Mapping Graphic Design History in Switzerland
Author | : Franziska Nyffenegger |
Publisher | : |
Total Pages | : 260 |
Release | : 2016-04 |
Genre | : |
ISBN | : 9783038630098 |
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Author | : Franziska Nyffenegger |
Publisher | : |
Total Pages | : 260 |
Release | : 2016-04 |
Genre | : |
ISBN | : 9783038630098 |
Author | : Christian Brändle |
Publisher | : Lars Muller Publishers |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Graphic arts |
ISBN | : 9783037783993 |
This title takes a fresh look at Swiss typography and photo-graphics, posters, corporate image design, book design, journalism, and typefaces over the past hundred years. With illuminating essays by prominent experts in the field and captivating illustrations, this book presents the diversity of contemporary visual design while also tracing the fine lines of tradition that connect the work of different periods.
Author | : Richard Hollis |
Publisher | : Yale University Press |
Total Pages | : 288 |
Release | : 2006-01-01 |
Genre | : Design |
ISBN | : 9780300106763 |
Originally published: London: Laurence King Pub., 2006.
Author | : David Raizman |
Publisher | : Bloomsbury Publishing |
Total Pages | : 305 |
Release | : 2020-12-10 |
Genre | : Design |
ISBN | : 1474299385 |
Reading Graphic Design History uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction and typography, often addressing issues of class, race and gender. David Raizman's innovative approach intentionally challenges the canon of graphic design history and various traditional understandings of graphic design. He re-examines 'icons' of graphic design in light of their local contexts, avoiding generalisation to explore underlying attitudes about various social issues. He encourages new ways of reading graphic design that take into account a broader context for graphic design activity, rather than broad views that discourage the understanding of difference and the means by which graphic design communicates cultural values. With a foreword by Steven Heller.
Author | : Bahia Shehab |
Publisher | : American University in Cairo Press |
Total Pages | : 383 |
Release | : 2020-12-15 |
Genre | : Design |
ISBN | : 1649031955 |
The first-ever book-length history of Arab graphic design PROSE AWARD WINNER, ART HISTORY & CRITICISM Arab graphic design emerged in the early twentieth century out of a need to influence, and give expression to, the far-reaching economic, social, and political changes that were taking place in the Arab world at the time. But graphic design as a formally recognized genre of visual art only came into its own in the region in the twenty-first century and, to date, there has been no published study on the subject to speak of. A History of Arab Graphic Design traces the people and events that were integral to the shaping of a field of graphic design in the Arab world. Examining the work of over eighty key designers from Morocco to Iraq, and covering the period from pre-1900 to the end of the twentieth century, Bahia Shehab and Haytham Nawar chart the development of design in the region, beginning with Islamic art and Arabic calligraphy, and their impact on Arab visual culture, through to the digital revolution and the arrival of the Internet. They look at how cinema, economic prosperity, and political and cultural events gave birth to and shaped the founders of Arab graphic design. Highlighting the work of key designers and stunningly illustrated with over 600 color images, A History of Arab Graphic Design is an invaluable resource tool for graphic designers, one which, it is hoped, will place Arab visual culture and design on the map of a thriving international design discourse.
Author | : Ian Noble |
Publisher | : AVA Publishing |
Total Pages | : 195 |
Release | : 2005 |
Genre | : Art |
ISBN | : 2940373205 |
Visual Research explains the key terms and theories that underlie design research, examining the importance of audience, communication theory, semiotics and semantics. It features a range of case studies which demonstrate how the use of rigorous research methods can form the basis of effective visual communication and design problem solving, eschewing end product analysis for a discussion of the way research feeds into the design process.
Author | : Claudia Mareis |
Publisher | : |
Total Pages | : 448 |
Release | : 2021-04-27 |
Genre | : |
ISBN | : 9789492095886 |
This publication offers a critical assessment of the complicity of design in creating, perpetuating, and reinforcing social, political, and environmental problems, both today and in the past. It proposes going against the grain by problematising Western notions of design to foster situated, decolonial, and queer-feminist modes of disciplinary self-critique, and looks at design through the intersections of gender, culture, ethnicity, and class. Applying robust scholarly insight with engaging and accessible modes of conveyance and storytelling, an urgent and expansive array of voices and views emerge from those engaged in struggles with, against, or around the field of design.
Author | : Chiara Barbieri |
Publisher | : Manchester University Press |
Total Pages | : 263 |
Release | : 2024-07-02 |
Genre | : Design |
ISBN | : 152615112X |
Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.
Author | : Helen Armstrong |
Publisher | : Chronicle Books |
Total Pages | : 153 |
Release | : 2012-08-10 |
Genre | : Design |
ISBN | : 1616891238 |
Graphic Design Theory is organized in three sections: "Creating the Field" traces the evolution of graphic design over the course of the early 1900s, including influential avant-garde ideas of futurism, constructivism, and the Bauhaus; "Building on Success" covers the mid- to late twentieth century and considers the International Style, modernism, and postmodernism; and "Mapping the Future" opens at the end of the last century and includes current discussions on legibility, social responsibility, and new media. Striking color images illustrate each of the movements discussed and demonstrate the ongoing relationship between theory and practice. A brief commentary prefaces each text, providing a cultural and historical framework through which the work can be evaluated. Authors include such influential designers as Herbert Bayer, L'szlo Moholy-Nagy, Karl Gerstner, Katherine McCoy, Michael Rock, Lev Manovich, Ellen Lupton, and Lorraine Wild. Additional features include a timeline, glossary, and bibliography for further reading. A must-have survey for graduate and undergraduate courses in design history, theory, and contemporary issues, Graphic Design Theory invites designers and interested readers of all levels to plunge into the world of design discourse.
Author | : Gavin Ambrose |
Publisher | : A&C Black |
Total Pages | : 196 |
Release | : 2011-08-31 |
Genre | : Design |
ISBN | : 2940411611 |
Introduces students to the various aspects of the graphic design. This title provides a fresh introduction to the key elements of the discipline and looks at the following topics: design thinking, format, layout, grids, typography, colour, image and print and finish.