Masked Intent
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Author | : Allan Joseph |
Publisher | : Trafford Publishing |
Total Pages | : 385 |
Release | : 2010-10-25 |
Genre | : History |
ISBN | : 1426937024 |
In the late 70’s China was an awakening giant; decades of depressing self sufficiency theories left the country technologically, industrially and agriculturally backward. By 1975, Chou En Lai and Deng Tsao Ping recognized a renaissance of technology and open economy was required Achieving those goals required engagement with the U.S. to replicate, leapfrog and provide a starter engine. The engine which had accelerated the West’s economies was the ubiquitous computer. How was China to get one? The United States strictly controlled the export of computers to the Communist world, particularly since the Korean War. The world leader in computers, IBM, was sought and responded. This book presents IBM and China’s one year 1977 struggle in Beijing to write a contract that unleashed IBM’s, China’s and the U.S.’s restraints on computer exports and delivered China’s first large-scale computer in 1978. The book presents the basis for China’s ensuing economic boom. It tells a story of humor, strife and of lasting personal bonds. It reveals the mishaps of cross-cultural negotiation. And... it reveals how the Chinese plan for modern computer education was hidden in computer purchase. Three Chinese engineers – Messer’s Wu, Mu and Shu - and two American IBM’ers enabled that deception and bridged the cultural gap. IBM now has thousands of employees in its Greater China organization and billions in revenue. China has a thriving Information Management industry and connection to the world through the internet all starting with this seed.
Author | : Kimberly Greer |
Publisher | : |
Total Pages | : 492 |
Release | : 2021-09-15 |
Genre | : Fiction |
ISBN | : 9780578325736 |
Very well-written, recommended for anyone who can't get enough details and likes a lengthy read...The plot is quite entertaining with twists at almost every angle that keep the reader on the edge. --Fatima Aladdin, ReedsyDiscovery From being denied by her birth parents to marrying the wrong man, Alexa Winston has learned to cope with disappointment and heartache by masking her true self from the world. Divorced and finally living on her own terms, she shrouds herself in half-truths and bravado, content to live her quiet, predictable, well-constructed life - until she finds the job and the man of her dreams. As she falls deeper into both, and into a world ruled by powerful players jockeying for influence and dominance at all costs, she's forced to weigh her truths against reality. Trouble is, though she's a master at detecting self-deception in others, she's slow to recognize it in herself. Masked Intent takes a taut, complex look at how we hide behind inauthenticity to guide us through our interpersonal relationships. It's a timely and relevant story that asks a key question: what does it matter how many followers, likes, and upvotes we have if we no longer recognize the person we see in the mirror? Masked Intent is the first installment in The Morality Plays Series and ends in a cliffhanger. The story concludes in Intents + Purposes, which publishes in early 2022. (c)2021 Kimberly Greer
Author | : Jason J. Campbell |
Publisher | : Lexington Books |
Total Pages | : 176 |
Release | : 2012-10-04 |
Genre | : Philosophy |
ISBN | : 0739178474 |
Campbell offers a conceptual look into the nature of genocidal intent, systematically analyzing the conceptual and logical structures for genocidal intent, and discussing its theoretical foundations. The analysis offers particular insight into the process of operationalizing genocide and mass extermination. The investigation includes discussion of the roles orchestrators play and the systematic development of a genocidal strategy, which requires the intent to purge pre-selected demographic identifiers from the population. Cambell also analyzes in detail the dynamic process of generational conflict, wherein former perpetrators become victims and victims become perpetrators.
