Masculinities In Post Millennial Popular Romance
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Author | : Eirini Arvanitaki |
Publisher | : Routledge |
Total Pages | : 72 |
Release | : 2022-05-12 |
Genre | : Literary Criticism |
ISBN | : 1000618358 |
This book focuses on the projection of the hero’s masculinity in a selection of post-millennial popular romance narratives and attempts to discover if, and to what extent, this projection reinforces or challenges patriarchal ideas about gender. In the majority of these narratives the hero is often presented as a hegemonic alpha male. However, hegemonic masculinity is not a fixed concept. Rather, it is subject to continuous change which allows for the emergence of various dominant masculinities. Under a poststructuralist lens and through a close textual analysis approach and a gender reading of romance narratives, the book suggests that to a certain extent the romance hero could be described as a platform onto which different forms of dominant masculinity are displayed and highlights that these masculinities do not necessarily clash, depend on, or function as a prerequisite for each other.
Author | : Xiaodong Lin |
Publisher | : Springer |
Total Pages | : 274 |
Release | : 2016-11-11 |
Genre | : Social Science |
ISBN | : 113755634X |
This book provides a fresh and contemporary take on the study of men and masculinity. It highlights new and exciting approaches to sexuality, desire, men and masculinity in East Asian contexts, focusing on the interconnections between them. In doing so, it re-examines the key concepts that underpin studies of masculinity, such as homophobia, homosociality and heteronormativity. Developing new ways of thinking about masculinity in local contexts, it fills a significant lacuna in contemporary scholarship. This thought-provoking work will appeal to students and scholars of gender studies, cultural studies and the wider social sciences.
Author | : Catherine Spooner |
Publisher | : Bloomsbury Publishing |
Total Pages | : 233 |
Release | : 2017-02-23 |
Genre | : Literary Criticism |
ISBN | : 1441170413 |
Surveying the widespread appropriations of the Gothic in contemporary literature and culture, Post-Millennial Gothic shows contemporary Gothic is often romantic, funny and celebratory. Reading a wide range of popular texts, from Stephenie Meyer's Twilight series through Tim Burton's Gothic film adaptations of Sweeney Todd, Alice in Wonderland and Dark Shadows, to the appearance of Gothic in fashion, advertising and television, Catherine Spooner argues that conventional academic and media accounts of Gothic culture have overlooked this celebratory strain of 'Happy Gothic'. Identifying a shift in subcultural sensibilities following media coverage of the Columbine shootings, Spooner suggests that changing perceptions of Goth subculture have shaped the development of 21st-century Gothic. Reading these contemporary trends back into their sources, Spooner also explores how they serve to highlight previously neglected strands of comedy and romance in earlier Gothic literature.
Author | : Timothy Shary |
Publisher | : Wayne State University Press |
Total Pages | : 384 |
Release | : 2012-12-17 |
Genre | : Performing Arts |
ISBN | : 0814338445 |
Film and television scholars as well as readers interested in gender and sexuality in film will appreciate this timely collection.
Author | : Jayashree Kamblé |
Publisher | : Routledge |
Total Pages | : 553 |
Release | : 2020-08-11 |
Genre | : Education |
ISBN | : 1317041941 |
Popular romance fiction constitutes the largest segment of the global book market. Bringing together an international group of scholars, The Routledge Research Companion to Popular Romance Fiction offers a ground-breaking exploration of this global genre and its remarkable readership. In recognition of the diversity of the form, the Companion provides a history of the genre, an overview of disciplinary approaches to studying romance fiction, and critical analyses of important subgenres, themes, and topics. It also highlights new and understudied avenues of inquiry for future research in this vibrant and still-emerging field. The first systematic, comprehensive resource on romance fiction, this Companion will be invaluable to students and scholars, and accessible to romance readers.
