Manuscript Production
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| Author | : Stefan Drechsler |
| Publisher | : |
| Total Pages | : 275 |
| Release | : 2021-06-28 |
| Genre | : Illumination of books and manuscripts, Icelandic |
| ISBN | : 9782503589022 |
This book examines a cultural revolution that took place in the Scandinavian artistic landscape during the medieval period. Within just one generation (c. 1340?1400), the Augustinian monastery of Helgafell became the most important centre of illuminated manuscript production in western Iceland. By conducting interdisciplinary research that combines methodologies and sources from the fields of Art History, Old Norse-Icelandic manuscript studies, codicology, and Scandinavian history, this book explores both the illuminated manuscripts produced at Helgafell and the cultural and historical setting of the manuscript production.00Equally, the book explores the broader European contexts of manuscript production at Helgafell, comparing the similar domestic artistic monuments and relevant historical evidence of Norwich and surrounding East Anglia in England, northern France, and the region between Bergen and Trondheim in western Norway. The book proposes that most of these workshops are related to ecclesiastical networks, as well as secular trade in the North Sea, which became an important economic factor to western Icelandic society in the fourteenth century. The book thereby contributes to a new and multidisciplinary area of research that studies not only one but several European cultures in relation to similar domestic artistic monuments and relevant historical evidence. It offers a detailed account of this cultural site in relation to its scribal and artistic connections with other ecclesiastical and secular scriptoria in the broader North Atlantic region.
| Author | : Elaine Julia Wright |
| Publisher | : University of Washington Press |
| Total Pages | : 399 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9780295991917 |
Revision of the author's doctoral thesis, submitted to the Oriental Institute of Oxford University in 1997.
| Author | : Eltjo Buringh |
| Publisher | : BRILL |
| Total Pages | : 601 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 9004175199 |
Drawing on statistical techniques and samples this book offers an estimate of medieval production rates of manuscripts in the Latin West. Such information is a helpful production indicator for a period of which we have so little other quantitative data.
| Author | : Kathryn M. Rudy |
| Publisher | : Open Book Publishers |
| Total Pages | : 254 |
| Release | : 2019-07-14 |
| Genre | : Literary Criticism |
| ISBN | : 1783745193 |
In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and afterlife of a Netherlandish book of hours made in 1500. Image, Knife, and Gluepot painstakingly reconstructs the process by which this manuscript was created and discusses its significance as a text at the forefront of fifteenth-century book production, when the invention of mechanically-produced images led to the creation of new multimedia objects. Rudy then travels to the nineteenth century to examine the phenomenon of manuscript books being pillaged for their prints and drawings: she has diligently tracked down the dismembered parts of this book of hours for the first time. Image, Knife, and Gluepot also documents Rudy’s twenty-first-century research process, as she hunts through archives while grappling with the logistics and occasionally the limits of academic research. This is a timely volume, focusing on questions of materiality at the forefront of medieval and literary studies. Beautifully illustrated throughout, its use of original material and its striking interdisciplinary approach, combining book and art history, make it a significant academic achievement. Image, Knife, and Gluepot is a valuable text for any scholar in the fields of medieval studies, the history of early books and publishing, cultural history or material culture. Written in Rudy’s inimitable style, it will also be rewarding for any student enrolled in a course on manuscript production, as well as non-specialists interested in the afterlives of manuscripts and prints. The Royal Society of Edinburgh has generously contributed to this Open Access publication. Due to the number and quality of the images in this book, we have provided the option of a more expensive hardback edition, printed on the best quality paper available, in order to present the images as clearly and beautifully as possible. We hope this range of options — the freely available PDF, HTML and XML editions; the economically priced EPUB, MOBI and paperback editions; and the more expensively printed hardback — will satisfy everyone. Furthermore the HTML edition allows readers to magnify the images of the manuscripts displayed in the book.
