlie Chaplin
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Author | : Jérôme Larcher |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2011-06-01 |
Genre | : Performing Arts |
ISBN | : 9782866426064 |
Charlie Chaplin is one of cinema's mythical figures, while the character he played so often has become an icon. After a childhood in Dickensian London and early work on the stage, he moved to Hollywood.
Author | : James L. Neibaur |
Publisher | : Scarecrow Press |
Total Pages | : 251 |
Release | : 2012 |
Genre | : Biography & Autobiography |
ISBN | : 0810882426 |
Before making a name for himself as an undisputed master of cinema, Charlie Chaplin first developed his acting, writing, and directing skills at Keystone Studios. This book examines each of these films, assessing the important early work of a comedian who became a timeless icon.
Author | : Louis D. Giannetti |
Publisher | : Prentice Hall |
Total Pages | : 492 |
Release | : 1981 |
Genre | : Performing Arts |
ISBN | : |
Author | : Paul Duncan |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Biography & Autobiography |
ISBN | : 9783836538435 |
"This book is a visual and oral history, telling the story of Chaplin's pursuit of beauty, and how he captured it on film. Compiled primarily from documents in the Charlie Chaplin archives, as well as other archives around the world, this book shows how Chaplin's work was not only inspired by his early poverty-stricken life in London, but also by his working life in the music halls of Britain and on the vaudeville stages of America."--Introduction, page 9.
Author | : Donna Kornhaber |
Publisher | : Northwestern University Press |
Total Pages | : 374 |
Release | : 2014-03-05 |
Genre | : Biography & Autobiography |
ISBN | : 0810129523 |
Charlie Chaplin was one of the cinema’s consummate comic performers, yet he has long been criticized as a lackluster film director. In this groundbreaking work—the first to analyze Chaplin’s directorial style—Donna Kornhaber radically recasts his status as a filmmaker. Spanning Chaplin’s career, Kornhaber discovers a sophisticated "Chaplinesque" visual style that draws from early cinema and slapstick and stands markedly apart from later, "classical" stylistic conventions. His is a manner of filmmaking that values space over time and simultaneity over sequence, crafting narrative and meaning through careful arrangement within the frame rather than cuts between frames. Opening up aesthetic possibilities beyond the typical boundaries of the classical Hollywood film, Chaplin’s filmmaking would profoundly influence directors from Fellini to Truffaut. To view Chaplin seriously as a director is to re-understand him as an artist and to reconsider the nature and breadth of his legacy.
Author | : Charlie Chaplin |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 196 |
Release | : 2005 |
Genre | : Biography & Autobiography |
ISBN | : 9781578067022 |
A study of Charlie Chaplin, considered the world's greatest cinematic comedian and a man said to be one of the most influential screen artists in movie history.
Author | : André Bazin |
Publisher | : Univ of California Press |
Total Pages | : 212 |
Release | : 2005 |
Genre | : Performing Arts |
ISBN | : 9780520242272 |
These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.
Author | : Lawrence Howe |
Publisher | : Scarecrow Press |
Total Pages | : 251 |
Release | : 2013-10-03 |
Genre | : Performing Arts |
ISBN | : 081089226X |
Widely recognized in his character of the Tramp, Charlie Chaplin transcended the role of actor to become screenwriter, director, composer, producer, and finally studio head. The subject of numerous biographical studies, Chaplin has been examined as both myth and man, but these treatments fail to adequately address the often-overlooked complexity of his filmmaking. Refocusing Chaplin: A Screen Icon through Critical Lenses features essays that examine the actor and director through various theoretical perspectives—including Marxism, feminism, gender studies, deconstruction, psychoanalytic criticism, new historicism, performance studies, and cultural criticism. Complementing this range of intellectual inquiry is the wide reach of films discussed, from The Circus (1928), The Gold Rush (1925), and City Lights (1931) to Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and Limelight (1952). Shorter films, such as “The Pawnshop” (1916), “The Rink” (1916), and “A Dog’s Life” (1918) are also examined. These essays analyze the tensions between the carefully constructed worlds of Chaplin’s films and their cultural contexts. The varied approaches and range of materials in this volume not only comprehensively assess the screen icon but also foster a conversation that exemplifies the best of intellectual exchange. Refocusing Chaplin provides a unique view into the work of one of cinema’s most important and influential artists.
Author | : Charles Silver |
Publisher | : Museum of Modern Art, New York |
Total Pages | : 256 |
Release | : 2016 |
Genre | : Auteur theory (Motion pictures) |
ISBN | : 9780870709777 |
From 2009 to 2014, The Museum of Modern Art presented a weekly series of film screenings titled An Auteurist History of Film. Inspired by Andrew Sarris's seminal book The American Cinema, which elaborated on the "auteur theory" first developed by the critics of Cahiers du Cinéma in the 1950s, the series presented works from MoMA's expansive film collection, with a particular focus on the role of the director as artistic author. Film curator Charles Silver wrote a blog post to accompany each screening, describing the place of each film in the oeuvre of is director as well as the work's significance in cinema history. Following the end of the series' five-year run, the Museum collected these texts for publication, and is now bringing together Silver's insightful and often humorous readings in a single volume. This publication is an invaluable guide to key directors and movies as well as an excellent introduction to auteur theory. -- from back cover.
Author | : Charlie Chaplin |
Publisher | : University of Missouri Press |
Total Pages | : 244 |
Release | : 2014-12-21 |
Genre | : Biography & Autobiography |
ISBN | : 0826273335 |
Film star Charlie Chaplin spent February 1931 through June 1932 touring Europe, during which time he wrote a travel memoir entitled “A Comedian Sees the World.” This memoir was published as a set of five articles in Women’s Home Companion from September 1933 to January 1934 but until now had never been published as a book in the U.S. In presenting the first edition of Chaplin’s full memoir, Lisa Stein Haven provides her own introduction and notes to supplement Chaplin’s writing and enhance the narrative. Haven’s research revealed that “A Comedian Sees the World” may very well have been Chaplin’s first published composition, and that it was definitely the beginning of his writing career. It also marked a transition into becoming more vocally political for Chaplin, as his subsequent writings and films started to take on more noticeably political stances following his European tour. During his tour, Chaplin spent time with numerous politicians, celebrities, and world leaders, ranging from Winston Churchill and Mahatma Gandhi to Albert Einstein and many others, all of whom inspired his next feature films, Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and A King in New York (1957). His excellent depiction of his experiences, coupled with Haven’s added insights, makes for a brilliant account of Chaplin’s travels and shows another side to the man whom most know only from his roles on the silver screen. Historians, travelers, and those with any bit of curiosity about one of America’s most beloved celebrities will all want to have A Comedian Sees the World in their collections. Available only in the USA and Canada.