Manuscripts Of The Middle East
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Author | : Geoffrey Roper |
Publisher | : Routledge |
Total Pages | : 639 |
Release | : 2017-03-02 |
Genre | : Language Arts & Disciplines |
ISBN | : 1351888285 |
This selection of papers by scholarly specialists offers an introduction to the history of the book and book culture in West Asia and North Africa from antiquity to the 20th century. The flourishing and long-lived manuscript tradition is discussed in its various aspects - social and economic as well as technical and aesthetic. The very early but abortive introduction of printing - long before Gutenberg - and the eventual, belated acceptance of the printed book and the development of print culture are explored in further groups of papers. Cultural, aesthetic, technological, religious, social, political and economic factors are all considered throughout the volume. Although the articles reflect the predominance in the area of Muslim books - Arabic, Persian and Turkish - the Hebrew, Syriac and Armenian contributions are also discussed. The editor’s introduction provides a survey of the field from the origins of writing to the modern literary and intellectual revivals.
Author | : Zayde Antrim |
Publisher | : Reaktion Books |
Total Pages | : 448 |
Release | : 2018-04-15 |
Genre | : History |
ISBN | : 1780239548 |
Mapping the Middle East explores the many ways people have visualized the vast area lying between the Atlantic Ocean and the Oxus and Indus River Valleys over the past millennium. By analyzing maps produced from the eleventh century on, Zayde Antrim emphasizes the deep roots of mapping in a region too often considered unexamined and unchanging before the modern period. As Antrim argues, better-known maps from the nineteenth and twentieth centuries—a period coinciding with European colonialism and the rise of the nation-state—not only obscure this rich past, but also constrain visions for the region’s future. Organized chronologically, Mapping the Middle East addresses the medieval “Realm of Islam;” the sixteenth- to eighteenth-century Ottoman Empire; French and British colonialism through World War I; nationalism in modern Turkey, Iran, and Israel/Palestine; and alternative geographies in the twentieth and twenty-first centuries. Vivid color illustrations throughout allow readers to compare the maps themselves with Antrim’s analysis. Much more than a conventional history of cartography, Mapping the Middle East is an incisive critique of the changing relationship between maps and belonging in a dynamic world region over the past thousand years.
Author | : Cyrus Herzl Gordon |
Publisher | : |
Total Pages | : 96 |
Release | : 1986 |
Genre | : Foreign Language Study |
ISBN | : |
Author | : Cambridge University Library |
Publisher | : Cambridge University Press |
Total Pages | : 553 |
Release | : 1991-03-28 |
Genre | : Antiques & Collectibles |
ISBN | : 0521364965 |
A complete catalogue of early books acquired by the diplomats W. G. Aston, Ernest Satow, and Heinrich von Siebold in Japan. The bulk of the 2,500 items are wood-block printed books of the Edo period. The editors' introduction is followed by entries giving title, author/editor/illustrator, date of publication and/or printing, all participating publishers, and the seals of previous owners.
Author | : |
Publisher | : |
Total Pages | : 132 |
Release | : 1986 |
Genre | : Manuscripts |
ISBN | : |
Author | : Henry George Farmer |
Publisher | : |
Total Pages | : 30 |
Release | : 1925 |
Genre | : Arabs |
ISBN | : |
Author | : Anna Contadini |
Publisher | : BRILL |
Total Pages | : 284 |
Release | : 2010-07-15 |
Genre | : Reference |
ISBN | : 9004236619 |
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
Author | : George Kiraz |
Publisher | : |
Total Pages | : 322 |
Release | : 2021-01-27 |
Genre | : Manuscripts |
ISBN | : 9781463241957 |
"This volume brings together contributions by scholars focussing on peritextual elements as found in Middle Eastern manuscripts: dots and various other symbols that mark vowels, intonation, readings aids, and other textual markers; marginal notes and sigla that provide additional explanatory content akin to but substantially different from our modern notes and endnotes; images and illustrations that present additional material not found in the main text. These elements add additional layers to the main body of the text and are crucial for our understanding of the text's transmission history as well as scribal habits"--
Author | : Christine Sciacca |
Publisher | : Getty Publications |
Total Pages | : 124 |
Release | : 2017-06-06 |
Genre | : Art |
ISBN | : 1606065262 |
When one thinks of women in the Middle Ages, the images that often come to mind are those of damsels in distress, mystics in convents, female laborers in the field, and even women of ill repute. In reality, however, medieval conceptions of womanhood were multifaceted, and women’s roles were varied and nuanced. Female stereotypes existed in the medieval world, but so too did women of power and influence. The pages of illuminated manuscripts reveal to us the many facets of medieval womanhood and slices of medieval life—from preoccupations with biblical heroines and saints to courtship, childbirth, and motherhood. While men dominated artistic production, this volume demonstrates the ways in which female artists, authors, and patrons were instrumental in the creation of illuminated manuscripts. Featuring over one hundred illuminations depicting medieval women from England to Ethiopia, this book provides a lively and accessible introduction to the lives of women in the medieval world.
Author | : Omar Ibn Said |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 240 |
Release | : 2011-07-20 |
Genre | : Biography & Autobiography |
ISBN | : 0299249530 |
Born to a wealthy family in West Africa around 1770, Omar Ibn Said was abducted and sold into slavery in the United States, where he came to the attention of a prominent North Carolina family after filling “the walls of his room with piteous petitions to be released, all written in the Arabic language,” as one local newspaper reported. Ibn Said soon became a local celebrity, and in 1831 he was asked to write his life story, producing the only known surviving American slave narrative written in Arabic. In A Muslim American Slave, scholar and translator Ala Alryyes offers both a definitive translation and an authoritative edition of this singularly important work, lending new insights into the early history of Islam in America and exploring the multiple, shifting interpretations of Ibn Said’s narrative by the nineteenth-century missionaries, ethnographers, and intellectuals who championed it. This edition presents the English translation on pages facing facsimile pages of Ibn Said’s Arabic narrative, augmented by Alryyes’s comprehensive introduction, contextual essays and historical commentary by leading literary critics and scholars of Islam and the African diaspora, photographs, maps, and other writings by Omar Ibn Said. The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that “Islam” and “America” are not mutually exclusive terms. This edition presents the English translation on pages facing facsimile pages of Ibn Said’s Arabic narrative, augmented by Alryyes’s comprehensive introduction and by photographs, maps, and other writings by Omar Ibn Said. The volume also includes contextual essays and historical commentary by literary critics and scholars of Islam and the African diaspora: Michael A. Gomez, Allan D. Austin, Robert J. Allison, Sylviane A. Diouf, Ghada Osman, and Camille F. Forbes. The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that “Islam” and “America” are not mutually exclusive terms. Best Books for General Audiences, selected by the American Association of School Librarians