Mao Tse Tung The Lacquered Image
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Mao Tse-Tung’s Theory of Dialectic
Author | : F.Y.K. Soo |
Publisher | : Springer Science & Business Media |
Total Pages | : 207 |
Release | : 2012-12-06 |
Genre | : Philosophy |
ISBN | : 9400983891 |
The year 1979 ushered in a new phase in China's long and continuous revolu tion. Currently, this new phase is being symbolically referred to, by the Chinese leaders themselves, as the 'New Long March' (a continuation of the legendary and historical Long March) in terms of modernization, which comprises the Four Modernizations: Agriculture, Industry, Science and Technology, and Military Defense. Such an all-encompassing attempt at modernization may appear, to some at least, to be something new, or may indicate a radical shift in her policy. But upon closer examination, this decision seems only to reflect an historical continuity in terms of the two major long-term goals of the Chinese Revolution: 'national independence' and 'modernization' (or 'industrialization'). The former would make China strong; the latter, wealthy. For, ever since the Opium War in 1840 and throughout the Revolutions of 1911 and 1949, China has always pursued these two revolutionary goals, though with different emphases at different times. This has been especially true during the past three decades as this twofold goal has dictated all of China's important policies, both domestic and foreign. In other words, while the concrete policies may have appeared to be lacking in unity at times, they have been formulated with the specific intent of achieving national independence and modernization. From this perspective, the New Long March marks the passage of post-Mao China beyond the transition of succession toward the continued pursuit of the same revolutionary goals.
The Changing Image of Mao Tse-tung
Author | : Mildred Lina Ellen Wagemann |
Publisher | : |
Total Pages | : 376 |
Release | : 1974 |
Genre | : China |
ISBN | : |
The Philosophical Influences of Mao Zedong
Author | : Robert Elliott Allinson |
Publisher | : Bloomsbury Publishing |
Total Pages | : 257 |
Release | : 2019-09-19 |
Genre | : History |
ISBN | : 1350059870 |
This philosophical Mao is a fresh portrait of the mind of the ruler who changed the face of China in the twentieth century. The book traces the influences of both traditional Chinese and traditional pre-Marxist Western philosophy on the early Mao and how these influences guided the development of his thought. It reveals evidence of the creative dimensions of Mao's thinking and how he wove the yin/yang pattern of change depicted in the Yijing, the Chinese Book of Changes, into the Marxist dialectic to bring ancient Chinese philosophy to mark changes in twentieth century thought. Mao's lifetime philosophical journey includes his interpretations of and comments on both Chinese and Western philosophers. His deep, metaphysical reflections, uncanny prognostications and pensive speculations from his early pre-Marxist period to his later philosophical years prove to be as startling as they are thought-provoking.
Mao Tse-tung and the Chinese People
Author | : Roger Howard |
Publisher | : Routledge |
Total Pages | : 469 |
Release | : 2018-09-18 |
Genre | : Social Science |
ISBN | : 0429802013 |
This book, first published in 1977, attempts to show Mao Tse-tung in his relationship with the Chinese people. The author makes extensive use of a number of interviews with a cross-section of Chinese people, as well as examining the written records made by foreign visitors.
Dragon in Ambush
Author | : Jeremy Ingalls |
Publisher | : Lexington Books |
Total Pages | : 422 |
Release | : 2013-05-16 |
Genre | : Literary Criticism |
ISBN | : 0739177834 |
Dragon in Ambush by Jeremy Ingallsis a critique and new translation of the first twenty poems of Mao Zedong’s published poetry. This seminal work stands out from previous translations of Mao’s poems in seeing them as an expression of his core political beliefs, rather than for their poetic effect. Instead, Dr. Ingalls shows in consummate detail that Mao was careful and deliberate in employing imagery in his poetry to lay out procedures for political supremacy in which the central drive was his will to psychological domination. That is, domination of the minds of others is the unifying theme of Mao’s verse-sequence. The crux of Prof. Ingalls’ work lies in her focus on the symbolism in the poems. The poems are, in Mao’s use of them as a means of communication, meaningless on their surface. No image, however seemingly commonplace, is ever employed for merely lyrical or aesthetic description. Every image functions as a factor in an entirely political calculus. According to Dr. Ingalls, “When Mao mentions streams or mountains, suns or moons, clouds or winds or icicles, horses, elephants, snakes, tigers, leopards or bears, specifies kinds of trees or birds or fish, flies, brooms, mats or bridges, these and all his other images have, as their primary function, neither happenstance descriptions nor whimsical metaphor. They all have politically symbolic functions in Mao’s algebra of versified political discourse.” Furthermore, in her analysis, Prof. Ingalls downplays the significance of Marxism-Leninism in the Thought of Mao Zedong. She shows that throughout his career, Mao regarded Marxism-Leninism as a political convenience, not as a doctrine permanently essential to his master-plan. Just as Mao used the Nationalists of Chiang Kai-shek and Stalin’s Soviet Union as means to further his own political ambitions, so did he manipulate Marxist-Leninist ideology to hoodwink and attract, at home and abroad, professional revolutionaries to help do his bidding. Mao’s aims express, in their worldviews, an entirely Chinese tradition. In his poems Mao’s dialectics, his materialism, and his authoritarianism all take their points of reference from within the Chinese cultural order. Dragon in Ambush is a thoroughly unique and revolutionary approach to understanding the Mind of Mao Zedong.