Manuscripta Orientalia
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The Arabic Manuscript Tradition
Author | : Adam Gacek |
Publisher | : BRILL |
Total Pages | : 321 |
Release | : 2008-04-09 |
Genre | : Social Science |
ISBN | : 9004165401 |
The present work supplements the original volume of The Arabic Manuscript Tradition (AMT), both its glossary of technical terms and bibliography. It includes new entries of technical terms, additional definitions of, and/or citations for, the entries already found in AMT, and recent publications on various aspects of Arabic manuscript studies.
Arabic Manuscripts
Author | : Adam Gacek |
Publisher | : BRILL |
Total Pages | : 369 |
Release | : 2009-06-24 |
Genre | : Social Science |
ISBN | : 9004170367 |
Arranged alphabetically by subject and/or concept and richly illustrated, the present vademecum deals with various aspects of Arabic manuscript studies. A companion volume to my recently published The Arabic Manuscript Tradition (2001) and its Supplement (2008), this work constitutes an indispensible aid to students and researchers.
The Arts and Crafts of Literacy
Author | : Andrea Brigaglia |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 368 |
Release | : 2017-09-25 |
Genre | : History |
ISBN | : 3110541645 |
During the last two decades, the (re-)discovery of thousands of manuscripts in different regions of sub-Saharan Africa has questioned the long-standing approach of Africa as a continent only characterized by orality and legitimately assigned to the continent the status of a civilization of written literacy. However, most of the existing studies mainly aim at serving literary and historical purposes, and focus only on the textual dimension of the manuscripts. This book advances on the contrary a holistic approach to the study of these manuscripts and gather contributions on the different dimensions of the manuscript, i.e. the materials, the technologies, the practices and the communities involved in the production, commercialization, circulation, preservation and consumption. The originality of this book is found in its methodological approach as well as its comparative geographic focus, presenting studies on a continental scale, including regions formerly neglected by existing scholarship, provides a unique opportunity to expand our still scanty knowledge of the different manuscript cultures that the African continent has developed and that often can still be considered as living traditions.
Qur’ans of the Umayyads
Author | : François Déroche |
Publisher | : BRILL |
Total Pages | : 207 |
Release | : 2013-11-28 |
Genre | : Religion |
ISBN | : 9004261850 |
For the first time, the dramatic changes the Qur’anic code underwent during the Umayyad period (660-750 C.E.) are analysed and presented on the basis of a selection of material in good part unpublished. Winner of 23rd I.R. Iran World Award for the Book of the Year 2016!
Islamic Calligraphy
Author | : Blair Sheila Blair |
Publisher | : Edinburgh University Press |
Total Pages | : 736 |
Release | : 2020-01-19 |
Genre | : Art |
ISBN | : 1474464475 |
Joint Winner of the 2007 British-Kuwait Friendship Society Prize for Middle Eastern StudiesThis stunning book is an important contribution to a key area of non-western art, being the first reference work on the art of beautiful writing in Arabic script.The extensive use of writing is a hallmark of Islamic civilization. Calligraphy, the art of beautiful writing, became one of the main methods of artistic expression from the seventh century to the present in almost all regions from the far Maghrib, or Islamic West, to India and beyond. Arabic script was adopted for other languages from Persian and Turkish to Kanembu and Malay. Sheila S. Blair's groundbreaking book explains this art form to modern readers and shows them how to identify, understand and appreciate its varied styles and modes. The book is designed to offer a standardized terminology for identifying and describing various styles of Islamic calligraphy and to help Westerners appreciate why calligraphy has long been so important in Islamic civilization.The argument is enhanced by the inclusion of more than 150 colour illustrations, as well as over a hundred black-and-white details that highlight the salient features of the individual scripts and hands. Examples are chosen from dated or datable examples with secure provenance, for the problem of forgeries and copies (both medieval and modern) is rampant. The illustrations are accompanied by detailed analyses telling the reader what to look for in determining both style and quality of script.This beautiful new book is an ideal reference for anyone with an interest in Islamic art.Key Features* Written by the world's leading expert on Islamic calligraphy* Includes c.150 colour illustrations* Comprehensive: covers the art of calligraphy throughout Islamic civilisation, from the 7thc. to the present* The first volume to explain this art form to modern readers, guiding them in the identification, understanding and appreciation of its varied style
Manuscripts, Politics and Oriental Studies
Author | : |
Publisher | : BRILL |
Total Pages | : 461 |
Release | : 2019-03-19 |
Genre | : History |
ISBN | : 9004393145 |
Manuscripts, Politics and Oriental Studies commemorates the life and works of Johann Gottfried Wetzstein (1815-1905) as a scholar, manuscript collector, and consul in Berlin and Damascus. Beyond research into Wetzstein's own time, special attention is given to the impact his efforts to acquire manuscripts have had until this day. Several contributions also illustrate contemporary developments that give context to his own career as a scholar and diplomat. The particular focus of this volume allows to explore the history of Oriental scholarship not purely through the lens of academic posts and publications but encourages us to discover lifes such as Wetzstein's, without academic stardom yet laying the material foundations of textual work for generations. Contributors are Kaoukab Chebaro; François Déroche; Faustina Doufikar-Aerts; Alba Fedeli; Ludmila Hanisch †; Michaela Hoffmann-Ruf; Ingeborg Huhn; Robert Irwin; Boris Liebrenz; Astrid Meier; Samar El Mikati El Kaissi; Claudia Ott; Holger Preißler †; Christoph Rauch; Helga Rebhan; Anke Scharrahs; Jan Just Witkam.
