Man And His World Terres Des Hommes
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| Author | : The Noranda Lectures/ Expo 67 |
| Publisher | : University of Toronto Press |
| Total Pages | : 940 |
| Release | : 1968-12-15 |
| Genre | : Philosophy |
| ISBN | : 1487590172 |
The fruits of a unique cultural exchange are brought together in this unusual book. Twenty-eight of the most eminent men and women of our generation – philosophers, historians, and scientists from nineteen countries – here discuss what they consider the most vital issues of our day. Paul-Henri Spaak, Barbara Ward, Gunnar Mydral, Linus Pauling, and many others participated in the Noranda lecture series at Expo 67 in Montreal, and each is concerned here with a special aspect of Expo's theme: Man and His World. The approaches to the theme are as varied as the backgrounds of the speakers. Some of the essays give a revealing and optimistic description of the national and international efforts to ensure a future for mankind; others, less optimistic, stress the increasing insanity of the world and draw attention to the poverty, starvation, hatred, waste, and war which destroy what creative men have built. One group of papers deals with the idea of progress. André Leroi Gourhan offers a panoramic description of man's cultural evolution and sketches the vast possibilities of future development; Karl Löwith questions the very notion of progress and observes that much "progressive" development has resulted in nothing but destruction; Félix Houphouët-Boigny, president of the Ivory Coast Republic, describes progress in one section of the world – Africa, and the Ivory Coast in particular. Other lectures deal with such diverse topics as the proper role of government, the modern scientist, formal and informal aspects of education, the history of architecture, recent biological contributions of chemistry, the population explosion, new advances in physics, and the world as a separate entity from man. "The world as universe is not made by man," Professor Löwith reminds us. "It is there, even without us, existing for and by itself." Originally sponsored by Noranda Mines Ltd., the lectures attracted wide attention at the time of their delivery and again later when some of them were broadcast on radio and television. Collected in this book, they offer a distillation of some of the most significant thinking of today – clear and cogent presentations of ideas that have won Nobel prizes for some of their creators and international recognition for all. In her Introduction, Helen Hogg writes, "It is a book to be sipped and savoured, to be dipped into again and again. Such an approach will enable the reader best to appreciate the penetrating commentaries of some of the world's greatest figures."
| Author | : Craig Moyes |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 471 |
| Release | : 2022-06-17 |
| Genre | : Art |
| ISBN | : 0228013313 |
In 1967, Montreal hosted Man and His World/Terre des hommes. By far the most successful cultural event ever produced in Canada, it was embraced by the public at the same time as intellectuals from Marshall McLuhan to Umberto Eco hailed it as a new type of exhibition for a new global age. Because it was held where and when it was – on a man-made archipelago in the St Lawrence River seven years into Quebec’s Quiet Revolution – Expo 67 also provided a prism through which the idea of the nation could be refracted and recast in original ways. Misunderstood by some scholars as an expensive exercise in official patriotism, while maligned by Quebec intellectuals as a crypto-federalist distraction from the real business of national independence, the fair nevertheless showcased Montreal as the de facto capital of a suddenly modern Quebec engaging with a late-modern world. Expo 67 and Its World proposes a reappraisal of the 1967 Montreal International and Universal Exhibition across a range of political, social, and cultural spaces: from the dispossession of Indigenous Peoples and what was then known as the Third World, through the aspirations of Montreal, Quebec, and Canada, to the increasingly global ambit of youth culture, medicine, film, and finance. A new approach to understanding Expo 67, the collection challenges assumptions about the significance of the event to Canadian, Québécois, and First Nations history.
| Author | : Bill Cotter |
| Publisher | : Arcadia Publishing |
| Total Pages | : 182 |
| Release | : 2020-02-03 |
| Genre | : Technology & Engineering |
| ISBN | : 1439658102 |
In 1967, Canada celebrated the 100th anniversary of its founding with a spectacular party, and the whole world was invited. Montreal's Expo 67 was the first world's fair held in Canada, and it was a huge success, attracting over 50 million visitors. The 1,000-acre site was built on two man-made islands in the St. Lawrence River and incorporated 90 futuristic pavilions created by some of the world's greatest architects and designers. Over 60 countries were represented, along with many private, corporate and thematic pavilions, all brought together under the theme "Man and his World." With performers and entertainers of all varieties, restaurants, cultural attractions, exhibitions and a world-class amusement park, Expo 67 was literally the party of the century, exceeding all expectations.
