Man Of The Renaissance The Four Lawgivers
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Magnifico
Author | : Miles J. Unger |
Publisher | : Simon and Schuster |
Total Pages | : 539 |
Release | : 2008-05-06 |
Genre | : Biography & Autobiography |
ISBN | : 1416545107 |
A vividly colorful portrait of one of the greatest and most fascinating figures of the Renaissance, Lorenzo de' Medici, focusing on his role as a brilliant—sometimes ruthless—statesman who was responsible for the artistic flowering of Florence, the city where the Renaissance first blossomed. Lorenzo de' Medici—a leading statesman, the uncrowned ruler of Florence during its golden age, a true Renaissance man known to history as Il Magnifico (the Magnificent). Lorenzo was not only the foremost patron of his day but also a renowned poet, equally adept at composing philosophical verses and obscene rhymes to be sung at Carnival. He befriended the greatest artists and writers of the time—Leonardo, Botticelli, Poliziano, and, especially, Michelangelo, whom he discovered as a young boy and invited to live at his palace—and, in the process, turned Florence into the cultural capital of Europe. Though Lorenzo's grandfather Cosimo had converted the vast wealth of the family bank into political power, Lorenzo's position was precarious. Bitter rivalries among the leading Florentine families and competition among the squabbling Italian states meant that Lorenzo's life was under constant threat. Those who plotted his death included a pope, a king, and a duke, but Lorenzo used his legendary charm and diplomatic skill—as well as occasional acts of violence—to navigate the murderous labyrinth of Italian politics. Florence in the age of Lorenzo was a city of contrasts, of unparalleled artistic brilliance and unimaginable squalor in the city's crowded tenements; of both pagan excess and the fire-and-brimstone sermons of the Dominican preacher Savonarola. Florence gave birth to both the otherworldly perfection of Botticelli's Primavera and the gritty realism of Machiavelli's The Prince. Nowhere was this world of contrasts more perfectly embodied than in the life and character of the man who ruled this most fascinating city.
Three Golden Ages
Author | : Alf J. Mapp |
Publisher | : Madison Books |
Total Pages | : 670 |
Release | : 1998-11-13 |
Genre | : History |
ISBN | : 146173598X |
In this intriguing book, best-selling author Alf Mapp, Jr. explores three periods in Western history that exploded with creativity: Elizabethan England, Renaissance Florence, and America's founding. What enabled these societies to make staggering jumps in scientific knowledge, develop new political structures, or create timeless works of art?
Titian's Portraits through Aretino's Lens
Author | : |
Publisher | : Penn State Press |
Total Pages | : 240 |
Release | : |
Genre | : Art |
ISBN | : 9780271044255 |
After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.
Machiavelli
Author | : Miles Unger |
Publisher | : Simon and Schuster |
Total Pages | : 418 |
Release | : 2012-06-12 |
Genre | : Biography & Autobiography |
ISBN | : 1416556303 |
Few philosophers are more often referred to and more often misunderstood than Machiavelli. He was truly a product of the Renaissance, and he was as much a revolutionary in the field of political philosophy as Leonardo or Michelangelo were in painting and sculpture. He watched his native Florence lose its independence to the French, thanks to poor leadership from the Medici successors to the great Lorenzo (Il Magnifico). Machiavelli was a keen observer of people, and he spent years studying events and people before writing his famous books. Descended from minor nobility, Machiavelli grew up in a household that was run by a vacillating and incompetent father. He was well educated and smart, and he entered government service as a clerk. He eventually became an important figure in the Florentine state but was defeated by the deposed Medici and Pope Julius II. He was tortured but eventually freed by the restored Medici. No longer employed, he retired to his home to write the books for which he is remembered. Machiavelli had seen the best and the worst of human nature, and he understood how the world operated. He drew his observations from life, and he was appropriately cynical in his writing, given what he had personally experienced. He was an outstanding writer, and his work remains fascinating nearly 500 years later.
Renaissance Lawgivers
Author | : Ralph Roeder |
Publisher | : Transaction Publishers |
Total Pages | : 593 |
Release | : 2011-06-01 |
Genre | : History |
ISBN | : 1412848911 |
Originally published under title: The man of the Renaissance. New York: Viking, 1933. With new introd.
Michelangelo
Author | : Miles J. Unger |
Publisher | : Simon and Schuster |
Total Pages | : 448 |
Release | : 2015-07-21 |
Genre | : Art |
ISBN | : 1451678789 |
Among the immortals--Leonardo, Rembrandt, Picasso--Michelangelo stands alone as a master of painting, sculpture, and architecture. He was not only the greatest artist in an age of giants, but a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse and promoting the novel idea that it was the artist, rather than the lord who paid for it, who was creative force behind the work. This is the life of perhaps the most famous, most revolutionary artist in history, told through the stories of six of his magnificent masterpieces.
Sprezzatura
Author | : Peter D'Epiro |
Publisher | : Anchor |
Total Pages | : 418 |
Release | : 2001-10-02 |
Genre | : History |
ISBN | : 038572019X |
A witty, erudite celebration of fifty great Italian cultural achievements that have significantly influenced Western civilization from the authors of What Are the Seven Wonders of the World? “Sprezzatura,” or the art of effortless mastery, was coined in 1528 by Baldassare Castiglione in The Book of the Courtier. No one has demonstrated effortless mastery throughout history quite like the Italians. From the Roman calendar and the creator of the modern orchestra (Claudio Monteverdi) to the beginnings of ballet and the creator of modern political science (Niccolò Machiavelli), Sprezzatura highlights fifty great Italian cultural achievements in a series of fifty information-packed essays in chronological order.
The Prince
Author | : Niccolo Machiavelli |
Publisher | : Bantam Classics |
Total Pages | : 219 |
Release | : 2003-01-01 |
Genre | : Political Science |
ISBN | : 0553897373 |
The Prince Here is the world’s most famous master plan for seizing and holding power. Astonishing in its candor, The Prince even today remains a disturbingly realistic and prophetic work on what it takes to be a prince...a king...a president. When, in 1512, Machiavelli was removed from his post in his beloved Florence, he resolved to set down a treatise on leadership that was practical, not idealistic. The prince he envisioned would be unencumbered by ordinary ethical and moral values; his prince would be man and beast, fox and lion. Today this small sixteenth-century masterpiece has become essential reading for every student of government and is the ultimate book on power politics. This Bantam Classic edition of The Prince includes selections from Machiavelli’s Discourses as well as an introduction and notes by the translator, Daniel Donno.