One-Volume Libraries: Composite and Multiple-Text Manuscripts
Author | : Michael Friedrich |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 365 |
Release | : 2016-11-07 |
Genre | : Language Arts & Disciplines |
ISBN | : 3110495597 |
Composite and multiple-text manuscripts are traditionally studied for their individual texts, but recent trends in codicology have paved the way for a more comprehensive approach: Manuscripts are unique artefacts which reveal how they were produced and used as physical objects. While multiple-text manuscripts codicologically are to be considered as production units, i.e. they were originally planned and realized in order to carry more than one text, composites consist of formerly independent codicological units and were put together at a later stage with intentions that might be completely different from those of its original parts. Both sub-types of manuscripts are still sometimes called "miscellanies", a term relating to the texts only. The codicological difference is important for reconstructing why and how these manuscripts which in many cases resemble (or contain) a small library were produced and used. Contributions on the manuscript cultures of China, India, Africa, the Islamic world and European traditions lead not only to the conclusion that "one-volume libraries" have been produced in many manuscript cultures, but allow also for the identification of certain types of uses.
The Oxford Handbook of Qur'anic Studies
Author | : Mustafa Shah |
Publisher | : |
Total Pages | : 937 |
Release | : 2020 |
Genre | : Philosophy |
ISBN | : 0199698643 |
The Qur'an is the foundational sacred text of the Islamic faith. Traditionally revered as the literal word of God, its pronouncements and discussions form the bedrock of Islamic beliefs and teachings. Notwithstanding its religious pre-eminence and the fact that it is the sacred text for over one billion of the world's Muslims, the Qur'an is also considered to be the matchless masterpiece of the Arabic language. Its historical impact as a text can be discerned in all aspects of the heritage of the Arabic literary tradition. Over recent decades, academic engagement with the Qur'an has produced an impressive array of scholarship, ranging from detailed studies of the text's unique language, style and structure, to meticulous surveys of its contents, concepts and historical contexts. The Oxford Handbook of Qur'anic Studies is an essential reference and starting point for those with an academic interest in the Qur'an. It offers not only detailed reviews of influential subjects in the field, but also a critical overview of developments in the research discourse. It explores the tradition of Qur'anic exegesis and hermeneutics, making it a comprehensive academic resource for the study of the Qur'an. No single volume devoted to such a broad academic survey of the state of the field currently exists.
Manuscript and Print in the Islamic Tradition
Author | : Scott Reese |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 382 |
Release | : 2022-09-05 |
Genre | : Language Arts & Disciplines |
ISBN | : 3110776480 |
This volume explores and calls into question certain commonly held assumptions about writing and technological advancement in the Islamic tradition. In particular, it challenges the idea that mechanical print naturally and inevitably displaces handwritten texts as well as the notion that the so-called transition from manuscript to print is unidirectional. Indeed, rather than distinct technologies that emerge in a progressive series (one naturally following the other), they frequently co-exist in complex and complementary relationships – relationships we are only now starting to recognize and explore. The book brings together essays by internationally recognized scholars from an array of disciplines (including philology, linguistics, religious studies, history, anthropology, and typography) whose work focuses on the written word – channeled through various media – as a social and cultural phenomenon within the Islamic tradition. These essays promote systematic approaches to the study of Islamic writing cultures writ large, in an effort to further our understanding of the social, cultural and intellectual relationships between manuscripts, printed texts and the people who use and create them.