Marian Maternity In Late Medieval England
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| Author | : Mary Beth Long |
| Publisher | : Manchester University Press |
| Total Pages | : 356 |
| Release | : 2023-10-03 |
| Genre | : Literary Criticism |
| ISBN | : 152615529X |
Marian maternity in late-medieval England takes advantage of the fifteenth century’s intense interest in the Virgin Mary, the best-documented mother of the medieval period, to examine the constructions and performances of maternity in vernacular religious texts. By bringing together texts and authors that are not often discussed in tandem, this study offers a rich examination of the multiple factors at play as Marian material circulated among experienced devotional readers. Taking a close look at the private devotional reading of late-medieval patrons, the book shows how texts including Chaucer’s poetry, Margery Kempe’s Boke, and legendaries of female saints are saturated with indirect references to and imitations of the Virgin. Marian maternity in late-medieval England employs a matricentric feminist approach to discern how readers’ devotional literacies inform their understanding and imitation of the Virgin’s maternal practice. Attending to internal cues in the texts, to manuscript contexts, and to the evidence and content of readers’ multiple literacies, the author examines Marian maternity as both theological concept and imitable practice. The result is a book that explains late-medieval perceptions of Mary’s maternity and sets them against readers’ devotional, emotional and relational circumstances.
| Author | : Wan-Chuan Kao |
| Publisher | : Manchester University Press |
| Total Pages | : 533 |
| Release | : 2024-01-09 |
| Genre | : Literary Criticism |
| ISBN | : 1526145790 |
This groundbreaking book analyses premodern whiteness as operations of fragility, precarity and racialicity across bodily and nonsomatic figurations. It argues that while whiteness participates in the history of racialisation in the late medieval West, it does not denote skin tone alone. The ‘before’ of whiteness, presupposing essence and teleology, is less a retro-futuristic temporisation – one that simultaneously looks backward and faces forward – than a discursive figuration of how white becomes whiteness. Fragility delineates the limits of ruling ideologies in performances of mourning as self-defence against perceived threats to subjectivity and desire; precarity registers the ruptures within normative values by foregrounding the unmarked vulnerability of the body politic and the violence of cultural aestheticisation; and racialicity attends to the politics of recognition and the technologies of enfleshment at the systemic edge of life and nonlife.
| Author | : Carolyne Larrington |
| Publisher | : Manchester University Press |
| Total Pages | : 243 |
| Release | : 2024-04-16 |
| Genre | : Literary Criticism |
| ISBN | : 1526176122 |
Over the last twenty-five years, the ‘history of emotion’ field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature — in particular secular literature — as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past. The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences — those who read them or hear them read or performed?
| Author | : Daisy Black |
| Publisher | : Manchester University Press |
| Total Pages | : 411 |
| Release | : 2024-05-28 |
| Genre | : Literary Criticism |
| ISBN | : 1526172127 |
A collection of essays which show how early drama traditions were transformed, recycled, re-used and reformed across time to form new relationships with their audiences. Medieval afterlives brings new insight to the ways in which peoples in the sixteenth century understood, manipulated and responded to the history of their performance spaces, stage technologies, characterisation and popular dramatic tropes. In doing so, this volume advocates for a new understanding of sixteenth-seventeenth century theatre makers as highly aware of the medieval traditions that formed their performance practices, and audiences who recognised and appreciated the recycling of these practices between plays.
| Author | : Helen Dell |
| Publisher | : Manchester University Press |
| Total Pages | : 150 |
| Release | : 2024-01-30 |
| Genre | : Literary Criticism |
| ISBN | : 1526173948 |
In the period between the Second World War and the present, there has been an extraordinary rise in the production of medievalist fantasy literature and film. This has been accompanied by the revival, performance and invention of medieval music. In this enterprise modern fantasies of the Middle Ages have exercised great influence. Fantasies of music in nostalgic medievalism shows how music, medievalism and nostalgia have been woven together in the fantasies of writers and readers, musicians, musicologists, directors and listeners, film-makers and film-goers. This book studies the ways in which three fields of creative activity inspired by the medieval – musical performance, literature, cinema and their reception – have worked together to produce and sustain, for some, the fantasy of a long-lost, long-mourned paradisal home.
| Author | : Ruben Espinosa |
| Publisher | : Routledge |
| Total Pages | : 238 |
| Release | : 2016-05-06 |
| Genre | : Literary Criticism |
| ISBN | : 1317099877 |
Masculinity and Marian Efficacy in Shakespeare's England offers a new approach to evaluating the psychological 'loss' of the Virgin Mary in post-Reformation England by illustrating how, in the wake of Mary's demotion, re-inscriptions of her roles and meanings only proliferated, seizing hold of national imagination and resulting in new configurations of masculinity. The author surveys the early modern cultural and literary response to Mary's marginalization, and argues that Shakespeare employs both Roman Catholic and post-Reformation views of Marian strength not only to scrutinize cultural perceptions of masculinity, but also to offer his audience new avenues of exploring both religious and gendered subjectivity. By deploying Mary's symbolic valence to infuse certain characters, and dramatic situations with feminine potency, Espinosa analyzes how Shakespeare draws attention to the Virgin Mary as an alternative to an otherwise unilaterally masculine outlook on salvation and gendered identity formation.
