Masterpieces Of Islamic Art
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Author | : Oleg Grabar |
Publisher | : Prestel Publishing |
Total Pages | : 234 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
"The evolution of book art and painting in the Islamic world is the product of diverse regions and periods. Islamic art flourished in the great cities and centers of learning of the ottoman Turks, the Iranian Qajars, and the later Indian Mughals, spreading across a region that extended from the Atlantic Ocean to China. In this volume, Greg Grabar, a world-renowned specialist on Islamic Art, introduces a wide range of illuminated manuscripts from the 8th to the 17th century, placing them in their temporal and spatial context as well as identifying the main centers of artistic creation. Illuminated manuscripts of the Koran, epic poetry, and scientific works are accompanied by a text explaining the subject, describing it particular visual features, and highlighting its artistic qualities. The working methods of the artists and calligraphers are reconstructed. [...] In the book's final section the author turns towards the key moments in history, society, faith, devotion, and other aspects of the Islamic world which are represented in the images." -- Book jacket.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 450 |
Release | : 2011 |
Genre | : History |
ISBN | : 1588394344 |
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Author | : Diana Darke |
Publisher | : Hurst & Company |
Total Pages | : 484 |
Release | : 2020 |
Genre | : Architecture |
ISBN | : 1787383059 |
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
Author | : Sheila S. Blair |
Publisher | : Yale University Press |
Total Pages | : 376 |
Release | : 1996-09-25 |
Genre | : Art |
ISBN | : 9780300064650 |
They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles.
Author | : Laurelie Rae |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Architecture |
ISBN | : 9781935295815 |
Laurelie Rae's splendid drawings of the interior and exterior of the monuments and the inspirational text accompanying them with a focus on historical, cultural and architectural elements will transport you to the ancient land of the Seljuks and the Ottomans.
Author | : Museum With No Frontiers |
Publisher | : AIRP |
Total Pages | : 226 |
Release | : 2000 |
Genre | : Architecture |
ISBN | : 9781874044352 |
This fascinating new series will present 12 Exhibition Trails in 11 countries, which follow the chronology of the spread of Islamic art in that area. The Museum With No Frontiers programme is based on the novel idea of organising exhibitions without transporting the works of art, instead allowing the visitor to discover the artefacts, architecture and museums in their original environment and within their historical and cultural context. This concept makes it possible for the Islamic art academic or enthusiast to experience art as a living illustration of social history. Each Exhibition Trail is divided into a number of itineraries that provide detailed information on the history and significance of each structure or work and offer practical information on guided tours, transportation and cultural activities. The beautifully illustrated descriptions of the archaeological sites, artworks and architecture are written by experts in the field who live in the specified area itself. Visit the virtual gallery www.mwnf.org for further information. The exhibition is devoted to significant monuments from the reign of the Umayyad caliphs (660-750 AD) in an area that stretched from Amman to Mo
Author | : Robert Hillenbrand |
Publisher | : Pindar Press |
Total Pages | : 531 |
Release | : 2019-12-31 |
Genre | : Art |
ISBN | : 1915837154 |
Islamic artists channelled their energies not into easel painting and large-scale sculpture, but rather into what Western scholars, obeying a very different hierarchy of art forms, rather disparagingly term the decorative arts or even the minor arts. In point of fact, some of the greatest masterpieces of Islamic art are in the media of ceramics, metalwork, textiles, ivory and glass. Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, questions of iconography and meaning bulk large among the studies gathered together in the present volume. These studies, written over a period of almost thirty years, and taken from a wide variety of published sources, deal with aspects of the decorative arts from Spain to India and from the 7th to the 17th century. They focus in turn upon ceramics and metalwork; on coins, carpets and calligraphy; and on carving in wood and ivory. They are arranged under three headings. The first comprises general surveys of the field covering the content of these arts and confronting the challenges they present, such as the Islamic approach to three-dimensional sculpture. The second deals with questions of iconography and meaning, while the third comprises a series of studies devoted to specific media such as ivory, woodwork and numismatics. This volume therefore offers not only a general introduction to some of the problems posed by Islamic art, but also readings of key objects in an attempt to explore their meaning; and finally, an in-depth focus on individual objects representing specific genres and media.
Author | : Robert Hillenbrand |
Publisher | : Thames & Hudson |
Total Pages | : 288 |
Release | : 1999-01-01 |
Genre | : Architecture |
ISBN | : 9780500203057 |
A guide to the architecture, calligraphy, ceramics, and other arts of Islam covers a thousand years of history and an area stretching from the Atlantic to the borders of India and China
Author | : Heather Ecker |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2022-04-12 |
Genre | : Antiques & Collectibles |
ISBN | : 0500024790 |
A sumptuous exploration of the ways in which the Islamic arts have inspired the famous jewelry house Cartier, this book accompanies a major exhibition at the Musée des Arts Decoratifs, Paris, and the Dallas Museum of Art. Louis Cartier (1875–1942), the grandson of Cartier founder Louis-François, was an impassioned collector and patron of the arts. He was particularly entranced by Islamic arts, especially Persian book arts: their geometric shapes, color combinations, and motifs are apparent in Cartier jewelry to this day. Louis’s younger brother Jacques—an expert in precious stones—traveled to India and the Persian Gulf in 1911 and 1912 to experience the culture and bring home treasures of the Middle East: natural pearls. This was the pivotal moment when the dialogue between these two worlds opened up, eventually blossoming into a beautiful relationship that has lasted for decades. Published to accompany a major exhibition at the Musée des Arts Decoratifs in Paris and the Dallas Museum of Art, Cartier and Islamic Arts delves into the Cartier archives to trace the story of Louis Cartier’s love of Islamic art and the ways in which he incorporated the Islamic world’s stylized motifs into Cartier’s jewelry. Dazzling photographs are accompanied by in-depth texts from a raft of distinguished scholars of both Islam and the decorative arts.
Author | : Lynette Singer |
Publisher | : |
Total Pages | : 216 |
Release | : 2008 |
Genre | : Antiques & Collectibles |
ISBN | : |
"This is the remarkable story of one of the masterpieces of Islamic art, the Minbar of Saladin. Made in the middle of the 12th century, this wooden pulpit, perhaps the finest ever seen, stood in the al-Aqsa Mosque in Jerusalem for some eight hundred years until it was burned down in 1969 by a tourist claiming to be acting on orders from God. Its loss to the Muslim world was immense, and so the decision was taken by the mosque's guardians, the Jordanian royal family, to rebuild it."--BOOK JACKET.