A Short Account of Great Malvern Priory Church
Author | : Anthony Charles Deane |
Publisher | : |
Total Pages | : 124 |
Release | : 1914 |
Genre | : Glass painting and staining |
ISBN | : |
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Author | : Anthony Charles Deane |
Publisher | : |
Total Pages | : 124 |
Release | : 1914 |
Genre | : Glass painting and staining |
ISBN | : |
Author | : James Nott (of Malvern, Eng.) |
Publisher | : |
Total Pages | : 224 |
Release | : 1899 |
Genre | : Flooring, Tile |
ISBN | : |
Author | : Pauline Conolly |
Publisher | : Robert Hale |
Total Pages | : 237 |
Release | : 2014-03-31 |
Genre | : True Crime |
ISBN | : 0719814812 |
The Water Doctor's Daughters is the fascinating tale of Dr James Marsden, a wealthy nineteenth-century homeopathist and water-cure practitioner, and his troubled family life. Though Marsden's children grew up knowing some of the most famous personalities of the day, including Charles Darwin and Alfred Tennyson, they were severely emotionally deprived. Their mother had died in childbirth and Marsden himself was both self-absorbed and autocratic. In 1852 he employed French born Celestine Doudet as a governess. Doudet came highly recommended, having once served as wardrobe mistress to Queen Victoria. Within weeks she had accused the doctor's five young daughters of 'self-abuse'. Marsden urged the governess to do everything in her power to 'cure' them, condoning the use of physical restraints and insisting on a rigid homeopathic diet aimed at decreasing sensuality. By the autumn of 1853 Marian Marsden and her sister Lucy were dead and the governess was charged with manslaughter and cruelty. Two sensational trials followed, but who was more culpable - the girls' father or their governess?
Author | : Alan Brooks |
Publisher | : Yale University Press |
Total Pages | : 940 |
Release | : 2007-01-01 |
Genre | : Architecture |
ISBN | : 9780300112986 |
Previous ed.: Harmondsworth: Penguin, 1968, by Nikolaus Pevsner.
Author | : Will Vaus |
Publisher | : InterVarsity Press |
Total Pages | : 272 |
Release | : 2004-03-30 |
Genre | : Religion |
ISBN | : 9780830827824 |
Will Vaus masterfully brings together Lewis's thought from throughout his voluminous writings to provide us a full-orbed look into his beliefs on twenty-five Christian themes.
Author | : Richard Marks |
Publisher | : Routledge |
Total Pages | : 356 |
Release | : 2006-01-16 |
Genre | : History |
ISBN | : 1134967500 |
First published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.
Author | : J. M. Lewis |
Publisher | : National Museum Wales |
Total Pages | : 294 |
Release | : 1999 |
Genre | : History |
ISBN | : 9780720004601 |
A detailed study of Welsh finds from the medieval period, when tiles floors were first fashionable, and the manufacture of the earthenware tiles was at its height
Author | : Thomas Tindall Wildridge |
Publisher | : |
Total Pages | : 262 |
Release | : 1899 |
Genre | : Christian art and symbolism |
ISBN | : |
Author | : Margaret Aston |
Publisher | : Cambridge University Press |
Total Pages | : 1994 |
Release | : 2015-11-26 |
Genre | : History |
ISBN | : 1316060470 |
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.