MAM-Museu de Arte Moderna de São Paulo
Author | : Vera d'Horta Beccari |
Publisher | : Dorea Books and Art (DBA) |
Total Pages | : 180 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
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Author | : Vera d'Horta Beccari |
Publisher | : Dorea Books and Art (DBA) |
Total Pages | : 180 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
Author | : Adele Nelson |
Publisher | : Univ of California Press |
Total Pages | : 389 |
Release | : 2022-01-04 |
Genre | : Art |
ISBN | : 0520379845 |
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
Author | : Mari Rodríguez Binnie |
Publisher | : University of Texas Press |
Total Pages | : 368 |
Release | : 2024-09-17 |
Genre | : Art |
ISBN | : 1477329889 |
How artists challenged a military dictatorship through mass print technologies in 1970s and 1980s São Paulo. Throughout the 1970s and into the 1980s, during Brazil's military dictatorship, artists shifted their practices to critique the government and its sanitized images of Brazil, its use of torture, and its targeted persecutions. Mari Rodríguez Binnie's The São Paulo Neo-Avant-Garde examines these artworks and their engagement with politics and mainstream art institutions and practices. As Binnie skillfully shows, artists appropriated processes like photocopy, offset lithography, and thermal and heliographic printing, making newly available technologies of mass production foundational to their work of resistance against both the dictatorship and the established art world. Often working collaboratively, these artists established alternative networks of exchange locally and internationally to circulate their work. As democracy was reestablished in Brazil, and in the decades that followed, their works largely fell out of sight. Here, in the first English-language book to focus entirely on conceptual practices in São Paulo in the 1970s and 1980s, Binnie unearths a scene critical to the development of contemporary Brazilian Art.
Author | : Zanna Gilbert |
Publisher | : Getty Publications |
Total Pages | : 338 |
Release | : 2021-08-24 |
Genre | : Art |
ISBN | : 1606067230 |
Presenting new scholarship, this publication is an innovative technical study of the Concrete art movement in Latin America. Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s. Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Van Doesburg argued that there was nothing more real than a line, color, or plane. Artists such as Willys de Castro, Lygia Clark, Waldemar Cordeiro, Hermelindo Fiaminghi, Judith Lauand, Raúl Lozza, Tomás Maldonado, Hélio Oiticica, and Rhod Rothfuss would reinvent this concept in postwar Latin America. Drawing on research conducted by Getty and international partners, the essays in this volume address a variety of topics, including the general history, emergence, and reception of Concrete art; processes and color; scientific analysis of works; illustrated chronologies of the paint industry in Brazil and Argentina; and Concrete design on paper. An innovative technical study of the Concrete art movement in Latin America, this volume will be indispensable to scholars, practitioners, and students of Latin American art.
Author | : María Amalia García |
Publisher | : University of California Press |
Total Pages | : 320 |
Release | : 2019-07-16 |
Genre | : Art |
ISBN | : 0520302192 |
Toward the middle of the 1950s, abstract art became a dominant trend in the Latin American cultural scene. Many artists incorporated elements of abstraction into their rigorous artistic vocabularies, while at the same time, the representation of geometric lines and structures filtered into everyday life, appearing in textiles, posters, murals, and landscapes. The translation of a field-changing Spanish-language book, Abstract Crossings analyzes the relationship between, on the one hand, the emergence of abstract proposals in avant-garde groups and, on the other, the institutionalization and newfound hegemony of abstract poetics as part of Latin America’s imaginary of modernization. A profusion of mid-century artistic institutional exchanges between Argentina and Brazil makes a study of the trajectories of abstraction in these two countries particularly valuable. Examining the work of artists such as Max Bill, Lygia Clark, Waldemar Cordeiro, and Tomás Maldonado, author María Amalia García rewrites the artistic history of the period and proposes a novel reading of the cultural dialogue between Argentina and Brazil. This is the first book in the new Studies on Latin American Art series, supported by a gift from the Institute for Studies on Latin American Art.