| Author | : Nancy Bradley Warren |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 290 |
| Release | : 2012-03-15 |
| Genre | : History |
| ISBN | : 0812204557 |
From its creation in the early fourteenth century to its dissolution in the sixteenth, the nunnery at Dartford was among the richest in England. Although obliged to support not only its own community but also a priory of Dominican friars at King's Langley, Dartford prospered. Records attest to the business skill of the Dartford nuns, as they managed the house's numerous holdings of land and property, together with the rents and services owed them. That the Dartford nuns were capable businesswomen is not surprising, since the house was also a center of female education. For Nancy Bradley Warren, the story of Dartford exemplifies the vibrancy of nuns' material and spiritual lives in later medieval England. Revising the long-held view that fourteenth- and fifteenth-century English nunneries were impoverished both financially and religiously, Warren clarifies that the women in female monastic communities like Dartford were not woefully incompetent at managing their affairs. Instead, she reveals the complex role of female monasticism in diverse systems of production and exchange. Like the nuns at Dartford, women religious in late medieval England were enmeshed in material, symbolic, political, and spiritual economies that were at times in harmony and at other times in conflict with each other. Building on emerging cross-disciplinary trends in feminist scholarship on medieval religion, Warren extends ongoing debates about textual and economic constructions of women's identities to the rarely considered evidence of monastic theory and practice. To this end, Spiritual Economies emphasizes that the cloister was not impermeable. As worldly forces such as economic trends and political conflicts affected life in the nunneries, so too did religious practices have political impact. In breaking down the convent wall, Warren also succeeds in breaching the boundaries separating the material and the symbolic, the religious and the secular, the literary and the historical. She turns to a wide range of sources—from legislative texts, court records, and financial accounts to devotional treatises and political propaganda—to explore the centrality of female monasticism to the flowering of female spirituality and to the later Middle Ages at large.
| Author | : Vivienne Westbrook |
| Publisher | : Routledge |
| Total Pages | : 365 |
| Release | : 2016-03-03 |
| Genre | : History |
| ISBN | : 1317169204 |
Mary Tudor's reign is regarded as a period where, within a short space of time, an early modern European state attempted to reverse the religious policy of preceding governments. This required the use of persuasion and coercion, of propaganda and censorship, as well as the controversial decision to revive an old statute against heresy. The efforts to renew Catholic worship and to revive Catholic education and spirituality were fiercely opposed by a small but determined group of Protestants, who sought ways of thwarting the return of Catholicism. The battle between those seeking to renew Catholicism and those determined to resist it raged for the full five years of Mary's reign. This volume brings together eleven authors from different disciplines (English Literature, History, Divinity, and the History of the Book), who explore the different policies undertaken to ensure that Catholicism could flourish once more in England. The safety of the clergy and of the public at the Mass was of paramount importance, since sporadic unrest took place early on. Steps were taken to ensure that reformist worship was stopped and that the country re-embraced Catholic practices. This involved a number of short- and long-term plans to be enacted by the regime. These included purging the universities of reformist ideas and ensuring the (re)education of both the laity and the clergy. On a wider scale this was undertaken via the pulpit and the printing press. Those who opposed the return to Catholicism did so by various means. Some retreated into exile, while others chose the press to voice their objections, as this volume details. The regime's responses to the actions of individuals and to the clandestine texts produced by their opposition come under scrutiny throughout this volume. The work presented here also offers new insight into the role of King Philip and his Spanish advisers. These essays therefore present a detailed assessment of the role of the Spanish who came with to England as a result of the marriage of Philip and Mary. They also move away from the ongoing discussions of 'persecution' seeking, rather, to present a more nuanced understanding of the regime's attempts to renew and revive a nation of worshippers, and to eradicate the disease of heresy. They also look at the ways those attempts were opposed by individuals at home and abroad, thereby providing a broad-ranging but detailed assessment of both Catholic renewal and Protestant resistance during the years 1553-1558.
| Author | : Linda Clark |
| Publisher | : Boydell Press |
| Total Pages | : 222 |
| Release | : 2004 |
| Genre | : History |
| ISBN | : 9781843831068 |
Eight studies of aspects of C15 England, united by a common focus on the role of ideas in political developments of the time. The concept of "political culture" has become very fashionable in the last thirty years, but only recently has it been consciously taken up by practitioners of late-medieval English history, who have argued for the need to acknowledge the role of ideas in politics. While this work has focused on elite political culture, interest in the subject has been growing among historians of towns and villages, especially as they have begun to recognise the importance of both internal politics and national government in the affairs of townsmen and peasants. This volume, the product of a conference on political culture in the late middle ages, explores the subject from a variety of perspectives and in a variety of spheres. It is hoped that it will put the subject firmly on the map for the study of late-medieval England and lead to further exploration of political culture in this period. Contributors CAROLINE BARRON, ALAN CROMARTIE, CHRISTOPHER DYER, MAURICE KEEN, MIRI RUBIN, BENJAMIN THOMPSON, JOHN WATTS, JENNY WORMALD. LINDA CLARK is editor, History of Parliament; CHRISTINE CARPENTER is Reader in History, University ofCambridge.
| Author | : Anna McKay |
| Publisher | : Boydell & Brewer |
| Total Pages | : 329 |
| Release | : 2024-03-05 |
| Genre | : Literary Criticism |
| ISBN | : 1843847132 |
Uncovers the female voices, lived experiences, and spiritual insights encoded by the imagery of textiles in the Middle Ages.For millennia, women have spoken and read through cloth. The literature and art of the Middle Ages are replete with images of women working cloth, wielding spindles, distaffs, and needles, or sitting at their looms. Yet they have been little explored. Drawing upon the burgeoning field of medieval textile studies, as well as contemporary theories of gender, materiality, and eco-criticism, this study illustrates how textiles provide a hermeneutical alternative to the patriarchally-dominated written word. It puts forward the argument that women's devotion during this period was a "fabricated" phenomenon, a mode of spirituality and religious exegesis expressed, devised, and practised through cloth. Centred on four icons of female devotion (Eve, Mary, St Veronica, and - of course - Christ), the book explores a broad range of narratives from across the rich tapestry of medieval English literature, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.