| Author | : Leonard B. Kuffert |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 366 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 9780773526013 |
In A Great Duty>/I>L.B. Kuffert shows that the history of Canadian culture from the war to Canada's centenary is much richer and more complex than has previously been recognized. He looks at the responses of cultural critics to such topics as war, reconstruction, science, conformity, personality, and commemoration, catching outspoken observers in the act of synthesizing new interpretations of the contemporary world and protesting the dominance of mass-produced entertainment.English-Canadian cultural critics from across the political spectrum championed self-improvement, self-awareness, and lively engagement with one's surroundings, struggling to find a balance between the social benefits of democracy and modernization and what they considered the debilitating influence of the accompanying mass culture. They used print and broadcast media in an attempt to convince Canadians that choosing wisely between varieties of culture was an expression of personal and national identity, making cultural nationalism in Canada a "middlebrow" project. As Kuffert argues, "if English Canadians are today more familiar with the ways in which modern life and mass culture envelop and define them, if they live in a nation where private citizens and cultural institutions view the media as avenues of entertainment, as businesses, or as the means to construct identity, they should be aware of the role of wartime and post-war cultural critics" in creating those orientations toward culture.
| Author | : Janine Marchessault |
| Publisher | : MIT Press |
| Total Pages | : 367 |
| Release | : 2023-10-31 |
| Genre | : Art |
| ISBN | : 0262549743 |
When media translate the world to the world: twentieth-century utopian projects including Edward Steichen's “Family of Man,” Jacques Cousteau's underwater films, and Buckminster Fuller's geoscope. Postwar artists and architects have used photography, film, and other media to imagine and record the world as a wonder of collaborative entanglement—to translate the world for the world. In this book, Janine Marchessault examines a series of utopian media events that opened up and expanded the cosmos, creating ecstatic collective experiences for spectators and participants. Marchessault shows that Edward Steichen’s 1955 “Family of Man” photography exhibition, for example, and Jacques Cousteau’s 1956 underwater film Le monde du silence (The Silent World) both gave viewers a sense of the earth as a shared ecology. The Festival of Britain (1951)—in particular its Telekinema (a combination of 3D film and television) and its Live Architecture exhibition—along with Expo 67’s cinema experiments and media city created an awareness of multiple worlds. Toronto’s alternative microcinema CineCycle, Agnès Varda’s 2000 film Les glaneurs et la glaneuse, and Buckminster Fuller’s World Game (geoscope), representing ecologies of images and resources, encouraged planetary thinking. The transspecies communication platform the Dolphin Embassy, devised by the Ant Farm architecture collaborative, extends this planetary perspective toward other species; and Finnish artist Erkki Kurenniemi’s “Death of the Planet” projects a postanthropocentric future. Drawing on sources that range from the Scottish town planner Patrick Geddes to the French phenomenologist Maurice Merleau-Ponty, Marchessault argues that each of these media experiments represents an engagement with connectivity and collectivity through media that will help us imagine a new form of global humanism.
| Author | : Rhona Richman Kenneally |
| Publisher | : University of Toronto Press |
| Total Pages | : 281 |
| Release | : 2010-12-11 |
| Genre | : Social Science |
| ISBN | : 144266021X |
Expo 67, the world's fair held in Montreal during the summer of 1967, brought architecture, art, design, and technology together into a glittering modern package. Heralding the ideal city of the future to its visitors, the Expo site was perceived by critics as a laboratory for urban and architectural design as well as for cultural exchange, intended to enhance global understanding and international cooperation. This collection of essays brings new critical perspectives to Expo 67, an event that left behind a significant material and imaginative legacy. The contributors to this volume reflect a variety of interdisciplinary approaches and address Expo 67 across a broad spectrum ranging from architecture and film to more ephemeral markers such as postcards, menus, pavilion displays, or the uniforms of the hostesses employed on the site. Collectively, the essays explore issues of nationalism, the interplay of tradition and modernity, twentieth-century discourse about urban experience, and the enduring impact of Expo 67's technological experimentation. Expo 67: Not Just a Souvenir is a compelling examination of a world's fair that had a profound impact locally, nationally, and internationally.