Author | : Pia Gottschaller |
Publisher | : Getty Publications |
Total Pages | : 154 |
Release | : 2017-09-16 |
Genre | : Art |
ISBN | : 1606065297 |
In the years after World War II, artists in Argentina and Brazil experimented with geo-metric abstraction and engaged in lively debates about the role of the artwork in society. Some of these artists used novel synthetic materials, creating objects that offered an alternative to established traditions in painting—proposing that these objects become part of everyday, concrete reality. Combining art historical and scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Colección Patricia Phelps de Cisneros, a world-renowned collection of Latin American art, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein. Making Art Concrete presents works by Lygia Clark, Willys de Castro, Judith Lauand, Raúl Lozza, Hélio Oiticica, and Rhod Rothfuss, among others, with spectacu-lar new photography. The photographs, along with information about the now-invisible processes that determine the appearance of these works, are key to interpreting the artists’ technical choices as well as the objects themselves. Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists’ propositions, making a compelling addition to the field of postwar Latin American art.
Author | : DK Travel |
Publisher | : Penguin |
Total Pages | : 601 |
Release | : 2023-11-28 |
Genre | : Travel |
ISBN | : 0744095220 |
Energetic cities, lush rainforests and more diverse wildlife than anywhere else on Earth – this is Brazil. Whether you want to spot jaguars on the Paraguay river, tuck into regional dishes in São Paulo or party all day at Rio de Janeiro's Carnival your DK Eyewitness travel guide makes sure you experience all that Brazil has to offer. From the Amazon jungle to the immense Iguaçu Falls, South America’s largest country is packed with natural wonders. But it’s not all about white-sand beaches and tropical wetlands. Across Brazil, metropolises pulsate with music, restaurants serve the freshest food and museums invite visitors to examine the past and ponder the future. Our updated 2023 travel guide brings Brazil to life. DK Eyewitness Brazil is your ticket to the trip of a lifetime. Inside DK Eyewitness Brazil you will find: -A fully-illustrated top experiences guide: our expert pick of Brazil’s must-sees and hidden gems. -Accessible itineraries to make the most out of each and every day. -Expert advice: honest recommendations for getting around safely, when to visit each sight, what to do before you visit, and how to save time and money. -Color-coded chapters to every part of Brazil, from the Amazon to the Rio Grande do Sul, Salvador to São Paulo State. -Practical tips: the best places to eat, drink, shop and stay. -Detailed maps and walks to help you navigate the region country easily and confidently. -Covers: Janeiro Centro, Santa Teresa and Lapa, Ipanema and Copacabana, Flamengo and Botafogo, Rio de Janeiro and Espírito Santo Sao Paulo City, Sao Paulo State, Minas Gerais, Rio Grande do Sul, Santa Catarina and Paraná Brasília, Goiás, and Tocantins Mato Grosso and Mato, Grosso Sul, Salvador, Bahia, Sergipe, Alagoas and Pernambuco, Paraíba, Rio Grande do Norte and Ceará, Piauí and Maranhao, The Amazon. Only visiting Rio de Janeiro? Try our DK Eyewitness Top 10 Rio de Janeiro
Author | : David Challis |
Publisher | : BRILL |
Total Pages | : 274 |
Release | : 2021-08-04 |
Genre | : Art |
ISBN | : 9004468714 |
Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War impacted the supply and demand dynamics of the market for French modernist art.
Author | : Iria Candela |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 206 |
Release | : 2017-03-20 |
Genre | : Art |
ISBN | : 1588396169 |
Lygia Pape (1927–2004) was one of the most acclaimed and influential Brazilian artists of the twentieth century. As a prominent member of a generation of artists, architects, and designers who embraced the optimistic and constructive spirit of postwar Brazil, she is particularly known for her participation in the experimental art movement Neoconcretism, which sought to rework the legacy of European avant-garde abstraction to suit a new cultural context. Beyond the specific aims of Neoconcretism, however, Pape engaged with a wide range of media painting, drawing, poetry, graphic design and photography, film and performance—constantly experimenting in a quest to confront the canonical and discover unexplored territories in modern art. Following a coup d’etat in 1964, when the establishment of an authoritarian regime shattered dreams of shared prosperity in Brazil, Pape continued to pursue her art against difficult odds. The streets of Rio de Janeiro became her ultimate source of inspiration, as she created participatory works that questioned the space between artist and viewer and the social context of art itself. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} This beautifully illustrated publication accompanies the first major exhibition in the United States devoted to the work of Lygia Pape. Featuring essays by art historians in both North and South America, as well as two previously untranslated interviews with the artist and an illustrated chronology, Lygia Pape is a testament to the artist’s lasting importance to the modern art and culture of Latin America and to her position as a major figure of the international avant-garde.