Mannerism

Mannerism
Author: John Shearman
Publisher:
Total Pages: 0
Release: 1979
Genre:
ISBN:

Mannerism, Spirituality and Cognition

Mannerism, Spirituality and Cognition
Author: LYNETTE M. F. BOSCH
Publisher: Routledge
Total Pages: 0
Release: 2023-05
Genre: Art
ISBN: 9781032569871

This book employs a new approach to the art of sixteenth-century Europe by incorporating rhetoric and theory to enable a reinterpretation of elements of Mannerism as being grounded in sixteenth-century spirituality. Lynette M. F. Bosch examines the conceptual vocabulary found in sixteenth-century treatises on art from Giorgio Vasari to Federico Zuccari, which analyses how language and spirituality complement the visual styles of Mannerism. By exploring the way in which writers from Leone Ebreo to Gabriele Paleotti describe the interaction between art and spirituality, Bosch establishes a religious base for the language of art in sixteenth-century Europe. The book will be of interest to scholars working in art history, Renaissance studies, religious studies, and religious history.

Maniera

Maniera
Author: Bastian Eclercy
Publisher: Prestel Publishing
Total Pages: 0
Release: 2016
Genre: Art, Italian
ISBN: 9783791355061

Brimming with numerous illustrations and essays, this lavish book brings together the best in Mannerist art from the city of Florence, where the movement was born. Emerging in the early 16th century on the heels of the Renaissance, the mannerist style arose out of the art world's attempts to further the incredible achievements of Michelangelo, Leonardo, and Raphael. Mannerist art comprises many facets: it is elegant, cultivated, and sophisticated but also artificial, extravagant, and sometimes even bizarre. Some called the art of Maniera "the stylish style." Spanning the period from the return of the Medici in 1512 and the first tentative steps of the new generation of artists to the definition of the Maniera in Giorgio Vasari's Lives of the Artists in 1568, more than 120 paintings, drawings, and sculptures from the world's leading museums are gathered in this book. It features works by Andrea del Sarto, Rosso Fiorentino, and Giorgio Vasari with a special focus on the work of Pontormo and Bronzino, the central figures of Florentine mannerism. The developments in art during the decades in question are closely related to the history of the city of Florence. Refined elegance and creative extravagance render the painters of the Maniera a particular phenomenon in the art of Italy. This beautifully produced and authoritative book presents the achievements and practitioners of one of the most intriguing and influential periods in the history of European art.

Readings in Italian Mannerism

Readings in Italian Mannerism
Author: Liana De Girolami Cheney
Publisher: Peter Lang Pub Incorporated
Total Pages: 348
Release: 2004-01-01
Genre: Art
ISBN: 9780820470634

The aim of this book is to focus on the origin of the historiography of the terms <I>Mannerism and <I>Maniera in paintings and drawings of the sixteenth-century in Italy. The articles herewith presented fall into two categories. The first group explains the definition of the terms <I>Mannerism and <I>Maniera, their periodicity, and their sources as illustrated by Giorogio Vasari, John Shearman, Craig Hugh Smyth, and Sydney Freedberg. The second deals with the polemic associated with the usage of the term and historiography and its application as voiced by Walter Friedlaender, Max Dvorak, Ernst Gombrich, Henri Zerner, David Summers, Malcolm Campbell, and Iris Cheney.

In Michelangelo's Mirror

In Michelangelo's Mirror
Author: Morten Steen Hansen
Publisher: Penn State Press
Total Pages: 238
Release: 2013
Genre: Art
ISBN: 0271056401

"Explores the imitation of Michelangelo by three artists, Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi, from the 1520s to the time around Michelangelo's death in 1564. Argues that his Mannerist followers applied imitation to identify with and/or create ironical distance from to the older artist"--Provided by publisher.

Shakespeare and the Mannerist Tradition

Shakespeare and the Mannerist Tradition
Author: Jean-Pierre Maquerlot
Publisher: Cambridge University Press
Total Pages: 220
Release: 1995
Genre: Drama
ISBN: 9780521410830

This 1996 book offers an original approach to Shakespeare's so-called 'problem plays' by contending that they can be viewed as experiments in the Mannerist style. The plays reappraised here are Julius Caesar, Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure. How can a term used to define a movement in art history be made relevant to theatrical analysis? Maquerlot shows how famous painters of sixteenth-century Italy cultivated structural ambiguity or dissonance in reaction to the classical canons of the High Renaissance. Close readings of Shakespeare's plays, from the period 1599 to 1604, reveal intriguing analogies with Mannerist art and the dramatist's response to Elizabethan formalism. Maquerlot concludes by examining Othello, which marks the end of Shakespeare's Mannerist experiments, and the less equivocal use of artifice in his late romances.

Painting in Renaissance Florence, 1500-1550

Painting in Renaissance Florence, 1500-1550
Author: David Franklin
Publisher: Yale University Press
Total Pages: 292
Release: 2001-01-01
Genre: Art
ISBN: 0300083998

Franklin's unprecedented examination of Vasari's work as a painter in relation to his vastly better-known writings fully illuminates these dual strands in Florentine art and offers us a clearer understanding of sixteenth-century painting in Florence than ever before." "The volume focuses on twelve painters: Perugino, Leonardo de Vinci, Piero di Cosimo, Michelangelo, Fra Bartolomeo, Ridolfo Ghirlandaio, Andrea del Sarto, Franciabigio, Rosso Fiorentino, Jacopo da Pontormo, Francesco Salviati and Giorgio Vasari."--BOOK JACKET.

Luxury Arts of the Renaissance

Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
Total Pages: 292
Release: 2005-10-01
Genre: Art
ISBN: 0892367857

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.