Mark Twain's Audience

Mark Twain's Audience
Author: Robert McParland
Publisher: Lexington Books
Total Pages: 239
Release: 2014-09-24
Genre: Literary Criticism
ISBN: 0739190520

Mark Twain has been one of the most popular American writers since 1868. This book shifts the focus of Twain studies from the writer to the reader. This study of Twain’s readership and lecture audiences makes use of statistics, literary biography, twentieth-century newspapers, memoirs, diaries, travel journals, letters, literature, interviews, and reading circle reports. The book allows the audience of Mark Twain to speak for themselves in defining their relationship to his work. Twain collected letters from his readers but there are also many other sources of which critics should be aware. The voices of these readers present their views, their likes—and sometimes dislikes, their emotional reactions and identification, and their deep attachment and love for Twain’s characters, stories, themes, and sensibilities. Bringing together contemporary reactions to Twain and his works and those of later audiences, this book paints a portrait of the American people and of American society and culture. While the book is about Mark Twain, or Samuel Clemens, it presents a larger cultural study of twentieth-century America and the early years of the twentieth century. The book includes Twain’s international audience but makes its majorly scholarly contribution in the analysis of Twain’s audience in America. It analyzes the people and their values, their reading habits and cultural views, their everyday experiences in the face of the drastic changes of the emerging nation coping with cataclysmic events, such as the Industrial Revolution and the consequences of the Civil War. This book serves as a model for using the audience of a prominent writer to analyze American history, American culture, and the American psyche. This book examines a historical time and an emerging national consciousness that defined the American identity after the Civil War.

Dear Mark Twain

Dear Mark Twain
Author: Mark Twain
Publisher: Univ of California Press
Total Pages: 314
Release: 2013-04-21
Genre: Biography & Autobiography
ISBN: 0520261348

Collects two hundred letters from readers of Mark Twain to the author himself, offering a glimpse into the lives and sensibilites of nineteenth-century children, preachers, con artists, inmates, and other fans of the author's work.

Mark Twain in Context

Mark Twain in Context
Author: John Bird
Publisher: Cambridge University Press
Total Pages: 422
Release: 2020-01-02
Genre: Literary Criticism
ISBN: 9781108472609

Mark Twain In Context provides the fullest introduction in one volume to the multifaceted life and times of one of the most celebrated American writers. It is a collection of short, lively contributions covering a wide range of topics on Twain's life and works. Twain lived during a time of great change, upheaval, progress, and challenge. He rose from obscurity to become what some have called 'the most recognizable person on the planet'. Beyond his contributions to literature, which were hugely important and influential, he was a businessman, an inventor, an advocate for social and political change, and ultimately a cultural icon. Placing his life and work in the context of his age reveals much about both Mark Twain and America in the last half of the nineteenth century, the twentieth century, and the first decades of the twenty-first century.

Mark Twain

Mark Twain
Author: Harold Bloom
Publisher: Infobase Publishing
Total Pages: 481
Release: 2009
Genre: Humorous stories, American
ISBN: 1438117043

Presents a selection of important older literary criticism of selected works by Mark Twain.

Mark Twain, American Humorist

Mark Twain, American Humorist
Author: Tracy Wuster
Publisher: University of Missouri Press
Total Pages: 502
Release: 2017-12-01
Genre: Literary Criticism
ISBN: 0826274110

Mark Twain, American Humorist examines the ways that Mark Twain’s reputation developed at home and abroad in the period between 1865 and 1882, years in which he went from a regional humorist to national and international fame. In the late 1860s, Mark Twain became the exemplar of a school of humor that was thought to be uniquely American. As he moved into more respectable venues in the 1870s, especially through the promotion of William Dean Howells in the Atlantic Monthly, Mark Twain muddied the hierarchical distinctions between class-appropriate leisure and burgeoning forms of mass entertainment, between uplifting humor and debased laughter, and between the literature of high culture and the passing whim of the merely popular.

Mark Twain's Speeches

Mark Twain's Speeches
Author: Mark Twain
Publisher: Binker North
Total Pages: 464
Release: 1910
Genre: Humor
ISBN:

These Mark Twain speeches will address themselves to the minds and hearts of those who read them, but not with the effect they had with those who heard them; Clemens himself would have said, not with half the effect. I have noted elsewhere how he always held that the actor doubled the value of the author's words; and he was a great actor as well as a great author. In the words of author William Dean Howells: These speeches will address themselves to the minds and hearts of those who read them, but not with the effect they had with those who heard them; Clemens himself would have said, not with half the effect. I have noted elsewhere how he always held that the actor doubled the value of the author's words; and he was a great actor as well as a great author. He was a most consummate actor, with this difference from other actors, that he was the first to know the thoughts and invent the fancies to which his voice and action gave the color of life. Representation is the art of other actors; his art was creative as well as representative; it was nothing at second hand. I never heard Clemens speak when I thought he quite failed; some burst or spurt redeemed him when he seemed flagging short of the goal, and, whoever else was in the running, he came in ahead. His near-failures were the error of a rare trust to the spontaneity in which other speakers confide, or are believed to confide, when they are on their feet. He knew that from the beginning of oratory the orator's spontaneity was for the silence and solitude of the closet where he mused his words to an imagined audience; that this was the use of orators from Demosthenes and Cicero up and down. He studied every word and syllable, and memorized them by a system of mnemonics peculiar to himself, consisting of an arbitrary arrangement of things on a table--knives, forks, salt-cellars; inkstands, pens, boxes, or whatever was at hand--which stood for points and clauses and climaxes, and were at once indelible diction and constant suggestion. He studied every tone and every gesture, and he forecast the result with the real audience from its result with that imagined audience. Therefore, it was beautiful to see him and to hear him; he rejoiced in the pleasure he gave and the blows of surprise which he dea I have been talking of his method and manner; the matter the reader has here before him; and it is good matter, glad, honest, kind, just. W. D. HOWELLS.

Who Is Mark Twain?

Who Is Mark Twain?
Author: Mark Twain
Publisher: Harper Collins
Total Pages: 189
Release: 2010-06-10
Genre: Literary Collections
ISBN: 0062020854

“More than 100 years after [Twain] wrote these stories, they remain not only remarkably funny but remarkably modern. . . . Ninety-nine years after his death, Twain still manages to get the last laugh.” — Vanity Fair Who Is Mark Twain? is a collection of twenty six wickedly funny, thought-provoking essays by Samuel Langhorne Clemens—aka Mark Twain—none of which have ever been published before. "You had better shove this in the stove," Mark Twain said at the top of an 1865 letter to his brother, "for I don't want any absurd ‘literary remains' and ‘unpublished letters of Mark Twain' published after I am planted." He was joking, of course. But when Mark Twain died in 1910, he left behind the largest collection of personal papers created by any nineteenth-century American author. Who Is Mark Twain? presents twenty-six wickedly funny, disarmingly relevant pieces by the American master—a man who was well ahead of his time.

Mark Twain, Dr. Oliver Wendell Holmes, and the Head Readers

Mark Twain, Dr. Oliver Wendell Holmes, and the Head Readers
Author: Stanley Finger
Publisher: Cambridge University Press
Total Pages: 365
Release: 2023-04-06
Genre: Body, Mind & Spirit
ISBN: 1009301292

A study of Mark Twain's and Dr. Oliver Wendell Holmes's interests in phrenology, as revealed, often humorously, in their writings.

Mark Twain, Unsanctified Newspaper Reporter

Mark Twain, Unsanctified Newspaper Reporter
Author: James Edward Caron
Publisher: University of Missouri Press
Total Pages: 464
Release: 2008
Genre: Biography & Autobiography
ISBN: 0826266274

Before Mark Twain became a national celebrity with his best-selling The Innocents Abroad, he was just another struggling writer perfecting his craft-but already "playin' hell" with the world. In the first book in more than fifty years to examine the initial phase of Samuel Clemens's writing career, James Caron draws on contemporary scholarship and his own careful readings to offer a fresh and comprehensive perspective on those early years-and to challenge many long-standing views of Mark Twain's place in the tradition of American humor. Tracing the arc of Clemens's career from self-described "unsanctified newspaper reporter" to national author between 1862 and 1867, Caron reexamines the early and largely neglected writings-especially the travel letters from Hawaii and the letters chronicling Clemens's trip from California to New York City. Caron connects those sets of letters with comic materials Clemens had already published, drawing on all known items from this first phase of his career-even the virtually forgotten pieces from the San Francisco Morning Call in 1864-to reveal how Mark Twain's humor was shaped by the sociocultural context and how it catered to his audience's sensibilities while unpredictably transgressing its standards. Caron reveals how Sam Clemens's contemporaries, notably Charles Webb, provided important comic models, and he shows how Clemens not only adjusted to but also challenged the guidelines of the newspapers and magazines for which he wrote, evolving as a comic writer who transmuted personal circumstances into literary art. Plumbing Mark Twain's cultural significance, Caron draws on anthropological insights from Victor Turner and others to compare the performative aspects of Clemens's early work to the role of ritual clowns in traditional societies Brimming with fresh insights into such benchmarks as "Our Fellow Savages of the Sandwich Islands" and "Jim Smiley and His Jumping Frog," this book is a gracefully written work that reflects both patient research and considered judgment to chart the development of an iconic American talent. Mark Twain, Unsanctified Newspaper Reporter should be required reading for all serious scholars of his work, as well as for anyone interested in the interplay between artistic creativity and the literary marketplace.