Author | : Lucy Evans |
Publisher | : Oxford University Press |
Total Pages | : 225 |
Release | : 2024-09-18 |
Genre | : Literary Criticism |
ISBN | : 0198919905 |
Crime Fiction in the Caribbean: Reframing Crime and Justice is the first academic book to focus on crime fiction by anglophone Caribbean writers. It explores how contemporary writers experiment with the crime genre in order to convey, contextualize, and comment on crime and justice in Caribbean countries. Lucy Evans reads crime fiction as a versatile mode of writing that can be politically engaged, and that-in a Caribbean context-can expose power structures embedded in the region's multi-layered history of colonial conquest, genocide of Indigenous populations, plantation agriculture, transatlantic slavery, and indentured labour. This book covers fiction set in Trinidad and Tobago, Jamaica, Guyana, Barbados, Grenada, and Haiti, discussing novels by Elizabeth Nunez, Jacob Ross, Marlon James, Harischandra Khemraj, Esther Figueroa, Edwidge Danticat, Cherie Jones, and several others. Evans considers how fiction by anglophone Caribbean writers not only reflects upon the social realities of crime and crime control in the Caribbean, but also at times contests or complicates scholarly, popular, and legal perspectives. She argues that through their engagement with the crime genre, these writers raise pressing questions about what constitutes crime and justice in a Caribbean context, and about accountability. Looking beyond the traditional focus of crime fiction and criminology on individual acts of wrongdoing, their fiction highlights systemic social harms rooted in the region's colonial past. Reading crime fiction through the lens of criminological research, Crime Fiction in the Caribbean brings the study of literary writing into scholarly debate on crime in the Caribbean. At the same time, it extends the global turn in crime fiction studies, focusing on a region that has been sidelined even in studies which examine the genre's international dimensions.
Author | : John Alberti |
Publisher | : Routledge |
Total Pages | : 137 |
Release | : 2013-09-11 |
Genre | : Performing Arts |
ISBN | : 1136222901 |
This volume addresses the growing obsolescence of traditional constructions of masculine identity in popular romantic comedies by proposing an approach that combines gender and genre theory to examine the ongoing radical reconstruction of gender roles in these films. Alberti creates a unified theory of gender role change in the movies that combines the insights of both poststructuralist gender and narrative genre theory, avoiding binary approaches to the study of gender representation. He establishes the current "crises" in both gender representation and genre development within romantic comedies as examples of experimentation and change towards narratives that feature more egalitarian and less essentialist constructions of gender.
Author | : Eirini Arvanitaki |
Publisher | : Taylor & Francis |
Total Pages | : 79 |
Release | : 2024-05-14 |
Genre | : Literary Criticism |
ISBN | : 1040086586 |
This book focuses on the projections of romantic love and its progression in a selection of popular romance novels and identifies an innovation within the genre’s formula and structure. Taking into account Giddens’s notion of ‘confluent’ love, this book argues that two forms of love exist within these texts: romantic and confluent love. The analysis of these love variants suggests that a continuum emerges which signifies the complexity but also the formation and progressive nature of the protagonists’ love relationships. This continuum is divided into three stages: the pre-personal, semi-personal, and personal. The first phase connotes the introduction of the protagonists and describes the sexual attraction they experience for each other. The second phase refers to the initiation of the sexual interaction between the heroine and hero without any emotional involvement. The third and final phase begins when emotions such as jealousy, shame/guilt, anger, and self-sacrifice are awakened and acknowledged.
Author | : Jennifer Coates |
Publisher | : Routledge |
Total Pages | : 537 |
Release | : 2019-12-06 |
Genre | : Social Science |
ISBN | : 1351716786 |
This Companion is a comprehensive examination of the varied ways in which gender issues manifest throughout culture in Japan, using a range of international perspectives to examine private and public constructions of identity, as well as gender- and sexuality-inflected cultural production. The Routledge Companion to Gender and Japanese Culture features both new work and updated accounts of classic scholarship, providing a go-to reference work for contemporary scholarship on gender in Japanese culture. The volume is interdisciplinary in scope, with chapters drawing from a range of perspectives, fields, and disciplines, including anthropology, art history, history, law, linguistics, literature, media and cultural studies, politics, and sociology. This reflects the fundamentally interdisciplinary nature of the dual focal points of this volume—gender and culture—and the ways in which these themes infuse a range of disciplines and subfields. In this volume, Jennifer Coates, Lucy Fraser, and Mark Pendleton have brought together an essential guide to experiences of gender in Japanese culture today—perfect for students, scholars, and anyone else interested in Japan, culture, gender studies, and beyond.
Author | : David Greven |
Publisher | : SUNY Press |
Total Pages | : 315 |
Release | : 2016-02-09 |
Genre | : Performing Arts |
ISBN | : 1438460074 |
Combines psychoanalysis, queer theory, masculinity studies, and cultural studies to explore contemporary manhood in film. Ghost Faces explores the insidious nature of homophobia even in contemporary Hollywood films that promote their own homo-tolerance and appear to destabilize hegemonic masculinity. Reframing Laura Mulveys and Gilles Deleuzes paradigms and offering close readings grounded in psychoanalysis and queer theory, David Greven examines several key films and genre trends from the late 1990s forward. Movies considered range from the slasher film Scream to bromances and beta male comedies such as I Love You, Man to dramas such as Donnie Darko and 25th Hour to Rob Zombies remake of the horror film Halloween. Greven also traces the disturbing connections between torture porn found in such films as Hostel and gay male Internet pornography.