| Author | : Wendy Scase |
| Publisher | : Brepols Publishers |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Christian literature, English |
| ISBN | : 9782503530468 |
This volume addresses important questions in late medieval book production and the history of the medieval book through original and substantial studies of one of the most remarkable surviving examples. The Vernon Manuscript, carefully copied and lavishly decorated around 1390-1400 for pious users, is famous as the largest and arguably the most important Middle English anthology. Its sheer size and conservation concerns mean that up to now it has been little studied as a book. The essays in this volume exploit for the first time the mass of new data generated by the Vernon Manuscript Project. Specialists in art history, bibliography, codicology, historical linguistics, and palaeography have been commissioned to interrogate this material from their various disciplinary perspectives. The result is a ground-breaking interdisciplinary volume which sheds new light on an iconic medieval book and on a transitional period of innovation and experimentation in vernacular book production.
| Author | : Michael Johnston |
| Publisher | : Cambridge University Press |
| Total Pages | : 319 |
| Release | : 2015-08-10 |
| Genre | : History |
| ISBN | : 1107066190 |
This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.
| Author | : Laura Cleaver |
| Publisher | : BRILL |
| Total Pages | : 503 |
| Release | : 2020-03-31 |
| Genre | : History |
| ISBN | : 9004422331 |
The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John’s work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John’s commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now.
| Author | : Raymond Clemens |
| Publisher | : |
| Total Pages | : 328 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
"This book provides an orientation to the field of medieval manuscript studies. It will be of help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print. Every chapter in this guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge."--Book jacket.
| Author | : Frank T. Coulson |
| Publisher | : Oxford Handbooks |
| Total Pages | : 1075 |
| Release | : 2020 |
| Genre | : Foreign Language Study |
| ISBN | : 0195336941 |
Latin books are among the most numerous surviving artifacts of the Late Antique, Mediaeval, and Renaissance periods in European history; written in a variety of formats and scripts, they preserve the literary, philosophical, scientific, and religious heritage of the West. The Oxford Handbook of Latin Palaeography surveys these books, with special emphasis on the variety of scripts in which they were written. Palaeography, in the strictest sense, examines how the changing styles of script and the fluctuating shapes of individual letters allow the date and the place of production of books to be determined. More broadly conceived, palaeography examines the totality of early book production, ownership, dissemination, and use. The Oxford Handbook of Latin Palaeography includes essays on major types of script (Uncial, Insular, Beneventan, Visigothic, Gothic, etc.), describing what defines these distinct script types, and outlining when and where they were used. It expands on previous handbooks of the subject by incorporating select essays on less well-studied periods and regions, in particular late mediaeval Eastern Europe. The Oxford Handbook of Latin Palaeography is also distinguished from prior handbooks by its extensive focus on codicology and on the cultural settings and contexts of mediaeval books. Essays treat of various important features, formats, styles, and genres of mediaeval books, and of representative mediaeval libraries as intellectual centers. Additional studies explore questions of orality and the written word, the book trade, glossing and glossaries, and manuscript cataloguing. The extensive plates and figures in the volume will provide readers wtih clear illustrations of the major points, and the succinct bibliographies in each essay will direct them to more detailed works in the field.
| Author | : Christopher De Hamel |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Book industries and trade |
| ISBN | : 9781851244683 |
Many beautiful illuminated manuscripts survive from the Middle Ages and can be seen in libraries and museums throughout Europe. But who were the skilled craftsmen who made these exquisite books? What precisely is parchment? How were medieval manuscripts designed and executed? What were the inks and pigments, and how were they applied? This book looks at the work of scribes, illuminators and book binders. 0Based principally on examples in the Bodleian Library, this lavishly illustrated account tells the story of manuscript production from the early Middle Ages through to the high Renaissance. Each stage of production is described in detail, from the preparation of the parchment, pens, paints and inks to the writing of the scripts and the final decoration and illumination of the manuscript. This book also explains the role of the stationer or bookshop, often to be found near cathedral and market squares, in the commissioning of manuscripts, and it cites examples of specific scribes and illuminators who can be identified through their work as professional lay artisans.0Christopher de Hamel's text is accompanied by a glossary of key technical terms relating to manuscripts and illumination, providing an invaluable introduction for anyone interested in studying medieval manuscripts today.