| Author | : Helge Dedek |
| Publisher | : Cambridge University Press |
| Total Pages | : 325 |
| Release | : 2021-12-16 |
| Genre | : Law |
| ISBN | : 1108899137 |
H. Patrick Glenn (1940–2014), Professor of Law and former Director of the Institute of Comparative Law at McGill University, was a key figure in the global discourse on comparative law. This collection is intended to honor Professor Glenn's intellectual legacy by engaging critically with his ideas, especially focusing on his visions of a 'cosmopolitan state' and of law conceptualized as 'tradition'. The book explores the intellectual history of comparative law as a discipline, its attempts to push the objects of its study beyond the positive law of the nation-state, and both its potential and the challenges it must confront in the face of the complex phenomena of globalization and the internationalization of law. An international group of leading scholars in comparative law, legal philosophy, legal sociology, and legal history takes stock of the field of comparative law and where it is headed.
| Author | : Anna Westerstahl Stenport |
| Publisher | : Indiana University Press |
| Total Pages | : 387 |
| Release | : 2019-02-18 |
| Genre | : Performing Arts |
| ISBN | : 0253040329 |
A collection of essays analyzing the representation of the Arctic region in documentary films. Beginning with Robert Flaherty’s Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds come together to provide a comprehensive study of Arctic documentary cinemas from a transnational perspective. This book offers a thorough analysis of the concept of the Arctic as it is represented in documentary filmmaking, while challenging the notion of “The Arctic” as a homogenous entity that obscures the environmental, historical, geographic, political, and cultural differences that characterize the region. By examining how the Arctic is imagined, understood, and appropriated in documentary work, the contributors argue that such films are key in contextualizing environmental, indigenous, political, cultural, sociological, and ethnographic understandings of the Arctic, from early cinema to the present. Understanding the role of these films becomes all the more urgent in the present day, as conversations around resource extraction, climate change, and sovereignty take center stage in the Arctic’s representation. “Highly recommended.” —Choice “A thorough exploration of the inexorable links between the circumpolar regions and historic and contemporary documentary filmmaking. It will b valuable to Arctic humanities specialists, particularly as a welcome addition to scholarship on visual depictions of the Arctic by authors such as Ann Fienup-Riordan, Richard Condon, Russell Potter, and Peter Geller, as well as Mackenzie and Westerstahl Steport’s earlier co-edited volume, Films on Ice. It will also be of use to anyone interested in ways of studying linkages between filmmaking, environments, and local and outsider communities.” —Sarah Pickman, Yale University, H-Environment, January 2020
| Author | : Erin Hurley |
| Publisher | : University of Toronto Press |
| Total Pages | : 257 |
| Release | : 2011-01-01 |
| Genre | : Performing Arts |
| ISBN | : 1442660171 |
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec.
| Author | : John Lownsbrough |
| Publisher | : Penguin Canada |
| Total Pages | : 353 |
| Release | : 2012-04-17 |
| Genre | : History |
| ISBN | : 0143184016 |
A pivotal event in Canada’s history For six months in 1967, from late April until the end of October, Canada and its world's fair, Expo 67, became the focus of national and international attention in a way the country and its people had rarely experienced. Expo 67 crystallized the buoyant mood and newfound sense of confidence many felt during Canada's centennial. It becomes clearer, though, as its forty-fifth anniversary approaches in spring 2012, that Expo was something more than just a great world's fair. For many Canadians, it became a touchstone, a popular event that penetrated the collective psyche. The Best Place to Be takes a look at Expo and at the social and political contexts in which it occurred. It is above all a story of people: the young men and women who worked at Expo, the visitors, and the cameo appearances from the titled and celebrated, such as Elizabeth II, President Lyndon Johnson, President Charles de Gaulle (whose visit to Expo and Montreal became infamous), U.S. Senator Robert F. Kennedy, Jacqueline Kennedy, Princess Grace of Monaco, Princess Margaret, Marshall McLuhan, Sidney Poitier, Laurence Olivier, Cary Grant, Twiggy, and Pierre Trudeau.