Author | : Zane Grey |
Publisher | : BoD – Books on Demand |
Total Pages | : 406 |
Release | : 2023-08-31 |
Genre | : Fiction |
ISBN | : 3387017332 |
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author | : Peter Coviello |
Publisher | : NYU Press |
Total Pages | : 269 |
Release | : 2013-04-19 |
Genre | : Social Science |
ISBN | : 0814717411 |
“Dazzling intelligence radiates here, out from sentences giving such pleasure, yielding the finest devotion I’ve seen to literature’s own theoretical force. Coviello listens, carefully, brilliantly, for the flickerings, the liquid meanderings, all too easily explained as “sexual”—or never even perceived at all. Here is a critic as joyful as Whitman, with his dark core fully afire.” —Kathryn Bond Stockton, Distinguished Professor of English at University of Utah In nineteenth-century America—before the scandalous trial of Oscar Wilde, before the public emergence of categories like homo- and heterosexuality—what were the parameters of sex? Did people characterize their sexuality as a set of bodily practices, a form of identification, or a mode of relation? Was it even something an individual could be said to possess? What could be counted as sexuality? Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America provides a rich new conceptual language to describe the movements of sex in the period before it solidified into the sexuality we know, or think we know. Taking up authors whose places in the American history of sexuality range from the canonical to the improbable—from Whitman, Melville, Thoreau, and James to Dickinson, Sarah Orne Jewett, Harriet Jacobs, Frederick Douglass, and Mormon founder Joseph Smith—Peter Coviello delineates the varied forms sex could take in the lead-up to its captivation by the codings of “modern” sexuality. While telling the story of nineteenth-century American sexuality, he considers what might have been lostin the ascension of these new taxonomies of sex: all the extravagant, untimely ways of imagining the domain of sex that, under the modern regime of sexuality, have sunken into muteness or illegibility. Taking queer theorizations of temporality in challenging new directions, Tomorrow’s Parties assembles an archive of broken-off, uncreated futures—futures that would not come to be. Through them, Coviello fundamentally reorients our readings of erotic being and erotic possibility in the literature of nineteenth-century America. Peter Coviello is Professor of English at Bowdoin College. He is the author of Intimacy in America: Dreams of Affiliation in Antebellum Literature and the editor of Walt Whitman’s Memoranda During the War. In the America and the Long 19th Century series
Author | : Linda Hutcheon |
Publisher | : Routledge |
Total Pages | : 254 |
Release | : 2003-09-02 |
Genre | : Literary Criticism |
ISBN | : 1134937547 |
The edge of irony, says Linda Hutcheon, is always a social and political edge. Irony depends upon interpretation; it happens in the tricky, unpredictable space between expression and understanding. Irony's Edge is a fascinating, compulsively readable study of the myriad forms and the effects of irony. It sets out, for the first time, a sustained, clear analysis of the theory and the political contexts of irony, using a wide range of references from contemporary culture. Examples extend from Madonna to Wagner, from a clever quip in conversation to a contentious exhibition in a museum. Irony's Edge outlines and then challenges all the major existing theories of irony, providing the most comprehensive and critically challengin theory of irony to date.
Author | : Zane Grey |
Publisher | : |
Total Pages | : 342 |
Release | : 1921 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 942 |
Release | : 1926 |
Genre | : Law |
ISBN | : |
Author | : Mary Strong |
Publisher | : University of Texas Press |
Total Pages | : 576 |
Release | : 2013-05-01 |
Genre | : Social Science |
ISBN | : 0292756135 |
Early in its history, anthropology was a visual as well as verbal discipline. But as time passed, visually oriented professionals became a minority among their colleagues, and most anthropologists used written words rather than audiovisual modes as their professional means of communication. Today, however, contemporary electronic and interactive media once more place visual anthropologists and anthropologically oriented artists within the mainstream. Digital media, small-sized and easy-to-use equipment, and the Internet, with its interactive and public forum websites, democratize roles once relegated to highly trained professionals alone. However, having access to a good set of tools does not guarantee accurate and reliable work. Visual anthropology involves much more than media alone. This book presents visual anthropology as a work-in-progress, open to the myriad innovations that the new audiovisual communications technologies bring to the field. It is intended to aid in contextualizing, explaining, and humanizing the storehouse of visual knowledge that university students and general readers now encounter, and to help inform them about how these new media tools can be used for intellectually and socially beneficial purposes. Concentrating on documentary photography and ethnographic film, as well as lesser-known areas of study and presentation including dance, painting, architecture, archaeology, and primate research, the book's fifteen contributors feature populations living on all of the world's continents as well as within the United States. The final chapter gives readers practical advice about how to use the most current digital and interactive technologies to present research findings.
Author | : Leonard Diepeveen |
Publisher | : Oxford University Press |
Total Pages | : 340 |
Release | : 2019-02-14 |
Genre | : Literary Criticism |
ISBN | : 0192559370 |
Focusing on literature and visual art in the years 1910-1935, Modernist Fraud begins with the omnipresent accusations that modernism was not art at all, but rather an effort to pass off patently absurd works as great art. These assertions, common in the time's journalism, are used to understand the aesthetic and context which spawned them, and to look at what followed in their wake. Fraud discourse ventured into the aesthetic theory of the time, to ideas of artistic sincerity, formalism, and the intentional fallacy. In doing so, it profoundly shaped the modern canon and its justifying principles. Modernist Fraud explores a wide range of materials. It draws on reviews and newspaper accounts of art scandals, such as the 1913 Armory Show, the 1910 and 1912 Postimpressionist shows, and Tender Buttons; to daily syndicated columns; to parodies and doggerel; to actual hoaxes, such as Spectra and Disumbrationism; to the literary criticism of Edith Sitwell; to the trial of Brancusi's Bird in Space; and to the contents of the magazine Blind Man, including a defense of Duchamp's Fountain, a poem by Bill Brown, and the works of, and an interview with, the bafflingly unstable painter Louis Eilshemius. In turning to these materials, the book reevaluates how modernism interacted with the public and describes how a new aesthetic begins: not as a triumphant explosion that initiates irrevocable changes, but as an uncertain muddling and struggle with ideology.