Mario Giacomelli
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| Author | : Virginia Heckert |
| Publisher | : Getty Publications |
| Total Pages | : 164 |
| Release | : 2021-06-15 |
| Genre | : Photography |
| ISBN | : 1606067184 |
A new look at the work of Mario Giacomelli, one of Italy’s foremost photographers of the twentieth century. Mario Giacomelli (1925–2000) was born into poverty and lived his entire life in Senigallia, a seaside town along the Adriatic coast in Italy’s Marche region. He purchased his first camera in 1953 and quickly gained recognition for the raw expressiveness of his images. His preference for grainy, high-contrast film and paper produced bold, geometric compositions with glowing whites and deep blacks. Giacomelli most frequently focused his camera on the people, landscapes, and seascapes of the Marche, and he often spent several years expanding and reinterpreting a single body of work or repurposing an image made for one series for inclusion in another. By applying titles derived from poetry and literature to his photographs, he transformed ordinary subjects into meditations on time, memory, and existence. Spanning the photographer’s earliest pictures to those made in the final years of his life, this publication celebrates the J. Paul Getty Museum’s extensive Giacomelli holdings, formed in large part through a significant gift from Daniel Greenberg and Susan Steinhauser.
| Author | : |
| Publisher | : |
| Total Pages | : 20 |
| Release | : 1983 |
| Genre | : Photography, Artistic |
| ISBN | : |
| Author | : Virginia Heckert |
| Publisher | : Getty Publications |
| Total Pages | : 164 |
| Release | : 2021-06-15 |
| Genre | : Photography |
| ISBN | : 1606067184 |
A new look at the work of Mario Giacomelli, one of Italy’s foremost photographers of the twentieth century. Mario Giacomelli (1925–2000) was born into poverty and lived his entire life in Senigallia, a seaside town along the Adriatic coast in Italy’s Marche region. He purchased his first camera in 1953 and quickly gained recognition for the raw expressiveness of his images. His preference for grainy, high-contrast film and paper produced bold, geometric compositions with glowing whites and deep blacks. Giacomelli most frequently focused his camera on the people, landscapes, and seascapes of the Marche, and he often spent several years expanding and reinterpreting a single body of work or repurposing an image made for one series for inclusion in another. By applying titles derived from poetry and literature to his photographs, he transformed ordinary subjects into meditations on time, memory, and existence. Spanning the photographer’s earliest pictures to those made in the final years of his life, this publication celebrates the J. Paul Getty Museum’s extensive Giacomelli holdings, formed in large part through a significant gift from Daniel Greenberg and Susan Steinhauser.
| Author | : Vicki GOLDBERG |
| Publisher | : |
| Total Pages | : 160 |
| Release | : 2007-04-01 |
| Genre | : |
| ISBN | : 9788889431214 |
| Author | : Katiuscia Biondi |
| Publisher | : Schilt Publishing |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Photography |
| ISBN | : 9789053308134 |
The title "Cose Mai Viste" translates literally as "things never seen," and applies here in two senses. The most direct describes works never before shown, never exhibited or published. The broader describes views that no one but Giacomelli has ever seen, moments when only he was there. Now that he is gone, only his prints remain to describe them--or transform them. As a self-taught artist who became a star of postwar Italian photography, Mario Giacomelli (1913-2000) made his name with images of the country around him, particularly the series "There Are No Hands to Caress My Face," which showed young seminarians playing in the snow, in brilliant graphic contrast to their black cassocks. His single frame "The Boy from Scanno," also made its way into exceptionally wide circulation in John Szarkiowski's classic "Looking at Photographs." The 230 images collected here, which range from the 1960s to the 90s, are at once familiar--like the monk playing soccer on the cover--and all new--he's playing on the grass.
| Author | : Maria Antonella Pelizzari |
| Publisher | : Reaktion Books |
| Total Pages | : 190 |
| Release | : 2010-11-15 |
| Genre | : Photography |
| ISBN | : 1861898843 |
In this beautifully illustrated book Maria Antonella Pelizzari traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in 1860, and later in the nationalist wars of Mussolini’s regime. While many Italians and foreigners— such as Fratelli Alinari or Carlo Ponti, John Ruskin or Kit Talbot—focused their lenses on architectural masterpieces, others documented the changing times and political heroes, creating icons of figures such as Garibaldi and the brigands. Pelizzari’s exploration of Italian visual traditions also includes the photographic collages of Bruno Munari, the neorealist work of photographers such as Franco Pinna, the bold stylized compositions of Mario Giacomelli, and the controversial images created by Oliviero Toscani for Benetton advertising in the 1980s. Featuring unpublished works and a rare selection of over one hundred images, this book will appeal to art collectors and students of art history and Italian culture.
| Author | : Martina Caruso |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2020-08-19 |
| Genre | : Art |
| ISBN | : 1000211460 |
Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.
| Author | : Enrica Vigano |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2018-09-04 |
| Genre | : Photography |
| ISBN | : 3791357697 |
This stunning book explores Italian Neorealism in photography, as it documented Italy's economic and social conditions in the mid-20th century and its rise as a democratic nation. Originally used for Fascist propaganda, the camera in Italy became a tool for artists to reveal the poverty and oppression of their country and a way to instigate positive social development and create a national identity. The NeoRealismo style became a call for economic justice as well as an artistic movement that influenced the modern world. The achievements of that movement are celebrated in this book with more than 200 illustrations, including exquisitely reproduced photographs and magazine images as well as film stills and posters. Together these images portray the seismic changes that took place throughout Italy during and after the war. The migration from south to north, the rural and urban poverty, and the desire to establish a national identity are all given expression through the photographers' lenses. Accompanying essays discuss the technological changes that transformed the country, trace the evolution of Neorealist cinema, and explore how writers became part of this revolution. Beautiful, raw, and free of artifice, these images and the people who created them ushered a unique and fascinating moment in modern art history. Copublished by Admira and DelMonico Books
| Author | : Colin Jones |
| Publisher | : Phaidon Press Limited |
| Total Pages | : 152 |
| Release | : 2002-09-23 |
| Genre | : History |
| ISBN | : |
Jones' photo subjects are working people--miners, shipbuilders, dockers--and dancers. This is his best work from his career to date. 81 photos.
| Author | : Mary Warner Marien |
| Publisher | : Laurence King Publishing |
| Total Pages | : 0 |
| Release | : 2015-05-05 |
| Genre | : Photography |
| ISBN | : 9781780674759 |
Photography Visionaries is an inspiring guide to 75 of the most influential photographers from c.1900 to the present. Entertainingly written by an expert on photography, it provides a fascinating insight into the lives and careers of men and women working in a medium which perhaps more than any other in the visual arts has been deeply affected by technological change. The entries are arranged chronologically, instilling in the reader an understanding of what marks each photographer as a visionary. Each entry is less about providing a full biography of the person and more about creating a sense of excitement regarding their work and the lasting impact that it has had on photography. With the aid of an arresting selection of photographs, some well-known and others less so, this book offers a unique and engaging perspective on the development of photography through some of its most inventive practitioners.
