Mastering Guitar Technique: Process and Essence

Mastering Guitar Technique: Process and Essence
Author: Christopher Berg
Publisher: Mel Bay Publications
Total Pages: 145
Release: 2011-02-25
Genre: Music
ISBN: 1610650581

This book assumes a modest music reading ability and some familiarity with basic classic guitar technique. A comprehensive, exploration of the requirements for developing effortless and musically sensitive guitar technique.

Single String Studies for Guitar Volume One

Single String Studies for Guitar Volume One
Author: Bruce E. Arnold
Publisher: muse eek publishing
Total Pages: 120
Release: 2001-04
Genre: Music
ISBN: 9781890944629

Bruce Arnold presents hard-core exercises for learning how to read music and pitch locations for every note on the guitar. Exercises for each string are presented in all keys. Free audio files are available in the "Member's Area" of the muse-eek.com website.

Masters of the Plectrum Guitar

Masters of the Plectrum Guitar
Author: William Bay
Publisher: Mel Bay Publications
Total Pages: 281
Release: 2010-10-07
Genre: Music
ISBN: 1609740297

This landmark book of music for the plectrum style jazz guitar took years to compile, write and edit. It contains some of the greatest solos and duets ever written and performed on the plectrum or flatpicked guitar, including works by Carl Kress, Dick McDonough, George Van Eps, Bucky Pizzarelli, George Barnes, Eddie Lang, George M Smith, Al Valenti, Mel Bay, Frank Victor, Harry Volpe, Carmen Mastren, Oscar Moore, Mundell Lowe, Tony Mottola, Al Hendrickson, and Cal Collins. All solos are in notation and tablature while the duets are shown in standard notation only.

Jazz Guitar Ensembles Level 1

Jazz Guitar Ensembles Level 1
Author: Multiple Authors
Publisher: Mel Bay Publications
Total Pages: 65
Release: 2015-11-25
Genre: Music
ISBN: 1609744950

These beginning to advanced jazz guitar ensembles are written for four and five guitars by some of the best guitar ensemble arrangers in the business. Arrangers include, Barry Greene, Dave Frackenpohl, Steve Schenkel, Andrian Ingram, and Chris Buzzelli. Not only are these fine performance pieces for ensembles, they are good material for sight-reading. These graded volumes follow Mel Bay's guitar grading system. Each chart in all three levels offers students the opportunity to improvise with rhythm guitar and, in some cases, background figures.Level I presents simple rhythms, is technically easy and all of the parts are primarily played in first position. These are perfect for beginning guitar classes and students who are starting to read standard notation. Each volume contains five pieces for the price of what one ensemble piece usually costs.

Simply Guitar

Simply Guitar
Author: Steve MacKay
Publisher: Hinkler Books Pty Limited
Total Pages: 64
Release: 2011-07-01
Genre: Music
ISBN: 9781741854770

"Master the basics in record time with one easy class! Learn to play without reading music!"--Cover.

Fundamentals of Guitar

Fundamentals of Guitar
Author: Miles Okazaki
Publisher: Mel Bay Publications
Total Pages: 173
Release: 2015-02-25
Genre: Music
ISBN: 1619114860

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.

Mastering the Guitar 1A

Mastering the Guitar 1A
Author: William Bay
Publisher: Mel Bay Publications
Total Pages: 145
Release: 2016-01-08
Genre: Music
ISBN: 1609741609

Mastering the Guitar is an innovative, exciting way to learn the guitar. Co-authored by William Bay and Mike Christiansen, this extremely comprehensive method applies the array of musical styles and techniques found in today's music. Written in notation and tablature, it covers a vast array of guitar solo and accompaniment styles. A special feature of this method is that it teaches both flatpicking and fingerstyle solo and accompaniment techniques. We feel that Mastering the Guitar is the most comprehensive approach to guitar technique repertoire and performance to be found anywhere. Volume 1A: Presents the essential foundational studies for contemporary guitar performance; Immediately introduces the student to the concept of playing contemporary music through the creative use of tablature; Logically and methodically teaches note-reading, utilizing the notes in first position on each string in numerous pages of playing material (over 155 solos and duets in the keys of C, A minor, G, and E minor); Contains more than 140 scale and picking studies, chord etudes, and accompaniment pieces, teaching contemporary techniques such as the slur, hammer-on, pull-off, vibrato and slide; Includes in-depth sections on back-up guitar and rhythm; Incorporates guitar duet material.

Rhythms Volume One

Rhythms Volume One
Author: Bruce Arnold
Publisher: muse eek publishing
Total Pages: 143
Release: 2001-04
Genre: Music
ISBN: 1890944556

This volume concentrates on eighth note rhythms exploring nearly every combination of rests and ties. All examples use one pitch allowing total concentration on rhythm and time. Free audio flies are available on the Internet for each exercise.

Music Theory Workbook for Guitar Volume One

Music Theory Workbook for Guitar Volume One
Author: Bruce E Arnold
Publisher: muse eek publishing
Total Pages:
Release: 2007-12
Genre:
ISBN: 1594898715

Have you ever wished you could better understand the guitar s fretboard, so that you could: See it as a interconnected map in your minds eye ... Instantly apply that roadmap to great solos improvised not by accident, but totally by YOUR design ... Understand chords and without hesitation, construct both simple and complex chords on the fly starting anywhere on the fretboard ... Can you imagine what such abilities could do for your confidence and your playing? Music Theory Workbook for Guitar Volume One creates just this type of seamless marriage between your visual knowledge of the guitar fretboard and your understanding of the music theory behind what you are playing ... Both guitar fretboard diagrams and traditional music notation are used to help you learn music theory. You can SEE, COMPARE and UNDERSTAND how notes look on your guitar fretboard and on a music staff at the same time. This crucial combination will be your secret weapon to learning music theory quickly and easily AND retaining it with no problems. The unique approach of this book has been used by thousands of guitarists to conquer the intricacies of the guitar fretboard. With time and application, the mystery disappears and you can not only understand music theory but also see it and know how to use it on your guitar. This ability will revolutionize your playing ... With only a few minutes a day working with the Music Theory Workbook for Guitar Volume One, you will master the ability to: * Pick up what others are playing on the guitar by sight more rapidly ... * See all intervals and chords by sight on the guitar ... * Understand music theory and be IN SYNC with your fellow musicians ... * Make music theory a natural process as you see it on your guitar ... * Build a solid foundation for great solos, comping and great composing ... * See, understand and build countless chord combinations, from simple to complex, starting anywhere on your guitar fretboard ... * Understand how the notes on the guitar fretboard relate to notes found on a music staff ... * Understand key signatures ... * Understand the names of all intervals ... You will also have access to the Muse-eek.com member's area where you will find free PDFs to help you learn and apply music theory. You ll have access to additional materials that: * Show all the notes found on the guitar and their related positions on the musical staff ... * Help you further understand the two different ways to figure out the notes found in any chord type ... * Provide exercises to apply music theory to your instrument ... * Further your understanding of the correct method for building intervals, and naming intervals with the correct spelling ... * Explain diatonic chords and their importance in the music you play ... Plus you ll receive videos showing how to apply the information learned in Music Theory Workbook for Guitar Volume One to the guitar fretboard and help files for learning to read music. In addition, all possible alternate answers to the exercises are provided. It's not uncommon to find guitarists who have worked through this book skipping past multiple levels of college based theory, and going into advanced placement. You will have a black belt in music theory in no time and remember it forever because it will be part of you when you play your guitar. The Theory section of this book uses extremely simple language to explain the basics of music theory. The exercises require the student to write out the problem or example using staff notation, and then to find those notes on a guitar fretboard diagram.