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| Author | : John Guare |
| Publisher | : Dramatists Play Service, Inc. |
| Total Pages | : 60 |
| Release | : 1977 |
| Genre | : Drama |
| ISBN | : 9780822207337 |
THE STORY: The time is 1999, the place an island off the coast of Norway. Stony McBride, a young movie director and adopted son of an aging Hollywood star, is writing a film about Marco Polo, in which, it is hoped, his father will make a comeback.
| Author | : Gene A. Plunka |
| Publisher | : University of Delaware Press |
| Total Pages | : 308 |
| Release | : 2002 |
| Genre | : Drama |
| ISBN | : 9780874137637 |
This book, the first full-length study of Guare's theater, will make his plays more accessible through an examination of the often unnerving type of black comedy that makes his plays work.".
| Author | : C. W. E. Bigsby |
| Publisher | : Cambridge University Press |
| Total Pages | : 454 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780521668071 |
A leading writer on American theatre explores the works and influences of ten contemporary American playwrights.
| Author | : Jane K. Curry |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 310 |
| Release | : 2002-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 0313016674 |
Best known for his plays Six Degrees of Separation and The House of Blue Leaves, John Guare is a major figure in the contemporary American theater. Other notable works by Guare include Bosoms and Neglect, Landscape of the Body, and the Lydie Breeze series. His career began with off-off-Broadway experimentation in the sixties and continues through the present. In that time Guare has created many imaginative, eccentric plays that reflect the chaos, violence, and loneliness of life in our time. He frequently combines outrageous farce with painfully serious subject matter. This sourcebook is both a convenient reference and a resource for further investigation of Guare's works. The volume chronicles his achievements with a chronology and biographical essay. It also includes summaries of his published and unpublished plays, overviews of the critical reception of each work, production credits, a primary bibliography of dramatic and nondramatic writings, and extensive annotated bibliographies of reviews and other secondary material.
| Author | : Robert J. Andreach |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 160 |
| Release | : 2009-01-14 |
| Genre | : Performing Arts |
| ISBN | : 144380391X |
From the 1960s to the present day, John Guare’s plays have ranged from one-act to cyclic, realistic to surrealistic, naturalistic to experimental, and tragic to comic dramas. This study’s approach to the cornucopia the playwright himself provided when in an interview he gave a fundamental aesthetic principle of his craft. Like a person—and Guare’s plays develop the personal as well as the artistic self—a play must be grounded in reality; only then can it soar. The ground is traditional theatre with characters, no matter how larger than life they can be, and plot, no matter how illogical it can be. The soaring is in interrupting the action with monological narratives and musical interludes, bringing characters back from the dead, and having the action take hairpin turns into a mixture of genres and styles, modes and tones. In verbal and visual images, the flight invokes works by authors as varied as Aeschylus and Whitman, Dante and Feydeau, Verdi and Romberg. Soaring from ground to new ground, the theatre creates the transmission of the American heritage in Lake Hollywood, an idealism corrupted by a fraudulent American Dream in Lydie Breeze, and the recovery of the past in A Few Stout Individuals. As Guare said about his plays: they “interconnect.”
| Author | : Linda De Roche |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 1563 |
| Release | : 2021-06-04 |
| Genre | : Literary Criticism |
| ISBN | : 1440853592 |
This four-volume reference work surveys American literature from the early 20th century to the present day, featuring a diverse range of American works and authors and an expansive selection of primary source materials. Bringing useful and engaging material into the classroom, this four-volume set covers more than a century of American literary history—from 1900 to the present. Twentieth-Century and Contemporary American Literature in Context profiles authors and their works and provides overviews of literary movements and genres through which readers will understand the historical, cultural, and political contexts that have shaped American writing. Twentieth-Century and Contemporary American Literature in Context provides wide coverage of authors, works, genres, and movements that are emblematic of the diversity of modern America. Not only are major literary movements represented, such as the Beats, but this work also highlights the emergence and development of modern Native American literature, African American literature, and other representative groups that showcase the diversity of American letters. A rich selection of primary documents and background material provides indispensable information for student research.
| Author | : William Demastes |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 149 |
| Release | : 2017-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 1611177391 |
A comprehensive study of an award-winning playwright known for unconventional blending of genres John Guare, one of the most innovative and influential contemporary American playwrights of the last sixty years, is best known for such works as House of Blue Leaves, winner of an Obie Award, the New York Drama Critics Circle Award for Best American Play, and four Tony Awards, and Six Degrees of Separation, recipient of the New York Drama Critics Circle Award for Best American Play and the Olivier Best Play Award and a finalist for the Pulitzer Prize in Drama. In Understanding John Guare, William W. Demastes provides a concise biography and analyzes the playwright's career from his earliest works produced off-off Broadway in the 1960s to his most recent Broadway play, A Free Man of Color, a finalist for the 2011 Pulitzer Prize in Drama. Often compared to his contemporaries Sam Shepard and David Mamet, who have distinctive voices tied to their mastery of realistic, idiomatic American English, Guare has a style that is perhaps more varied, Demastes speculates, the result of his formal training in theater. After earning a bachelor's degree from Georgetown University, Guare earned an M.F.A. from the Yale School of Drama. He then polished his theater craft in New York City during the exciting and turbulent 1960s, breaking from realist conventions and creating an unlikely blend of comedy, burlesque, stand-up comedy, and absurdly incongruous plotlines. The result has been a theater of surprise that is rich in stage action and experimentally invigorating. Demastes examines Guare's tools and techniques such as mixing serious with comic, creating characters who break into song and dance, inserting stand-up comedy routines, and drawing from the most absurd incongruities of everyday life. In doing so, Guare has created plays about the best and worst of humanity, about lost souls, and about delusional ideals.
| Author | : R. J. Jamison |
| Publisher | : iUniverse |
| Total Pages | : 244 |
| Release | : 2006 |
| Genre | : Biography & Autobiography |
| ISBN | : 0595404626 |
Grayson Hall was a widely acclaimed New York Theatre actress, 1964 Academy Award nominee, and co-star of the 1960s-70s Gothic television serial, Dark Shadows. Here for the first time is a survey of her life and career which takes place in the world of New York writers and artists beginning in the early 1950s; a world that revolved around serious intellectual discourse, cocktails, cigarettes and theatre Grayson's own story is that of a hugely talented woman, admired by writers, producers, fellow actors, but who did not get the one role that would propel her into the stratosphere. Nevertheless, with the roles she did inhabit, she became an iconic figure. This book reaches back to Grayson's earliest stage appearances in 1942 as a teenager on Long Island; her extensive stage work in regional theatre and in New York City; her television and film appearances including three early New York art house films, the avant-garde French film Qui tes-vous, You Polly Maggoo? and her Oscar nominated turn in The Night of the Iguana. And for Dark Shadows followers, this book answers some lingering questions: who got hired on Shadows first, Grayson or her husband Sam? Was it always happiness and light on the Dark Shadows set? And did she really do much aside from Shadows or Iguana?
| Author | : William V. Madison |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 512 |
| Release | : 2015-04-29 |
| Genre | : Biography & Autobiography |
| ISBN | : 1617037621 |
Best known for her Oscar-nominated roles in the smash hits Paper Moon and Blazing Saddles, Madeline Kahn (1942–1999) was one of the most popular comedians of her time—and one of the least understood. In private, she was as reserved and refined as her characters were bold and bawdy. Almost a Method actor in her approach, she took her work seriously. When crew members and audiences laughed, she asked why—as if they were laughing at her—and all her life she remained unsure of her gifts. William V. Madison examines Kahn's film career, including not only her triumphs with Mel Brooks and Peter Bogdanovich, but also her overlooked performances in The Adventure of Sherlock Holmes' Smarter Brother and Judy Berlin, her final film. Her work in television—notably her sitcoms—also comes into focus. New York theater showered her with accolades, but also with remarkably bad luck, culminating in a disastrous outing in On the Twentieth Century that wrecked her reputation on Broadway. Only with her Tony-winning performance in The Sisters Rosensweig, fifteen years later, did Kahn regain her standing. Drawing on new interviews with family, friends, and such colleagues as Lily Tomlin, Carol Burnett, Gene Wilder, Harold Prince, and Eileen Brennan, as well as archival press and private writings, Madison uncovers Kahn's lonely childhood and her struggles as a single woman working to provide for her erratic mother. Above all, Madison reveals the paramount importance of music in Kahn's life. A talented singer, she entertained offers for operatic engagements long after she was an established Hollywood star, and she treated each script as a score. As Kahn told one friend, her ambition was “to be the music.”
